do you plan to be asleep forever?

fill 14 sketch book

bad stuff is good stuff bc you made stuff

do you like sparkle???? draw sparkle

draw what make your heart do the smiley emote

member to drink lotsa agua or else bad time

d ont stress friend all is well

your art is hot like potato crisps

don’t let anyone piss on your good mood amigo

if they do

eat

i finally found it

“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.

“But what if you’re using a question mark rather than a period?” they asked.

“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.

“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”

“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”

Even if they just look like two variations of the exact same character at a first glance, both to the audience and to the other characters, they will see the differences between each other in shrimp colours. If they have the same occupation and the same tendency to be fixated on little things, make them bicker about which one of them dots their i:s wrong. Make someone point out how similar they are and have both of them be offended by that - how dare you see any similarity between them and someone who does This Very Oddly Specific Thing That Nobody Else Even Does completely wrong!

People sometimes send me Asks wanting writing advice.  I suck at it.  I don’t really know how I do the writing, or how one should do the writing, or what one should do to get better at the writing.  All I can ever think to say is “write a lot of stuff and you will get better at the writing.”  Which is true, but hardly a bolt from the sky.

Well, as it turns out, I do have one piece of Legit Writing Advice, and I am going to share it with you, right now.  If you were in any of my writing workshop groups at a con, you’ve heard this advice already.

Warning: you’re going to fucking hate it.  But if you do it, you will thank me.

If you have a piece of fiction you’re serious about, something you might want to actually shop around, or just something you really are into and want to make it as good as you can…do NOT edit it.

Repeat.  DO NOT EDIT.

REWRITE.

As in, print out the whole fucking thing and re-enter it, every word (or use two screens).  Retype the whole thing.  Recreate it from the ground up using your first draft as a template.  Start with a blank page and re-enter every. single. word.

I hear you screaming.  OH MY GOD THAT’S INSANE.

Yes.  Yes, it is.

It is also the most powerful thing you will ever do for a piece of fiction that you are serious about.

Now, let’s get real.  I don’t do this for most things.  I don’t do it for my fanfiction.  But if it’s something original, something I might like to get to a professional level - I do it.  You absolutely COULD do it for fanfiction.  It’s just up to you and how much time you want to sink into a piece.

You can edit, sure.  But you WILL NOT get down to the level of change that needs to happen in a second draft.  You will let things slide.  Your eyes will miss things.  You will say “eh, good enough.”

The first time I did this, on someone else’s advice, I was dubious.  Within two pages, I was saying WHY HAVE I NOT BEEN DOING THIS ALL THE TIME.  I was amazed at how much change was happening.  By the time I got to the end, I had an entirely different novel than the one I’d started with.  When you’re already re-entering every single word, it’s easy to make deep changes.  You’ll reformat sentences, you’ll switch phrases around, you’ll massage your word choice.  You’ll discover whole paragraphs that don’t need to be there at all because they became redundant.  You’ll find dialogue exchanges that need reimagining.  Whole plot points will suddenly be different, whole story arcs will reveal their flaws and get re-drawn.

You cannot get down to the fundamental level of change that’s required just by editing an existing document.  You have to rebuild it if you really want your story to evolve.  You will be AMAZED at the difference it will make.

It will take time.  It will seem like a huge, Herculean task.  I’m not saying it’s easy.  It isn’t.  But it is absolutely revolutionary.

Try it.  I promise, you will see what I mean.

I’ve got a short story due today at 5, so I decided to do this and completely rewrite the first draft.

OH. MY GOD.

This is legitimate. It’s let me completely gut scenes I was unhappy with, rewrite them entirely differently and not feel any loyalty to what I used to have.

It’s taking a long time. It’s a commitment. But heck so is writing.

See, the "he swing sword. Other man swing sword..." thing is just the first layer. Once you have the vague blow by blow, you write the details for those movements. "He swings his sword down, screaming as the other man's blade arched up to meet it..."

Once you have detailed the movements to this Dance of Death (TM), look at the environment they are in and write bits about it. "He slipped on the loose gravel. The other man regained his footing and slashes. Fabric rips. Too close. He scrambles around the corner of the mill house."

The think about who else is there, who else might be fighting around them, fill bits in about that. "'Duck!' His friend called. He flung himself to the ground, winding himself on a tree root, as a massive log on rope swinged down from its hiding place in the trees, catching two enemies along the way."

After that, it's a matter of polishing and tweaking to account for all the injuries your character babies are going to suffer, changing verbs and adjectives, adding or deleting banter, among other things to keep it punchy. And at about the time you are sick of looking at it, congratulations! You will have put enough in to call it a first draft and you can move on to writing the next thing. Or editing. It depends on where this hot mess is happening in your draft.

fear - open mouth - backing away - fake smiles - hugging themselves - long / dragged breaths - rocking

jealousy - snide remarks - darting looks - self-deprication - visible judging - folded arms - arguing a fair point

hurt - steadying breaths - overly bobbing head - teary - anger - trembling - pressed lips - insisting everything is 'fine'

lying (ticks) - picking at nails - touching hair - licking lips - laughing too loud - avoids subjects - won't meet eyes

worry - reaching out physically - pursing lips - looking to others - reassuring smiles - looking you up and down - tilted head - sympathetic nod

shame - will not meet eyes - feet turned away - teary - desperate - fidgeting - begging

humiliation - lashes back - cheeks flush - palms turn sweaty - face frowns -> brows scrunch, lips pull back - teary

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?