welcome to my epic fantasy world. we have many developed fantasy kingdoms with 2000 years of rich lore and history. and to the south you can see the evil sand people and to the east theres japanchina.
occasionally subtle

★
YOU ARE THE REASON

祝日 / Permanent Vacation
2025 on Tumblr: Trends That Defined the Year
Sade Olutola
Stranger Things
Peter Solarz
Not today Justin
Mike Driver
tumblr dot com
he wasn't even looking at me and he found me
Game of Thrones Daily
ojovivo
trying on a metaphor

pixel skylines

JVL
Cosimo Galluzzi
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@speaksuchwords
welcome to my epic fantasy world. we have many developed fantasy kingdoms with 2000 years of rich lore and history. and to the south you can see the evil sand people and to the east theres japanchina.

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two of the three werent passing that class anyway
One thing they don’t tell you about sewing is that it is actually ironing
i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman
the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.
cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.
personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.
these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.
so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.
#She finally had someone to hold her hand

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I was like, "I'm not gonna change a word of this script. This is a perfect script. I'm not gonna ruin this movie with my thoughts." But then, on every camera take, Jon our wonderful director was like, "Now do one just for fun. Now do one just you. Like, just something that you would say, off the cuff and ad-lib." And I was like, "Okay, if you want." And then, this man pulled a fast one on me. He used every single ad-lib.
Bowen Yang as Pfannee — WICKED (2024) dir. Jon M. Chu
ARIANA GRANDE and CYNTHIA ERIVO in WICKED (2024) dir. Jon M. Chu
pink goes good (well) with green
gotta love the mics
Loathing, unadulterated loathing! for your face, your voice, your clothing!

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MONTAGE: VARIOUS LOCATIONS. unused scenes from WICKED (2024).
feels so wrong that itll be 2025 soon. fake year. science fiction year
“Japanese Waves” ~ By Frédéric Font

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team usa shuffling away to try and let japan take a team photo with their gold medal and then shuffling back when japan is like NO COME BACK
The Olympics continues to be the best of humanity (even when the best of humanity unwittingly shines light on the worst of humanity).
all sports: this barely alive man in his old age of 34 is still very good and is aiming for the next olympics
shooting: this 57 year old youngster is just starting his career
skateboarding: look at this 19 year old ancient veteran fuck, shes been here for 12 years, got 3 olympic medals and is retiring next year