ancient greek word of the day: κακοθερής (kakotherēs), unfitted to endure summer heat
this literally means “bad at summer” pass it on
Reblog if you, too, are bad at summer
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YOU ARE THE REASON
Xuebing Du

if i look back, i am lost
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@somuchforgravityeh
ancient greek word of the day: κακοθερής (kakotherēs), unfitted to endure summer heat
this literally means “bad at summer” pass it on
Reblog if you, too, are bad at summer
World Heritage Post

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(via hornedchick)
Kurt Vonnegut wrote: “When I was 15, I spent a month working on an archeological dig. I was talking to one of the archeologists one day during our lunch break and he asked those kinds of “getting to know you” questions you ask young people: Do you play sports? What’s your favorite subject? And I told him, no I don’t play any sports. I do theater, I’m in choir, I play the violin and piano, I used to take art classes.
And he went WOW. That’s amazing! And I said, “Oh no, but I’m not any good at ANY of them.”
And he said something then that I will never forget and which absolutely blew my mind because no one had ever said anything like it to me before: “I don’t think being good at things is the point of doing them. I think you’ve got all these wonderful experiences with different skills, and that all teaches you things and makes you an interesting person, no matter how well you do them.”
And that honestly changed my life. Because I went from a failure, someone who hadn’t been talented enough at anything to excel, to someone who did things because I enjoyed them. I had been raised in such an achievement-oriented environment, so inundated with the myth of Talent, that I thought it was only worth doing things if you could “Win” at them.
This is very good advice, but also I feel compelled to point out that Kurt Vonnegut did not, in fact, write this. Tumblr user @three--rings wrote it, on a reblog of a post about Vonnegut.
I can only assume that whoever first attributed this to Vonnegut misread the aforementioned post and believes, to this day, that Vonnegut paused in the middle of a letter to draw a tumblr post separator and the two words "three--rings" for no apparent reason before continuing on with the letter.
used the phrase "i mean, i don't think we're paying enough attention to what the back of that embroidery is going to look like" in a meeting today because if business bros get to throw out meaningless jargon all the time, i! get! to play! too!

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“You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy. You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like. If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.”
— Julien Smith, The Flinch (via wnq-anonymous)
truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.
Not pertinent to anything in particular but I do think it's kinda weird that we keep depicting cavemen in media crawling around on all fours covered in dirt with tangled, matted hair, speaking in broken, cobbled-together toddler language when like.
They were us.
Like literally genetically they were US, just like. A while ago.
Like
Would you trust a TV caveman with a baby? Probably not
A real life caveman though??? I think they'd be at least okay at it
This is actually really important and comes up in Anthropology classes all. The. Time.
As long as homo sapiens have existed, we have had the same emotional and mental capacity as you and I do today. You nailed it. They were US. Even Neaderthals existed alongside and had offspring with Homo Sapiens for many thousands of years.
There's much evidence that cavemen would have had complex spoken language, culture (learned information passed down), symbolic interpretation, and I think they most certainly would have been able to handle holding a baby. In fact I have my suspicisions that an ancient homo sapiens mother may be a more present, attentive, and knowledgable mom than I could be today.
Do not let media trick you into believing we are the pinnacle of humanity. Unilinial evolution theory (google it quick I beg) is BUNK, GARBAGE, and the root of so much evil.
We've been human for a long, long time, and we are not inherently better than all those who came before.
One the most profound experiences of my life was visiting Font de Gaume, which has 12 thousand year old paintings. They use a technique where the horses appeared to run across the wall when seen in flickering firelight. There was a bison the wall staring at us with such attitude, I could practically hear him. I had the most profound feeling of those ancient artists reaching forward to lay their hands on my shoulders. To say, "This was my world." It was a profoundly moving experience.
Some years later, I went to the Orkney islands where we visited a tiny family run museum of artifacts from the chambered tomb at the other end of the farm. They handed me a pestle once held by some neolithci human.They'd worn groves where the thumb and forefinger would be for better grip.
One time, in a French history class, my teacher randomly at the end of the class had all of us draw a sketch of a horse. And we were all like ??? Okay???
At the beginning of the next class, my teacher showed us a cave painting of a horse. And then he showed all of our horses, which he had scanned and put into the presentation.
He then pointed out all the ways that our horses looked similar to the prehistoric horse. Same features, drawn from the same angle, etc.
And then he asked us, "Isn't it cool that you draw horses the same way as someone who lived 20,000 years ago?"
Yeah. That stuck with me for a while.
In Spain, there's a cave full of ancient, ice age era drawings of bison and reindeer and other animals of that period... And one small section of chaotic scribbles just a little away from everything else. These scribblesv were so incomprehensible, they were originally just called the 'Panel of Enigmatic Signs'... Until it occurred to someone that drawings only three feet off the ground probably weren't made by adults.
Scientists are now pretty sure the scribbles were made by kids ages 3-6, more or less on their own. The adult cave artists were probably doing what any modern parent might do when they want to keep small children out of their hair for awhile: they gave the kids some drawing tools of their own and a small section of wall to work on, out of the way but still close enough to keep an eye on them, and let them have at it.
What's most charming about the whole thing is the way the cave scribbles look exactly like what you'd find on the wall of a preschool today. Artistic styles vary widely across different times and cultures, but child development is as near to a universal human experience as it gets.
Wisher made detailed 3D scans of the drawings, which helped her understand the uneven pressure applied to the charcoal and the direction the lines were drawn. The team then compared the panel’s composition with age-appropriate artistic efforts by modern children. Kids across cultures go through the same developmental stages, which influence their physical ability to draw, until about the age of 6, Amir notes.
The team compared the ancient art with the developmental stages exhibited by modern children: the furiously scribbled circles and push-pull lines typical of 3-year-olds just learning to control their bodies, for example, or the wobbly, right-angled figures of slightly older kids beginning to master fine motor skills.
Both are apparent in the cave, superimposed on each other as though two or more kids were drawing at once. That’s a clue the Las Monedas marks were likely made by “siblings or a mixed-age play group within the sphere of safety around adults, but also within their own space,” says co-author Felix Riede, an Aarhus archaeologist.
...
Adults at Las Monedas would have been aware of what the kids were doing and presumably had lit fires or torches; without ample firelight the cave is pitch black.
did i tell you guys i failed at being sexually harassed at work today?
okay so, guy at work, who i find out afterwards is famous at this place for being a sex pest, comes up and starts with what i also learn is his favorite opener to conversations where he’s going to be a sex pest, namely: “Do you know where the term ‘blow job’ comes from?”
and here he made his first fatal error. his moment of hubristic sex pesting. because of course i know where the term blow job comes from, i love learning about sex and the history of sexual terms! i know so much about oral sex that i could write a book on it!

