somnambulist

The Streets of Nazaré

Nazaré, Portugal

"Tale of Moonlight” (1968)

Yes, pill bugs are woodlice in the Armadillidiidae family. Pill bugs, just like all isopods, are crustaceans. Not all woodlice can curl into a ball like Armadillidiidae species can, though. Pill millipedes include two orders of myriapods in the Diplopoda class. So both are arthropods, but they’re considerably different otherwise. Their ability to roll into a defensive ball (volvation) is definitely convergent evolution, and they’re not the only animals who do it, because it’s super effective. In fact, even the two orders of pill millipedes convergently evolved the ability. Wild.

As for telling them apart, the easiest way is to look at the legs. Isopods will always have seven pairs of legs.

(Edited) photo by alfredoeloisa

Pill millipedes will have 11-13 body segments, and each segment will have two pairs of legs, so they’ll have considerably more!

Common pill millipede by blorby

While we’re here let’s also admire their Ball Forms

Common pill millipede by matthieu_gauvain

Common pill woodlouse by dlbowls

They were us.

Like literally genetically they were US, just like. A while ago.

Like

Would you trust a TV caveman with a baby? Probably not

As long as homo sapiens have existed, we have had the same emotional and mental capacity as you and I do today. You nailed it. They were US. Even Neaderthals existed alongside and had offspring with Homo Sapiens for many thousands of years.

There's much evidence that cavemen would have had complex spoken language, culture (learned information passed down), symbolic interpretation, and I think they most certainly would have been able to handle holding a baby. In fact I have my suspicisions that an ancient homo sapiens mother may be a more present, attentive, and knowledgable mom than I could be today.

Do not let media trick you into believing we are the pinnacle of humanity. Unilinial evolution theory (google it quick I beg) is BUNK, GARBAGE, and the root of so much evil.

At the beginning of the next class, my teacher showed us a cave painting of a horse. And then he showed all of our horses, which he had scanned and put into the presentation.

He then pointed out all the ways that our horses looked similar to the prehistoric horse. Same features, drawn from the same angle, etc.

And then he asked us, "Isn't it cool that you draw horses the same way as someone who lived 20,000 years ago?"

Yeah. That stuck with me for a while.

Scientists are now pretty sure the scribbles were made by kids ages 3-6, more or less on their own. The adult cave artists were probably doing what any modern parent might do when they want to keep small children out of their hair for awhile: they gave the kids some drawing tools of their own and a small section of wall to work on, out of the way but still close enough to keep an eye on them, and let them have at it.

The team compared the ancient art with the developmental stages exhibited by modern children: the furiously scribbled circles and push-pull lines typical of 3-year-olds just learning to control their bodies, for example, or the wobbly, right-angled figures of slightly older kids beginning to master fine motor skills.

Both are apparent in the cave, superimposed on each other as though two or more kids were drawing at once. That’s a clue the Las Monedas marks were likely made by “siblings or a mixed-age play group within the sphere of safety around adults, but also within their own space,” says co-author Felix Riede, an Aarhus archaeologist.

...

Les Étoiles (“The Stars”) in Ivry-sur-Seine, France, is one of the most iconic examples of post-war experimental housing. Designed by architect Jean Renaudie in the 1970s, the complex rejects the monotony of uniform blocks — instead, it bursts into angular terraces, sharp geometries, and lush rooftop gardens.

the silence in the fog

I come across these webbed-up fungi occasionally. They look quite like the tent-webs of some moth and sawfly larvae, but differ in occurring later in the year; enclosing a fungus instead of a food-plant; not being full of specks of caterpillar dung; you also rarely see any living (or dead) creatures, eggs or pupae in them.

The cleanness of the webs and the way they are restricted to a particular fungus might make you think you are looking at a grey, fuzzy mould.

To find out what was making these, I took a piece home and kept it in a vivarium. Checking on the vivarium in the middle of the night I spotted a small mealworm-like creature moving through the web, leaving a slime trail behind it. I caught it and put it in an empty enclosure where it soon started fervently weaving by bobbing its head back and forth at an impressive rate, extruding silk from spinnerets on its snout. In the morning, the new enclosure was full of webs, and the larva resting in the middle.

I believe these larvae are fungus gnats of the family Mycetophilidae - a large family of small, rather plain flies with thousands of described species, most of which lay their eggs on fungi. I haven't found much witten about the function of the webs: maintaining a humid atmosphere; excluding other small creatures; catching spores for consumption have all been mooted. The larvae also seem to be able to move smoothly and rapidly through their silk network.

https://wuxiawanderings.substack.com/p/flame-stick

Yeah, I think a lot of people tend to look down on Aboriginal art because they think it's a form of abstract art that is just lines and shapes but almost all of them tell a story. Sometimes it's a very obvious story, such as the emu dreaming where the waterhole flooded, and sometimes it's more symbolic.

the circle in the middle is a waterhole/dam or billabong. The squiggly lines coming out of it are small rivers. the dots represent the earth but because they are in neat lines, it almost feels as if they have been flattened by the flooded water, especially as the vector lines draw out from the waterhole in the middle. the emu tracks are heading toward the waterhole, and the three lines in the middle are marks left by their tail, implying that they are wading through the mud to get there.

It's a birdseye view of a moment just after the waterhole floods and afterwards the emus go looking for food.

It's Interesting, because the original artist D. J. Ross was from Yuendumu which is in central australia, so this would have been a rare time that there was enough rain to flood the waterhole.

Dreaming stories, kinship links, sacred rites, keeping track of biodiversity and songlines are some other topics covered by Aboriginal art.

In the same way monet painted the middle class and the local landscape in the late 1800's/early 1900's Aboriginal people also paint the average lifestyle of our people. It just looks different.

For example, this picture shows a LOT of activity. The men at the top left of the picture are doing a cultural burn near and around a sacred site, the women at the bottom left are digging for food. across the river, on the right the people are preparing food and in the center, two people (presumably elders) are preparing for a ceremony.

I wouldn't say these all happened at the same time, more that this was a common undertaking over a set of time.

it takes time to understand and not all symbols are the same in all areas, but once you do understand them it becomes easier to see the story being told.