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The biggest secret I discovered about writing, and you can see the quality jump between early Curse Words and late Curse Words/TTOU based almost entirely on this, is that you can just go to the next thing. Very early on I used to be all "ok but we have to properly bridge and pace things, we can't jump from the important classroom scene to the important beach scene" yes you can. If nothing interesting or relevant is happening between those two things you can just say "ten minutes later, at the beach" and keep going. If the bridge between them is boring you, it's also gonna bore the audience, and you don't have to write it. You can jump straight to the next interesting or important part and so long as you don't actually jump over any important parts it's fine. The audience wants to get straight to the next thing too.
#writing ref#YES. YES. YES. YES. THIS.#i used to write long boring walking scenes 'because it took them weeks to get there!'#NO. TWO WEEKS LATER. THEY'RE THERE.#write fun stuff ONLY
Exactly!
I learned this from The Good Place btw. They were speedrunning 3 seasons' worth of content per season and I saw that and was like "oh, this is way batter actually. Why draw it out."
We finally figured out what makes Kristen Stewart smile: hot wings! The “Twilight” star posed for this amazing photo after dining at a Hooters restaurant in Texas recently. Get the details at Wonderwall.com.
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friend of mine recommended a video essay that's like 5 hours long about why it's currently a whole Thing for fascists to claim they only eat meat and demonize vegetables etc etc, and it's genuinely quite well researched in many places and contains some fascinating history and has made me feel very weird about my status as an adult who enjoys drinking milk. but I've not finished it and I genuinely don't know if I will because at one point the ol' "you can't say you care about animals and also eat animals" chestnut got dropped by the white vegan essayist and it put such a bad taste in my mouth that I had to leave instantly
like idk man it just feels genuinely parodic to dedicate hours to analyzing how foodways have frequently been used as white supremacist propaganda and then casually toss out an argument that pretty invariably demonizes indigenous hunting practices with 0 regard for traditional knowledge and land stewardship guiding those practices
Every time I hear a white vegan say that I want to throw the rubble of the Klamath Dams at them.
The largest dam removal in U.S. history. So successful that the salmon that haven’t run freely in the river for literally over a century came back the next year. Not steady progress over a decade as expected, the very next salmon run they came home. No one alive saw salmon in that river outside the hatcheries kept by native’s tribes and the Department of Fish And Wildlife scientists desperately trying to save them. One of the activists who helped bring the suit spoke of their dying grandmother making them promise to bring the fish home, and they didn’t know how that was possible, but they spent decades doing it.
The legal basis for successfully suing the power company who owned the dams was Indigenous treaty rights to eat the fish. Eating the fish was the one thing in a century that succeeded in being a clear and legally binding right that superseded the desires of white capital and industry. I have been going to the public interest environmental law conference off and on for 20 years where a lot of organizing for Undam The Klamath happened. I’ve heard updates about every legal tact they tried as they happened, and they tried everything.
There are healthy, thriving salmon, trout, and lamprey in a rewilding and recovering Klamath River right now as a direct result of Indigenous people eating them. Of their legally binding right to eat them. They sure as fuck care more about those fish than any white vegan ever could. They are salmon people that the Creator sent Salmon to feed, while charging the People with protecting and stewarding them. It’s not possible to learn about salmon and trout in the Pacific Northwest without learning this, and it’s unambiguously racist to dismiss this symbiotic relationship.
The white vegans are trying to get all hunting and fishing banned in Oregon, and that’s quite possibly the single most catastrophic thing that could be done to the animals here because we killed off all the major predators of creatures like deer and without anything hunting them their numbers will explode, eat all the vegetation, destroy the ecosystem, and then die along with everything else in that failing ecosystem. Controlled hunting of deer is vitally necessary for the deer to survive. This is something Native people know, but patronizing racist savior-complex white people refuse to listen to.
I have a whole collection of Oregon’s Public Broadcasting’s documentaries about Klamath River or the larger story of fish and people in the region. If you watch nothing else, watch Klamath Dams Are Coming Out, First Salmon Ceremony, After The Dams, and First Decent (Native made). It could not be clearer that the salmon are being protected and nourished by the people who eat them, and that stewardship is a massive part of their creation myths. But it contradicts political vegan dogma so they don’t listen.
#also do you have any idea how much conservation is funded by people who want to eat those animals#at least in the us anytime someone buys ammo or hunting equipment or hunting licenses that money goes directly to state wildlife agencies
i feel like im a weird age where i got just a blurry glimpse at the world Before. it used to be cold in the mornings and websites had fun games and the search results showed you what you searched for. covid wasn't a thing. can anybody fucking hear me. did i dream it all????
I don't mean to dismiss the fact that the world feels like shit, but this is also an incredibly human experience. There was always a Before. Decades ago, there were people who remembered what cloth felt like before plastic and polyester, and before that there were people who remembered what food tasted like before it was processed at huge warehouses and factories, and before that there were people who remembered what the night sky looked like when there was no electricity. Centuries ago, people complained about how much better the air smelled before factories existed, even miles and miles away.
Even when the world around you doesn't change in a way that is strange and scary, you might. It's why that final line in Gatsby hits so hard.
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I love browsing cover-up tattoo stuff when every once in a while there's someone asking "how do I cover up this unspeakably idiotic thing" and people are like "please do not cover that up, that's fucking amazing." You just have "shrimps is bugs" written on your leg now. That's your legacy.
It's called the Global Justice Report, it is here. This is an actionable plan which can be sent to legislators and demanded of political parties. We could save the world within our lifetimes.
It has always been possible. It is still possible.
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This will sound like a joke but I’m serious. My first introduction to postmodern queer theory was stumbling on a televised talent show as a pre-teen and watching this woman smash soda cans with her breasts. When the judges asked her a predictable question, if I recall correctly, she answered: “they’re fake but they’re real.” I knew what she meant. She’d had implants, sure, but she wasn’t just wearing a prop she could put on or take off. She wasn’t trying for verisimilitude—her breasts were real simply because they were hers. Ever since I’ve been fascinated by the possibility of something being real and fake at the same time, and the truth that these aren’t static or mutually exclusive categories. I think of all the people who have doubted the authenticity of my faggy mannerisms, accusing me of putting on an act instead of being myself. I feel so much pressure to say that this is just who I naturally am, but this is only half the truth. I do like being feminine, I do like being over the top, I do like being tacky in the most delightful ways, and sometimes I emphasize these parts of me just because I can. We can choose who we want to be and still be real. Anyway as I typed this I looked up the video and found that during that woman’s performance Dynamite by Taio Cruz was playing so good for her.
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