Nan

doomed

“Wild Geese”, by Mary Oliver

TOP BOYS by @QUEERGARDEN

From another article i read today 😭

And the only way they resolve it is by taking a leap of faith. Both of them. Sure, maybe Kageyama more than Hinata, but Hinata also has to trust that Kageyama believes in the possibility of something new and even better to work out. And ultimately they need a village to make it happen and work it out and take that leap. And it's changed irreversibly and forever. They cannot go back to the way it was ever, but what they go on with is so much better and it's built on growth and trust instead of trying to cocoon yourself in stability that is simultaneously stasis and ugh!! fuck, it's such a beautiful arc. It pains me to warch it every time, i recoil physically at the explosive friction and tension that build and build and builds until it snaps, but it is so devastatingly real and human and there is so much wisdom and beauty in this argument and its progress and portrayal and man. It really means the world to me.

It's such a realistic fight, for who they are as characters and where they are. Hinata so desperate and hungry to get better and be his own player independent from any one setter. And UGH how they both grow and learn (KAGEYAMA LEARNING A NEW SETTING TECHNIQUE ALL JUST FOR HINATA) and I go feral every time at the next training camp when Kageyama messes up the first floating set and Hinata bumps it quickly with his left arm instead of panicking and they both look at each other and go "he's different..." RRRR THANK YOU TOKYO TRAINING ARC I LOVE YOU TOKYO TRAINING ARC

And the only way they resolve it is by taking a leap of faith. Both of them. Sure, maybe Kageyama more than Hinata, but Hinata also has to trust that Kageyama believes in the possibility of something new and even better to work out. And ultimately they need a village to make it happen and work it out and take that leap. And it's changed irreversibly and forever. They cannot go back to the way it was ever, but what they go on with is so much better and it's built on growth and trust instead of trying to cocoon yourself in stability that is simultaneously stasis and ugh!! fuck, it's such a beautiful arc. It pains me to warch it every time, i recoil physically at the explosive friction and tension that build and build and builds until it snaps, but it is so devastatingly real and human and there is so much wisdom and beauty in this argument and its progress and portrayal and man. It really means the world to me.

It's such a realistic fight, for who they are as characters and where they are. Hinata so desperate and hungry to get better and be his own player independent from any one setter. And UGH how they both grow and learn (KAGEYAMA LEARNING A NEW SETTING TECHNIQUE ALL JUST FOR HINATA) and I go feral every time at the next training camp when Kageyama messes up the first floating set and Hinata bumps it quickly with his left arm instead of panicking and they both look at each other and go "he's different..." RRRR THANK YOU TOKYO TRAINING ARC I LOVE YOU TOKYO TRAINING ARC

And the only way they resolve it is by taking a leap of faith. Both of them. Sure, maybe Kageyama more than Hinata, but Hinata also has to trust that Kageyama believes in the possibility of something new and even better to work out. And ultimately they need a village to make it happen and work it out and take that leap. And it's changed irreversibly and forever. They cannot go back to the way it was ever, but what they go on with is so much better and it's built on growth and trust instead of trying to cocoon yourself in stability that is simultaneously stasis and ugh!! fuck, it's such a beautiful arc. It pains me to warch it every time, i recoil physically at the explosive friction and tension that build and build and builds until it snaps, but it is so devastatingly real and human and there is so much wisdom and beauty in this argument and its progress and portrayal and man. It really means the world to me.