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Claire Keane
let's talk about Bridgerton tea, my ask is open

blake kathryn

shark vs the universe
noise dept.
Monterey Bay Aquarium
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#extradirty
Sweet Seals For You, Always
taylor price
Lint Roller? I Barely Know Her

Product Placement

izzy's playlists!
trying on a metaphor

Kiana Khansmith
TVSTRANGERTHINGS

Show & Tell

Andulka
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@soul-saudade
Š Nona Limmen {Instagram / Website}

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Goddess brings the Christ-man to his bloodied knees. In Her velvetine darkness, gentleman comprehends his own nothingness. Out of the sacrament of self-realization, gentleman is reborn. He is no longer the heart of his own life; he sees Goddess in everything.
Leila Chatti, "Postcard from Gone"
[ Text ID:
When you left I walked into the ocean. Not to drown but to be held by something reluctant to let go.
Don't make this bigger than it is, which is big enough to swallow whales and civilizations.
I joined the blue, I was blue.
And when I looked down, I shattered and reformed so many times, you know, I couldn't catch a clear look at myself. ]

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âHis eyes were the entrance to the temple for me, who am a sinner, who loves and dies. And I would have sung until I was made one with the night, until I was unmade naked on the entrance to time.â
â Alejandra Pizarnik (1936 -1972), from âFundamental Stoneâ , translated from the Spanish by Susan Pensak
âWhatever excites you is connected to your purpose.â
â Answer to inbox question, âhow do I find my purpose?â by India Ameâye
Kedarnath Temple caught against the backdrop of the Himalayas lit by the last rays of the sun.
Why oh why did I think I could live, I could bear to live, I could think of living, for all these torturing, unending, echoing months without you, Cat, my life, my wife, my wife on earth and in Godâs eyes, my reason for my blood, breath, and bone. Here, in this vast, mad horror, that doesnât know its size, or its strength, or its weakness, or its barbaric speed, stupidity, din, selfrighteousness, this cancerous Babylon, here we could cling together, sane, safe, & warm & face together, everything. I LOVE YOU. [âŚ] I want to live quietly with you & [âŚ] I want every night to lie, in love & peace, close, close, close, close, close to you, closer than the marrow of your soul. I LOVE YOU.
â DYLAN THOMAS âď¸Â from a letter to Caitlin Macnamara Thomas, written c. March 11, 1950, featured in The Love Letters of Dylan Thomas, (2001)
You donât need a perfect situation to grow spiritually.
You need presence, willpower, and surrender.
Your Inner Self doesnât ask for comfort â it asks for commitment. For in the sacred fire of transmutation , the ego melts⌠and the soul begins to shine.

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âThe ability to feel âwithâ rather than âforâ is the essential difference between consciousness and emotion. When we feel for things we are emotionally moved. Pity, sympathy, and kindred feelings stir us, and yet they seldom give any definite impulse that is of value in the adjustment of any chain of circumstances. When we feel with things we are so much a part of them that we understand the innermost elements of their being. Thus understanding comes with consciousnessâŚâ
â Manly P. Hall
The Flamenco Dancer
Leopold Schmutzler
Be patient, Loved One. Some parts just take time as you go down deep, intimately, and vulnerably into your body and welcome the unknown. Be patient with the journey without any aim or direction. Let your cells, tissues, organs, and fascia catch up to what you have been tending to: re-configuring, re-wiring, repairing, and re-calibrating as your body's new spiritual, energy state that will begin to make shifts in your dreams as your waking life catches up. This is why rest is so important. Treat regeneration like a long savasana and before you know it, a quantum leap emerges. Discover ways you can laugh, play, and rest a lot in the interim. Eventually the physical body lines up to where you are spiritually/energetically. --India Ame'ye, Regeneration
Gustav-Adolf Mossa, 1883-1971
La Lune, ca.1912, watercolor and Ink on paper
Collection Particulière (Source)
Naudline Pierre (Haitian-American, 1989) - Chrysalis at the Altar of Change (2022)

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Byung-Chul Han, from an interview published in ArtReview
tomato peach & white truffle burrata mid day snack