Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. —–- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons
Acquired Stardust

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YOU ARE THE REASON

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@spiritguide
Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. —–- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons

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Goddess of Rot ˖᯽ ݁˖
The Scream
Ed Archie Noisecat
from the website: The black snake represents pipelines that threaten the ecosystem that both the Orca and Salmon depend on for survival.
“The Scream, a 63″ tall exhibition of my craft, was conceived and carved while teaching at Pratt Fine Art in Seattle. It is a meditation on the colonial forces—fossil fuel projects, overfishing, climate change, and more—threatening our relatives under the sea, the killer whale. It is also a memorial to Tahlequah, the killer whale mother who swam with her dead calf balanced on her head for 17 days in the summer of 2018. That same summer, my family—my daughter Zia, my son Julian, and I paddled through the Salish Sea on the tribal canoe journey to Puyallup. Each paddle stroke and each cut, a prayer for our relations and our Earth.”
-Ed Archie NoiseCat
The morning we depart marks the fourth day that an orca, nicknamed Tahlequah, has made headlines for carrying the corpse of her dead calf with her in a so-called “tour of grief.” Tahlequah’s display of mourning—keeping her lifeless child afloat for thousands of miles, nudging the baby’s body forward with her head—serves as a morbid reminder of the grim outlook for the southern resident orca population: They number just 75 whales and have not seen a single successful birth in three years. Little surprise, then, that the Center for Whale Research estimates the population has a five-year window to reproduce, after which they will fade into memory.
Native people, particularly on Canoe Journey, follow Tahlequah’s story closely. Many Salish consider killer whales kin. The Lummi, whose homelands lie north of Seattle and who paddle their canoe not far ahead of ours, call the charismatic mammals qwe lhol mechen, which means “our relative under the water.”
The bond is spiritual, but it’s also one of shared suffering. Tahlequah’s calf died largely from social forces: fishermen netting her salmon, industry polluting her waters, and ships disrupting her hunting grounds. Indigenous peoples know these grievances—and the struggle to protect food and water from those who would pilfer without hesitation—all too well.
Many Native communities know Tahlequah’s grief. It was not so long ago that experts spoke of Indians the way they speak, today, of the southern resident orcas: as endangered, vanishing, the last of their kind. We Indigenous have returned from that catastrophic brink, but the specter of death and disappearance still haunts us. A survey of Native women in Seattle found that 94 percent, or 139 out of 148, were raped or coerced into sex at least once in their lifetime. There is a ghastly trend of Indigenous women and girls going missing and turning up murdered across the United States and Canada. At the end of 2017, Native Americans and Alaska Natives made up 1.8 percent of missing cases in the Federal Bureau of Investigation’s National Crime Information Center database even though they represent just 0.8 percent of the overall population.
-Julian Brave NoiseCat “In the Salish Sea, Native American Communities Bond Over a Rigorous Canoe Voyage” Pacific Standard, 11 Oct 2018
Aleksandra Mihajlovic

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Grater v2 Khôi Bảo Phạm khoiph.am
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
You can’t park there
happy Barely Keeping It Together Wednesday to all who celebrate
Sharon Olds, Stag’s Leap

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Liza Lou
frank brunner capturimg that specific travelling brand of loneliness immsooooo oh my god
Charles Melton poses during the "Her Private Hell" photocall at the 79th annual Cannes Film Festival at Palais des Festivals on May 19, 2026 in Cannes, France. (Photo by Daniele Venturelli/WireImage)
i gave you my whole life and you didn't even want it

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first 5 faceless emojis are how your summers gonna go
Poppy
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