Circle of Gerard Hoet the Elder, 1648-1733
Venus and Adonis, n/d, oil on panel, 23.2x19.5 cm
Private Collection

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Circle of Gerard Hoet the Elder, 1648-1733
Venus and Adonis, n/d, oil on panel, 23.2x19.5 cm
Private Collection

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Ădouard Drouot, 1859-1945
Nymph at a well, n/d, alabaster, 77 cm
Private Collection
Daniil Litvinov, 1982-
Penitent Magdalene, 1998, oil on cardboard, 48x48.5 cm
Private Collection
Flemish School, 17th Century
The Judgment of Paris, n/d, oil on copper, 37.5x50.8 cm
Private Collection
Christoffer Wilhelm Eckersberg, 1783-1853
[Penelope] The Return of Ulysses. Scene from Homer´s Ulysses, 1812, oil on canvas, 73.8x86.2 cm
Statens Museum for Kunst Inv. KMS7256

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Alessandro Varotari, 1588-1648
Venus and Adonis with Amor, n/d, oil on canvas, 137x146 cm
Private Collection
Hubert Gerhard, ca-1540/50-1620
Tarquin and Lucretia, ca.1605/10, bronze, 50.3x38.1x39.1 cm
Metropolitan Museum of Art Inv. 50.201
JĂłzsef Bernwallner, first half 19th Century-after 1843
Venus and Cupid, 1843, oil on canvas, 59Ă88 cm
Museum of Fine Arts-Hungarian National Gallery Inv. FK3334
Neapolitan School, 18th Century
Juno summons Paris to judgment [The Judgment of Paris], n/d, oil on canvas, 155x96 cm
Private Collection
Leon Underwood, 1890-1975
Atalanta
Private Collection (ŠEstate of Leon Underwood)

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Claudio Francesco Beaumont, 1694-1766
Allegory of the Arts, n/d, oil on canvas, 194.5x148 cm
Private Collection
After Eugène-Antoine Aizelin, 1821-1902
Amazon vaincue, early 20th century, bronze, 46.5x46x18 cm
Private Collection
KĂĄroly Brocky, 1807-1855
Venus and Amor, 1850, oil on canvas, 54.2Ă78.5 cm
Museum of Fine Arts-Hungarian National Gallery Inv. 75.22T
Giovanni Battista Lombardi, 1822-1880
Najade o Ninfa (Naiad or Nymph), n/d, white marble, on a veined red marble and white marble base
Private Collection
This serene marble is a significant, unique work by the celebrated Brescian Romantic sculptor, Giovanni Battista Lombardi. Commissioned by Signora Camilla Facchi Fè DâOstiani (1834-1901), the statue was executed by Lombardi in 1858 and installed among the âgolden wallsâ of the baths at Palazzo Facchi in Brescia. Causing a stir in the local press, the marble inspired an elaborate ekphrasis in the Brescian newspaper LâAlba, which contained such poetic exclamations as '⌠her beautiful nudity, the kind which, rather than the senses, inebriates the soul with soothing ideas' (Fedrigolli, op. cit., p. 131). (Sothebys)
Henri Wojcik, 1945-
Sirène & Harpe, 2017, acrylic on canvas, 80x60 cm

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Attributed to Jean-Baptiste-Marie Pierre, 1714-1789
The bird of Venus, n/d, oil on canvas, 17x25½ in
Private Collection
Prague School, 17th Century
Venus in the forge of Vulcan, n/d, oil on canvas, 216x157.8 cm
Private Collection