what is ur substack
<3
writer, healer, list maker. Click to read Emery Allen’s Substack, a Substack publication with hundreds of subscribers.
"I'm Dorothy Gale from Kansas"
KIROKAZE
Keni
Today's Document

❣ Chile in a Photography ❣
noise dept.

Noah Kahan

Origami Around
untitled
tumblr dot com
Xuebing Du

Love Begins

izzy's playlists!
sheepfilms
taylor price
EXPECTATIONS
occasionally subtle
art blog(derogatory)

seen from United States
seen from Russia

seen from Brazil

seen from Singapore

seen from France

seen from Netherlands

seen from United States
seen from United States
seen from United States
seen from Germany

seen from United States
seen from Germany
seen from United States
seen from Russia
seen from France
seen from Finland

seen from Germany
seen from United States
seen from Netherlands
seen from Colombia
@anancientheart
what is ur substack
<3
writer, healer, list maker. Click to read Emery Allen’s Substack, a Substack publication with hundreds of subscribers.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Emery, I’m in my first real relationship, and sometimes I feel that I tend to get into management mode :( I notice that I want him to validate my emotions and I know that can lead to an exhausting relationship. He is super loving with me and acknowledges when I tell him that something is wrong. But I do jump into the conclusion that every misunderstanding can be us breaking up when that’s isn’t the case. What can I do to be more present and be a better partner?
Dive into why you are acting this way/feeling this way within the relationship. Something from the past made you feel like you were too much and that you'll be abandoned for having needs, for speaking your mind, for there being conflict at all. There's something to heal there. Could be something when you were a child, could be a dynamic with a friend in high school, could be anything. You have to teach yourself that you're safe where you are now and that conflict doesn't always result in abandonment. Therapy is never a bad idea.
I want to take my art seriously and share more consistently on social media. I have already had good feedback and know people are interested in what I make. However, I’ve been totally stuck with my insta account because I started sharing art on my personal account a few years ago, and a lot has changed since then. A friendship group I was part of ended and that’s a good thing for me but all of them are still on my account — they are from my hometown which is extremely interconnected and everyone is in everyone’s business. I distanced myself from it but my family are very involved and will see my old friends. I have had to move back here several times for various reasons which I find triggering, but the part that upsets me the most is that by having everyone from my hometown on my account I hold myself back from posting often. Partly it’s fear of judgement, but partly it’s also fear of maintaining access and an open door to people from my past. Each time I go to post I feel like I’m blasting myself into the past. I don’t want to start an account from scratch because that means losing my history and creative evolution on the account as well as connections formed through my art, but having hometown people on there is damaging my self esteem and self expression. Do I block them all and face the potential discomfort of that? Do I try to ignore their presence? Or do I just scrap everything I did and start again and post to an audience of no one until hopefully some people find me…..
This has been sitting in my inbox for a while and I feel like I can finally answer it. Long answer short: Remove them all from your account and show up exactly how you want to. Long answer: Last year my long term relationship ended in a bad way and I lost an entire group of friends. They just completely stopped speaking to me, because in the very end it was my fault. No one unfollowed me, they watched all of my stories, liked nothing, and were essentially just monitoring spirits for the sake of entertainment and curiosity I guess. So after a month or so I made my account private and removed all of them and unfollowed them. I felt like I couldn't show up as myself with them just lurking, even if it wasn't malicious. I don't regret it one bit. And I don't live in a big city. Some of them work in the small town I live in and I see them, and they literally ignore my presence or run and hide from me lol I avoided going out in the city for practically the whole year because I didn't want to deal with the awkwardness and honestly just believed everyone hated me. I'm glad I took time to myself but being a coward is so boring, and no one really cares the way you think people do. I made my account public again earlier this year and have been writing on substack a lot and I don't care who looks. My goal is not to live small, have a little life where I'm making decisions based on comfort and awkwardness. You want to be an artist, so be an artist. Share your work, be vulnerable, get rid of the monitoring spirits and be in your own energy. It'll set you free. You could start all over if you want to, I've done it so many times, but I think if your account is working for you then stick to it and just start morphing it to the content you want to post. If people don't like it they can unfollow you and it isn't personal. And you'll gain people who want to follow you just for your art. I'm sure by now you've made your decision about it but this is my take. Good luck !
in case u forgot
Sade: Love Deluxe Promo T-Shirt (1993)

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Crazy Eve Babitz letter to Joseph Heller but I got it from somebody on another platform and lost track of who they were. I feel bad when that happens
studio

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Sylvia Plath, in a letter to Hans-Joachim Neupert, wr. c. January 1950, from Letters of Sylvia Plath Vol. I: 1940-1956
John Galliano - Spring 1993 RTW
if you come to new york city you must go on an Audrey Munson scavenger hunt. And find the statues she modeled for
I don’t know who that is but yeah why not
Coming to Writing, Hélène Cixous

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katsura-rikyu, kyoto. shokin-tei tea house