Circle of Gerard Hoet the Elder, 1648-1733
Venus and Adonis, n/d, oil on panel, 23.2x19.5 cm
Private Collection

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Circle of Gerard Hoet the Elder, 1648-1733
Venus and Adonis, n/d, oil on panel, 23.2x19.5 cm
Private Collection

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Édouard Drouot, 1859-1945
Nymph at a well, n/d, alabaster, 77 cm
Private Collection
Daniil Litvinov, 1982-
Penitent Magdalene, 1998, oil on cardboard, 48x48.5 cm
Private Collection
Flemish School, 17th Century
The Judgment of Paris, n/d, oil on copper, 37.5x50.8 cm
Private Collection
Christoffer Wilhelm Eckersberg, 1783-1853
[Penelope] The Return of Ulysses. Scene from Homer´s Ulysses, 1812, oil on canvas, 73.8x86.2 cm
Statens Museum for Kunst Inv. KMS7256

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Alessandro Varotari, 1588-1648
Venus and Adonis with Amor, n/d, oil on canvas, 137x146 cm
Private Collection
Hubert Gerhard, ca-1540/50-1620
Tarquin and Lucretia, ca.1605/10, bronze, 50.3x38.1x39.1 cm
Metropolitan Museum of Art Inv. 50.201
József Bernwallner, first half 19th Century-after 1843
Venus and Cupid, 1843, oil on canvas, 59×88 cm
Museum of Fine Arts-Hungarian National Gallery Inv. FK3334
Neapolitan School, 18th Century
Juno summons Paris to judgment [The Judgment of Paris], n/d, oil on canvas, 155x96 cm
Private Collection
Leon Underwood, 1890-1975
Atalanta
Private Collection (©Estate of Leon Underwood)

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Claudio Francesco Beaumont, 1694-1766
Allegory of the Arts, n/d, oil on canvas, 194.5x148 cm
Private Collection
After Eugène-Antoine Aizelin, 1821-1902
Amazon vaincue, early 20th century, bronze, 46.5x46x18 cm
Private Collection
Károly Brocky, 1807-1855
Venus and Amor, 1850, oil on canvas, 54.2×78.5 cm
Museum of Fine Arts-Hungarian National Gallery Inv. 75.22T
Giovanni Battista Lombardi, 1822-1880
Najade o Ninfa (Naiad or Nymph), n/d, white marble, on a veined red marble and white marble base
Private Collection
This serene marble is a significant, unique work by the celebrated Brescian Romantic sculptor, Giovanni Battista Lombardi. Commissioned by Signora Camilla Facchi Fè D’Ostiani (1834-1901), the statue was executed by Lombardi in 1858 and installed among the ‘golden walls’ of the baths at Palazzo Facchi in Brescia. Causing a stir in the local press, the marble inspired an elaborate ekphrasis in the Brescian newspaper L’Alba, which contained such poetic exclamations as '… her beautiful nudity, the kind which, rather than the senses, inebriates the soul with soothing ideas' (Fedrigolli, op. cit., p. 131). (Sothebys)
Henri Wojcik, 1945-
Sirène & Harpe, 2017, acrylic on canvas, 80x60 cm

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Attributed to Jean-Baptiste-Marie Pierre, 1714-1789
The bird of Venus, n/d, oil on canvas, 17x25½ in
Private Collection
Prague School, 17th Century
Venus in the forge of Vulcan, n/d, oil on canvas, 216x157.8 cm
Private Collection