Wave Celestial Intent

I get the urge towards that headcanon, and I do think the Crowley in the miniseries comes off as nicer than the one in the book.  (I think miniseries Crowley and Aziraphale are both a little nicer, a little more toothless, than the versions of themselves in the book.)  But maybe it’s because I was a book fan first, or maybe it’s because I just find him infinitely more interesting this way–I think Crowley, even show!Crowley, has the capacity to be very good at his job of sowing evil.  And I think that matters to the story as a whole.

A demon’s job on Earth, and specifically Crowley’s job on Earth, isn’t to make people suffer.  It’s to make people sin.  And the handful of ‘evil’ things we see Crowley do over the course of the series are effective at that, even if the show itself doesn’t explore them a lot.

Take the cell phone network thing, for instance.  This gets a paragraph in the book that’s largely brushed off in the conversation with Hastur and Ligur, and I think it’s really telling: 

What could he tell them?  That twenty thousand people got bloody furious?  That you could hear the arteries clanging shut all across the city?  And that then they went back and took it out on their secretaries or traffic wardens or whatever, and they took it out on other people?  In all kinds of vindictive little ways which, and here was the good bit, they thought up themselves.  For the rest of the day.  The pass-along effects were incalculable.  Thousands and thousands of souls all got a faint patina of tarnish, and you hardly had to lift a finger.

In essence, without any great expenditure of effort (look, I’d never say Crowley isn’t slothful, but that just makes him efficient), he’s managed to put half of London in a mental and emotional state that Crowley knows will make them more inclined to sin.  He’s given twenty thousand or a hundred thousand or half a million people a Bad Day.  Which, okay, it’s just a bad day–but bad days are exhausting.  Bad days make you snap, make you fail at things, make you feel guiltier and more stressed out in the aftermath when you wake up the next day, makes everything a little worse.  Bad days matter.

Maybe it’s because I’m a believer in the ripple effect of small kindnesses, and that means I have to believe in its opposite.  Maybe it’s just that I, personally, have had enough days that were bad enough that a downed cell network (or an angry coworker because of a downed cell network) would honestly have mattered.  But somebody who deliberately moves through the world doing their best to make everyone’s lives harder, with the aim of encouraging everybody around them to be just a little crueler, just a little angrier, just a little less empathetic–you know what, yes.  I do call that successful evil.

It’s subtle, is the thing.  That’s why Hastur and Ligur don’t get it, don’t approve of it.  Not because Crowley isn’t good at his job, but because we’ve seen from the beginning that Hastur and Ligur are extremely out of touch with humanity and the modern world and just plain aren’t smart enough to get it.  It’s a strategy that relies on understanding how humans work, what our buttons are and how to press them.  It’s also a strategy that’s remarkably advanced in terms of free will.  Hastur and Ligur deliberately tempt and coerce and entrap individuals into sinning, but Crowley never even gets close.  We never see him say to a single person, ‘hey, I’ve got an idea for you, why don’t you go do this bad thing?’  He sets up conditions to encourage humans to actually do the bad things they’re already thinking of themselves.  He creates a situation and opens it up to the results of free choice.  Every single thing a person does after Crowley’s messed with them is their own decision, without any demonic coercion to blame for any of it.

You see it again in the paintball match.  “They wanted real guns, I gave them what they wanted.”  In this case, Crowley didn’t need to irritate anybody into wanting to do evil–the desire to shoot and hurt and maybe even kill their own coworkers was already present in every combatant on that paintball field.  Crowley just so happened to be there at exactly the right time to give them the opportunity to turn that fleeting, kind-of-bad-but-never-acted-upon desire into real, concrete, attempted murder.  Sure, nobody died–where would be the fun in a pile of corpses?  But now forty-odd people who may never have committed a real act of violence in their entire lives, caught in a moment of weakness with real live weapons in their hands, will get to spend the rest of their lives knowing that given the opportunity and the tiniest smidgen of plausible deniability, they are absolutely the sort of people who could and would kill another human being they see every single day over a string of petty annoyances.

Crowley understands the path between bad thought and evil action.  He knows it gets shorter when somebody is upset or irritated, and that it gets shorter when people practice turning one into the other.  He understands that sometimes, removing a couple of practical obstacles is the only nudge a person needs–no demonic pressure or circumvention of free will required.

