Queen of procrastination

Do a Dustin the Turkey, but with the power to drop it straight into the final.

Send a man dressed in a lycra bodysuit to ride through a fire on a segway. 

Send a troupe of singing morris dancers.

Send the entire clientele of a gay bar and get them pissed before they go on stage. 

Send a lookalike of the Queen and make her sing the sluttiest song you can think of.

Send literally any of the people who immediately get laughed off of the XFactor.

Send at least three drag queens.

Send a minvan full of lesbians who only sing songs about the women they miss.

Here’s another fun story: My boss decided to slap my work phone number on all the ads we post looking for newspaper carriers. So I receive a bunch of calls from people looking for jobs. Working only part time, I’m not usually there when they call, so they have to leave a message and I take their info to pass on to my boss. Sometimes it can be weeks before my boss calls any of these applicants back, if at all. How the callers respond to not getting a callback varies. Most don’t do anything, but some call again. If the person sounds young, they may leave another message clarifying their qualifications and reaffirming their interest. If the person is old, and I can always hear it in their voice, they respond by getting mad, threatening to cancel their newspaper subscription, and occasionally swearing. The older generation is used to getting a callback, and an immediate one, so they throw a tantrum when they don’t get what they want.

Stop-Motion Moana

“We can rebuild her… We have the technology… We know the way!”

A few months ago I ripped apart a Moana doll and made it into a stop-motion puppet using a kinetic armature kit.  

The walk cycle above was the first thing I animated with this puppet, and was just a throw-away practice test with no green screen. I had never done a walk cycle in stop-motion before and soon discovered how difficult animating a straight-ahead cycle within a localized space with no retakes could be.

I showed the cycle to my dad while he was holding my Moana puppet in his hand and he seemed more impressed with this crappy test than the actual animation I did on the movie! I think the combination of him holding the puppet, and then seeing it come to life on the video before him was what blew him away. I guess that’s the appeal and magic of stop-motion. :)

Here’s a second test I animated for fun:

I read that it’s best to have the foot joints nice and tight to hold the weight of the puppet, and have the arms looser.  It’s amazing how much weight those toe and foot ball-joints could hold for the falling poses: