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Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
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he wasn't even looking at me and he found me
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NASA
YOU ARE THE REASON

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oozey mess

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@sotooshallweall

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i was so naive in thinking that spirk shippers were exaggerating. what the fuck is wrong with these two.
SPOCK HAS A MATING CYCLE?????
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
I want you to understand this. I NEED you to understand this. My mother read me the hobbit as bedtime story, and I started pushing myself to read before pre-school so I could in fact read the hobbit for myself instead of having to wait for bedtime.
I didn't do so right away but jesus wept I PUSHED myself to learn to read SPECIFICALLY so I could read The Hobbit! It is, in fact, a children's story! And children only see page count as 'there is a lot of this fun story to read!'
this is one of my favorite reddit posts of all time
God forbid Chippy do anything
You absolutely must unmute this video.
excerpts from erin in the morning's article on the ioc's ban on transgender women and sex testing policy

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‼️‼️‼️‼️‼️‼️‼️ trust me, if white people know you aren't safe to be racist around, we'll notice! Your ACTIONS will speak for you!
Realizing that I am not employing enough of my free will to become a nuisance at work
Me watching this:
I’m not letting this rot in the tags
Nevertheless, each writer’s reflection on the public distancing by straight women from the objects of their desire rests on the belief that these displays reflect women’s feelings about their attachment to men as a stable category—disappointment or shame—rather than their feelings about their attachment to women as a stable category—fear that this category is becoming politically obsolete. The thing is, the popular misandrist left discourse, perpetuated by straight women, has almost nothing to do with sexuality, but everything to do with gender. Like political lesbianism, this Political Heterosexuality is not concerned with actual, felt sexual orientation or relationships—it’s concerned with the reifying of binary categories at the expense of a nuanced analysis of gender that accounts for race, class, and transition. [...] While the decrying of men by Political Heterosexuals is less overtly bio-essentialist—tending to focus on men’s emotional immaturity, commitment-phobia, poor sexual skills, lack of hygiene, or failure to own a real, off-the-ground bed—it still relies on an implicit or explicit comparison with women, and thus, a binary. What makes these men men is that they are not women; what makes these women, then, women is that they are not men. In my view, professing hatred of men online is not exclusively or even often reflective of individual disappointment or in service of individual absolution; it is in service of the desire to continue to define the political category of “women” by a clean-cut opposite, in a time when it is no longer politically correct to do so. [...] Good feminists do indeed acknowledge the impossibility of lumping women together as a discrete group with legible, united needs; over is the heyday of white second-wave feminism, claiming all women—regardless of race or wealth—as equal in their second-class citizenship. But, even as progressive women dutifully point out the failure of the universal, acknowledging that the universalizing of the category “women” nearly always reeks of white supremacy and transphobia, many of those same women continue to fervently desire a universal, whether or not they’ll say it out loud. And the loophole, championed by Political Heterosexuality, is to affirm that men constitute a political class—the silent foil being, then, that women still do, too.
from "In Defense of Men: On the failures of Political Heterosexuality and No Cis Men" by Sophia Giovannitti
By rehearsing the view that ‘men are the worst’ while continuing to pursue romantic and sexual attachments with them, we perform an othering gesture that shores up the purity or innocence of our own identities. We may love men, we declare, but we barely enjoy it, okay?; we are embarrassed; we are not contaminated by them; we are not they. In other words, we get to continue to be ‘women’. Perhaps, semi-unconsciously, we had worried that the very category of ‘women’ had become untenable. If we can only continue to reproduce the category ‘men’ loudly enough, then, we wager, the category ‘women’ might stay safe. (Note, while a majority of heterofatalist misandrists online today seem to think they are trans-affirming, their position not only requires erasing trans men altogether, but also all trace of trans women’s lived experiences as men, regardless of those women’s own self-understanding. Indeed, misandry, as I see it, can never reliably be prevented from collapsing into transphobia.)
from "Collective Turn Off" by Sophie Lewis
Freedom FROM religion is mandatory.
I went to a library book sale this weekend and I found a very old book called “Electronic Life: How to Think About Computers,” which was published in I think 1975? I’ve been reading it kind of like how I would read a historical document, and it’s lowkey fascinating
There’s a whole paragraph that’s like “okay, find the keyboard. Don’t panic if it has more keys than a typewriter, that’s normal. Really, it’s fine. The extra keys don’t make things harder. It’s FINE”
Thought this section was particularly interesting:
Can the computer create something? At first glance it seems obvious that it can. Animated computer graphics, with their fluid transitions and whiplash perspectives, look strikingly new. And if one watches the machine doing animation work, there seem to be lengthy periods when the computer is acting “on its own.”
But if one observes these processes in more detail, it becomes clear that creation is not occurring within the machine. First of all, computer graphics are not unique. Computers have yet to generate anything that cannot be done by hand—and usually already has been done. Second, the apparent ability of the computer to “act on its own” is the outcome of thousands of hours of patient human effort to refine its instructions. The computer can manipulate a shape for us if we have already informed it what a shape is, what the rules for shape manipulation are, what this specific shape is, and so forth.
You can start an automobile engine and it will run by itself, too, but that doesn’t mean it’s being creative. It’s just running.
Somebody in 1975 had a better understanding of why artificial intelligence is not in any way “intelligence” than the majority of today’s intellectual minds.

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Thinking about what Wolf 359 did to Sisko and Picard
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
Big fan of this sacrificial lamb to the slaughter
@inbabylontheywept
What.
who said that
1975: The studio required Paul Michael Glaser keep one foot on the floor during the entirety of this scene. This was a holdover from the pre-1967 Hayes Code era, where heterosexual couples were allowed to both sit on a bed but only if someone kept a foot on the floor at all times to convey 'no sexual funny business going on here'.
2026: 'potentially mature content'

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I keep thinking this! very frustrating
fuck!