Prague Castle in baroque style

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@majestativa
Prague Castle in baroque style

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o magazine no. 16
Deliver me, Lord, from imbeciles and cretins.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)

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The searching blackness inside you es que busco La Cara, La Oscura Cara.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
You create for yourself a real way of the cross, HillƩ.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
⦠and you, you were the tenderness on my bones.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
Thatās why I speak, speak to exorcise you, thatās why I work with words, also to exorcize myself, that the bitterness of the abysses may cease, that may break in this tide of phonemes, of syllables, that a light may break, exempt of anguish.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
Your name is passion.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)

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I wanted to touch your fear, your love, [ā¦] to exist in your dream.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
Your eyes [...], your jaws, your soul, Victor, all your perdition.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
Iām looking at my lungs. They dilate, compress. Everything enters into me.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
Take me, Primordial Mother, [ā¦] touch the nails of the one who is never named, introduce language and speech into the heart, take my heart, take my affected repugnance too, vomit me, yearnings, stupors, my lipping Ā vanity, take my sixty years, my vulgar sixty years and a single inhalation.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
Nothing penetrates my soul, words stuck to the page and not one freed itself to keep my heart, so many books and nothing in my chest, so many truths and not one in me, the gold of truths where is it? What did I seek for so long? Why did I suffer so for it to have made itself into vital matter? What fire, HillĆ©, is this, that wells from the illuminated manuscript, leaf through it, go on, touch. Yes se estĆ” muriendo, what whimpers my God, I donāt have much time left, many of those who have left are close by, itās time, living will have been nothing but somber anguish, a black nausea.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)

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I am my own master, I donāt know what darkness is but I accommodate it.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)
And the soul? The soul is the Earthās guest, it seeks, it looks into your eyes.
HILDA HILST ā The Obscene Madame D, transl. by NathanaĆ«l & Rachel Gontijo Araujo, (2025)