I love this interpretation, because I love the idea that Crowley, who’s been living on Earth for six thousand years, actually gets people in a way no other demon can.  I love the idea that Crowley, the very first tempter, who was there when free will was invented, understands how it works and how to use it better than maybe anyone else.  And I really love the idea that Crowley our hero, who loves Aziraphale and saves the world, isn’t necessarily a good guy.

There’s a narrative fandom’s been telling that, at its core, is centered around the idea that Crowley is good, and loves and cares and is nice, and always has been.  Heaven and its rigid ideas of Right and Wrong is itself the bad thing.  Crowley is too good for Heaven, and was punished for it, but under all the angst and pain and feelings of hurt and betrayal, he’s the best of all of them after all.

That’s a compelling story.  There’s a reason we keep telling it.  The conflict between kindness and Moral Authority, the idea that maybe the people in charge are the ones who’re wrong and the people they’ve rejected are both victim and hero all at once–yeah.  There’s a lot there to connect with, and I wouldn’t want to take it away from anyone.  But the compelling story I want, for me, is different.

I look at Crowley and I want a story about someone who absolutely has the capacity for cruelty and disseminating evil into the world.  Somebody who’s actually really skilled at it, even if all he does is create opportunities, and humans themselves just keep living down to and even surpassing his expectations.  Somebody who enjoys it, even.  Maybe he was unfairly labeled and tossed out of heaven to begin with, but he’s embraced what he was given.  He’s thrived.  He is, legitimately, a bad person.

And he tries to save the world anyway.

He loves Aziraphale.  He helps save the entire world.  Scared and desperate and determined and devoted, he drives through a wall of fire for the sake of something other than himself.  He likes humans, their cleverness, their complexities, the talent they have for doing the same sort of evil he does himself, the talent they have for doing the exact opposite.  He cares.

It’s not a story about someone who was always secretly good even though they tried to convince the whole world and themself that they weren’t.  It’s a story about someone who, despite being legitimately bad in so many ways, still has the capacity to be good anyway.  It’s not about redemption, or about what Heaven thinks or judges or wants.  It’s about free will.  However terrible you are or were or have the ability to be, you can still choose to do a good thing.  You can still love.  You can still be loved in return.

so what are some signs to look for? let's use this very good example.

Each of the lyrics comes from an old-time hickory song for fiddles, and is a lyric from that corresponding song.

"Fire on the Mountain" --> "Fire on the Mountain, run boys run"

Fire On The Mountain - Fiddle Player POV

"The House of the Rising Sun" --> "The Devil's in the house of the rising sun"

House of the Rising Sun

"Ida Red" --> "Chicken in the bread pan peckin' out dough"

Ida Red - Bob Wills & His Texas Playboys

"Granny Will Your Dog Bite" --> "Granny does your dog bite? 'No child, no'."

FTC #149 Granny Will Your Dog Bite

And for your furthered education, The Mountain Whipporwill.

in a time before things like radios and record players, every time you heard music was because there was somebody in the room with you playing an instrument. and many, many, many social events involved dancing, which requires music. so, if you're planning any kind of gathering in the american south or appalachia, you need to find a fiddler. and the fiddler's job is to play music that everybody knows and likes and can dance to.

the mistake The Devil makes in his bet with Johnny is that he misinterprets the contest as being about technical ability, so he has this big flashy song. he plays fast and impressively with a band of demons playing unfamiliar instruments in unfamiliar rhythms. he's definitely more skilled at playing than Johnny, and thinks he has it in the bag.

Virtually every popular idea about who he was before that, or what the details of his life and history were prior to Tarsus IV, come from outside the show—either decades-later retcons nowhere suggested in TOS, or just pure fanon. In the show, it's a long time before we even hear that he was born on Earth. He volunteers less information about his family and pre-Starfleet life than Spock.

Pretty much the only thing we're told about his life experiences that could possibly indicate something about him between his birth and the famine on Tarsus IV comes from "The Paradise Syndrome," in which as a stranded amnesiac, he has a strong but uncertain impression that he'd never felt happiness or peace in his life before. That is it. So the whole idyllic rural Midwestern childhood with wonderful supportive parents deal is something entirely external to the show (and, tbh, I think very much part of a later push towards making Star Trek in concept and Kirk in particular more "comfy" and accessibly heroic for blockbuster purposes).

But Kirk's earliest appearance in the internal timeline of TOS is as the thirteen-year-old survivor and eyewitness to Kodos's crimes, one among nine boys and men to survive, and in no way distinguished from the other eight at the time. There's basically nothing to him before that collective experience; the coup/famine/genocide there are the first of the many atrocities and horrors that define so much about his life, but they're also the first anything about his life.