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He can't keep getting away with this 😮💨😮💨😮💨😮💨
If people don't stop suggesting this stuff he's going to accidentally become a wizard
undiagnosed autistic people will be like "I don't get upset when my routine changes though!!" and it's because they've built a set of if-then loops in their head to pick from one of 6 different strict routines and they do get incredibly upset when they're unable to keep to any of the 6 scripts. I'm john normal
Being a crafty person and making a bunch of things often prompts people to ask "oh wow did you make that?" And like, the short answer is: yes I did, but the long answer is: well, no, the pattern isn't mine, but I did choose and buy the fabric/yarn and sewed it together/crocheted it/knitted it myself. I used a reference for that drawing/painting, I didn't come up with it myself. That ceramic piece was insired by a poem and a painting made by different people. What I'm trying to say is, everything I make requires other people to make their own thing first, and then I get inspired by them to do my own thing. So I can't really call anything truly mine, because really it's just a bunch of inspirations and experiences of others (and me) put together by my hands. Does that answer your question
We are mosaics made of everyone we have ever known.

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"Um," said the fairy. "Choose something else."
Rosamund hesitated. It was, she had to admit, the first time she had ever been given a wish, so she wasn't an expert with this sort of thing, but she felt that this was not part of the typical script. "Sorry," she said. "Is that not allowed?"
The fairy grimaced. When it spoke, its voice came out pained and stressed. "Y-y-y-e-e-e-no," it sighed at last, dragonfly wings sagging. "No, technically no, it's not not allowed, but-" It suddenly brightened. "How about gold? Can't go wrong with gold. Gold's a good wish."
Rosamund frowned. This was really not going the way she expected at all. "Excuse me-"
"Beauty, that's a good one too, beauty's always popular," it went on. "And if there's a ball nearby tonight I can probably-"
"Excuse me!"
The wand was twiddled in chitinous fingers. "Right," the fairy said, sounding scolded. "Sorry, it's just..." Its voice trailed off.
Her grandmother's clock chimed midnight from the mantelpiece.
Then - "I'm sorry," it said, not daring to look up, "I know it's not fair, but - you know what I am. You know what we do to wishes. If you wished for wealth I'd have to turn your hair into silver, so you’d have to tear every strand out of your head before you could spend it. We can't help it. It's what we do. The cost of a wish is that you get what you want, but you don't get it the easy way.
"So if you wish for a child, it'll be - strange. Twisted, somehow. Made of pine or marzipan or have the head of a hedgehog. That's the cost of a wish-child; you'll get the child you wished for, but it'll never be - right."
Rosamund waited to see if there was anything else. She felt a sting to her pride when she realized there wasn't. "Is that all?" she said. "I wouldn't care what I got-"
"You all say that," the fairy said. "You all say you wouldn't care what you got. You all say it, and you really believe it, until the neighbours sneer at you and your hedgehog child for too long, or your back aches because your thumb-high child can't help you in the fields, or your pine child kicks and bites and won't obey, and then you think, 'This isn't the way it was supposed to be,' and then..."
The fairy stopped and looked into Rosamund’s eyes. It was a beautiful thing, all glittering carapace and iridescent wings, but just for an instant it looked terribly, terribly old.
"I'm sorry," it said. "But I'm tired of making unloved children."
That hit my hurt like a freight train, what an amazing perspective
Of course now I want Rosamund, realizing that there are already children out in the world ready tk be loved, to go out on a quest to find them and makes the fairy come along with her as a guide by refusing to change her wish unless they help her find them all. And then at the end, after she has gathered all her wonderful and unique and, yes, strange children, she wishes for a big house they can all live in
And the fae grants it with a twist - they may all live there but the fae will live alongside them and the house will always be little strange with expanding rooms and extra seats at the table for uninvited guests who almost always become one of Rosamund's children too
i told my dad the joke “dad jokes are just mom jokes that a man repeated louder” and he thought it was hilarious. he turned to my mother, intending to relay the joke to her, and a bare second after he opened his mouth i watched it dawn on his face that he was about to become the subject of the joke. when i tell you that man was slackjawed as he turned back to me, like he had an entire life altering realization in the span of about 20 seconds.