Im In Your Walls

Great dialogue can come from radical emotional honesty. But in most real conversations, people

dodge questions

answer indirectly

lie (badly)

change the subject

crack jokes to avoid serious answers

lie (convincingly)

say half of what they mean

tell the truth but get so anxious/angry/defensive others now think they're lying

If your dialogue feels unnatural, it might be because everyone is saying exactly what they think, or articulating their thoughts too well. Try letting characters hide things instead.

Violence: A Writer’s Guide:  This is not about writing technique. It is an introduction to the world of violence. To the parts that people don’t understand. The parts that books and movies get wrong. Not just the mechanics, but how people who live in a violent world think and feel about what they do and what they see done.

Hurting Your Characters: HURTING YOUR CHARACTERS discusses the immediate effect of trauma on the body, its physiologic response, including the types of nerve fibers and the sensations they convey, and how injuries feel to the character. This book also presents a simplified overview of the expected recovery times for the injuries discussed in young, otherwise healthy individuals.

Body Trauma: A writer’s guide to wounds and injuries. Body Trauma explains what happens to body organs and bones maimed by accident or intent and the small window of opportunity for emergency treatment. Research what happens in a hospital operating room and the personnel who initiate treatment. Use these facts to bring added realism to your stories and novels.

10 B.S. Medical Tropes that Need to Die TODAY…and What to Do Instead: Written by a paramedic and writer with a decade of experience, 10 BS Medical Tropes covers exactly that: clichéd and inaccurate tropes that not only ruin books, they have the potential to hurt real people in the real world. 

Maim Your Characters: How Injuries Work in Fiction: Increase Realism. Raise the Stakes. Tell Better Stories. Maim Your Characters is the definitive guide to using wounds and injuries to their greatest effect in your story. Learn not only the six critical parts of an injury plot, but more importantly, how to make sure that the injury you’re inflicting matters. 

"This is an LGBT safe space. Of COURSE I fully support individuals who identify as transgender and their right to self-determination! I just think that transitioning is a very serious choice and should be heavily regulated. And there could be a lot of harm in exposing cis children to such topics, so we should be really careful about when it is appropriate to mention trans issues or have too much trans visibility."

apparently he (who through my drunken memory I remember only as Earl) liked some woman, and she told him that he wasn't cultured enough and needed to attend his first drag show (she also flaked on him)

Now I'm reasonably androgynous and was wearing makeup, a short leather skirt, and black heeled boots, but still when this guy came up to me when I was standing off alone and asked "So. Do you come here often?" with a very earnest expression, I thought. Surely not. This guy doesn't think I'm a straight woman does he????

Anyway I start talking with this guy and he has no idea what the fuck is going on but he is just a very kind and earnest dude and asked a lot of questions (while asking if it was alright if he asked those questions). I track down my husband and friends and I'm like y'all. We need to make sure that Earl has a Good Fucking Time tonight.

Man was completely out of his depth. At one point they put on a puppy auction to raise money for Pride, that started with a 6 ft drag queen in all her glory leading a leather pup out on a leash to the tune of that damned RSPCA "in the arms of the angels" song

We look at Earl. Nervous. He squints, laughs, and then goes "I was wondering why people were dressed like that!" He turned to me and asked "So they're like dogs?" And I said yeah pretty much. And he just chuckled and went "Yeah I thought so with the tails! Never seen this before!"

When the first drag king came out, Earl looked at me wide eyed and went "There's a dude version too?!" And I said yeah they're called drag kings. And he said, low, "Drag kings."

During one of the queens performances, he frowned, shook his head and told me, "Your legs are better than hers." in a tone that implied he thought there was some travesty taking place and I should also be getting paid

When he found out I was there with my husband (and that I am not a woman) he profusely apologized and said "I'm so sorry, it's dark in here and I thought you were a hot chick! I wouldn't have said nothing if I knew you had a husband, I'm so sorry about that."

When beemovie invited me to the dance floor with him later and I still had a drink in my hand, Earl said "Oh don't worry about that I can hold your drink, you get on out there and shake your ass with your husband!" Then before we left, Earl bought me drinks for "Putting up with me all night and answering everything. Y'all helped me have a great time tonight."

like. You gotta recognize there's going to people who have never had interacted outside of their of their own community. This includes you. And just because your community is familiar with all the right vocabulary and how to correctly say something, it doesn't mean they're actually going to support you. If someone like Earl shows up, confused and out of their depth but kind and curious and earnest, you gotta have patience and truck through the small things, so when he goes back to his friends and his coworkers and they snicker asking how the drag show was, he can genuinely talk about how included we tried to make him feel and that he had a great time