*prolonged silence* “oh my…”

“sir…sir how will we make first contact with them? surely we…we cannot refuse this handclasping ritual, they will take it as an insult, but what vulcan would agree to such a distasteful and uncomfortable ritual??”

Bonus: here’s a screencap of Solkar doing the “my body is ready” pose right before he shakes Zefram Cochrane’s hand:

That’s why he’s so slow in doing it, and so sensual. A part of Solkar can’t believe this is happening, despite it being a perfectly logical thing to expect from a human, and the rest of him can’t believe how good it is.

I bet that if the camera zoomed in any further we would see the dilation of Solkar’s pupils and a quickly-repressed shiver of delight. Cochrane’s firm, businesslike clasp is probably (in sexual terms) being perceived as a deliciously carnal display of dominance.

Texas Lt. Gov. Dan Patrick said James Talarico, the young Texas Democratic nominee for Senate, is going to Hell because of his progressive interpretation of the Bible and Christian religion. 

“It’s James Talarico who decided to bring the Bible into this election. And let me tell you, that’s not a Bible I’ve ever read,” Patrick said at the Republican Party of Texas convention on Friday. “I’ve never seen so much blasphemy from anyone running for office. Let me tell you what, I’m going to pray for that guy, because when he loses the Senate race, if he campaigns against God as he’s been doing, he’s going to Hell for sure. That’s what we’re up against. That’s the darkness. That’s the light. That’s why we must be one.”

Lt. Gov. Dan Patrick might want to re-read the New Testament before he speaks about Christianity. If anyone has risked his soul it is far-right "Christians" like Patrick, who have apparently sold their souls to Trump.

I love James Talarico, and given that the Roberts Court has put huge cracks in the wall separating church and state, Talarico seems to be a necessary counter to the far-right "Christian" nationalists who have taken over the GOP.

But I'd like to remind folks that THIS is why the Establishment Clause was written by our founders into the Constitution. Once one form of religion begins to be favored by the ruling class, fighting between and among religious groups will inevitably follow.

So suddenly we see conflict between the far-right "Christian" nationalists in the Trump administration and more moderate Christian leaders like Pope Leo XIV and Episcopal Bishop Mariann Edgar Budde.

So, of course, we now we have far-right "Christians" like Patrick attacking Talarico.

An interesting game where you are presented with 10 artifacts from the MET. You have to place where the artifact is from and what time period it is from. Each artifact scores up to 10,000 points, and you lose points the further away your guess is and how far off in time you are. You can only play once a day. Thanks to @baebeylik for showing this to me.

Today I scored really well. Yesterday ... not so much.

For one, humans on Earth likely continued to breed astrophage, trying to minimize its range or damaging effects - any number of things. Rendering it sterile would be ideal, of course, but it was likely impossible until the mission succeeded. You can damn well bet your ass Stratt was out there chaining scientists to workbenches, trying to find or force a silver lining. She wouldn't be wrong: Astrophage IS an excellent source of fuel, which means it has great potential. PLUS!! the discovery of Taumeba gives you a way to control it.

Erid is only 16 light years away.

Imagine humanity pulled back from the brink, striving together to produce not one but TWO (at least!) huge joint efforts to save ourselves and each other. Project Hail Mary was followed the Taumeba Project, surely. The world comes together again.

I, however, like to imagine there was a third plan.

I think meeting Eridians became a worldwide obsession. Ryland Grace's legacy can be nothing but a collective triumph, though his contact with intelligent alien life is somehow second to saving the Earth and who knows how many other systems. Once saved, the next major project would surely be meeting our interplanetary friends. How would we say "hello"?

Let's say Earth's initial overture is a simple probe, Voyager style. What do you send? Well, they know Grace may still be out there, or at least was/is known to Eridian culture. He's the one link; the only common element.

The probe launches, and what it's full of is love for Ryland Grace. His childhood pictures. Interviews with his students. Thousands of statues and dedications and documentaries. Videos of worldwide celebrations of the Day of Grace. Kids' drawings of Rocky with laboriously-written thank you notes, thick with crayon so the Eridians can see. We love him too. We love you already.

Given their longevity, I imagine Rocky and Adrian opening the probe together, trilling over memories of their old friend. Stories they only heard about secondhand or not at all. Joy and triumph and thankfulness and hope, all in one small interstellar package. Amaze amaze amaze.