Nikkan Hagaki
(Meiji era)

romaâ
Today's Document
ojovivo

Origami Around

Kaledo Art
Stranger Things


@theartofmadeline
AnasAbdin

Discoholic đŞŠ


titsay
he wasn't even looking at me and he found me
d e v o n
sheepfilms
occasionally subtle
noise dept.

TVSTRANGERTHINGS

seen from Germany
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@spiritguide
Nikkan Hagaki
(Meiji era)

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Paolo Busti and Mathis Chevalier by Luke Abby for "FARMBOYS" project of Average Boys Club
notning makes sense
ph. Slava Mogutin, Analog Human Studies with Martin, 2024

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I see green, icy blue - Giorgos Galanopoulos
â đŽ eXistenZ (1999)
looked up celebrities with my sun moon and rising and didnât recognize anyone so i guess iâm the most famous of us all
for those of you curious
impossible series of events to dress for today. work then fellow graduation then an electropop show?
how the fuck
Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. ââ- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons

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Goddess of Rot Ë᯽ ÝË
The Scream
Ed Archie Noisecat
from the website: The black snake represents pipelines that threaten the ecosystem that both the Orca and Salmon depend on for survival.
âThe Scream, a 63âł tall exhibition of my craft, was conceived and carved while teaching at Pratt Fine Art in Seattle. It is a meditation on the colonial forcesâfossil fuel projects, overfishing, climate change, and moreâthreatening our relatives under the sea, the killer whale. It is also a memorial to Tahlequah, the killer whale mother who swam with her dead calf balanced on her head for 17 days in the summer of 2018. That same summer, my familyâmy daughter Zia, my son Julian, and I paddled through the Salish Sea on the tribal canoe journey to Puyallup. Each paddle stroke and each cut, a prayer for our relations and our Earth.â
-Ed Archie NoiseCat
The morning we depart marks the fourth day that an orca, nicknamed Tahlequah, has made headlines for carrying the corpse of her dead calf with her in a so-called âtour of grief.â Tahlequahâs display of mourningâkeeping her lifeless child afloat for thousands of miles, nudging the babyâs body forward with her headâserves as a morbid reminder of the grim outlook for the southern resident orca population: They number just 75 whales and have not seen a single successful birth in three years. Little surprise, then, that the Center for Whale Research estimates the population has a five-year window to reproduce, after which they will fade into memory.
Native people, particularly on Canoe Journey, follow Tahlequahâs story closely. Many Salish consider killer whales kin. The Lummi, whose homelands lie north of Seattle and who paddle their canoe not far ahead of ours, call the charismatic mammals qwe lhol mechen, which means âour relative under the water.â
The bond is spiritual, but itâs also one of shared suffering. Tahlequahâs calf died largely from social forces: fishermen netting her salmon, industry polluting her waters, and ships disrupting her hunting grounds. Indigenous peoples know these grievancesâand the struggle to protect food and water from those who would pilfer without hesitationâall too well.
Many Native communities know Tahlequahâs grief. It was not so long ago that experts spoke of Indians the way they speak, today, of the southern resident orcas: as endangered, vanishing, the last of their kind. We Indigenous have returned from that catastrophic brink, but the specter of death and disappearance still haunts us. A survey of Native women in Seattle found that 94 percent, or 139 out of 148, were raped or coerced into sex at least once in their lifetime. There is a ghastly trend of Indigenous women and girls going missing and turning up murdered across the United States and Canada. At the end of 2017, Native Americans and Alaska Natives made up 1.8 percent of missing cases in the Federal Bureau of Investigationâs National Crime Information Center database even though they represent just 0.8 percent of the overall population.
-Julian Brave NoiseCat âIn the Salish Sea, Native American Communities Bond Over a Rigorous Canoe Voyageâ Pacific Standard, 11 Oct 2018
Aleksandra Mihajlovic
Grater v2 Khôi Bảo Phấm khoiph.am

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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âBecause the truth is, tech doesnât have an image problem. It doesnât have a message problem. It has an intention problem. Whatâs wrong with the axe murderer who broke into my house is not that he hasnât successfully persuaded me to buy into his narrative. Whatâs wrong is that heâs trying to kill me with an axe. Similarly, when you launch a product thatâs designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isnât that you havenât told the public a good story about those things. The problem is that you are trying to do them.â
â The 40 Most Rage-Inducing Problems in Tech
You canât park there