something i find frustrating about Life lately is how people just absolutely refuse to experience any discomfort. and i dont mean this in the boomer "wah kids have it too easy theyre all pushovers and pussies" way, but i mean people will go crazy over anything thats not totally 100% sanitised and comfortable and pure and whatever the fuck. a show has a sex scene and you dont like it? people used to just look away for a second and maybe cringe. now it's a whole thinkpiece. people would rather ghost their friends or let issues fester rather than ever address an issue in their relationship with them. they wont let their friends vent in case it makes them uncomfortable. like can you just buck the fuck up and let things be a bit awkward sometimes? it wont kill you.
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âIlyaâ and âRozanovâ are two different people, and thatâs so fascinating to me.
Rozanov is a both a fortress and a prison. Itâs something Ilya creates, building the walls brick by brick, perfecting the image of an animal covered in spikes that no one can touch.
You canât hurt him. You canât fluster him, you canât throw him off his game. Heâs stoic and bulletproof and heâs an asshole, so keep your distance.
Donât get too close, because if you do- youâll see right through it.
Youâll peak through the walls and see a terrified little boy hiding from any form of real love because love only brings pain.
Heâs gentle and kind and soft and so afraid, and thatâs Ilya.
The only problem is, the walls of âRozanovâ start to close in over the years, and itâs suffocating Ilya. Now heâs trapped in a reputation he built himself, a misrepresentation of who he truly is.
âNot even Rozanov wants to see someone hurt like thatâ is such a heartbreaking line to me, because in reality, he has no desire to see anyone hurt, not really. The fact that itâs Shane obviously makes it worse, but itâs just another example of the people assuming the worst of him.
Thatâs why itâs so important to me when he corrects David over his name, because in that moment, heâs not Rozanov. Heâs Ilya. Heâs a guiding hand and an emotional rock and a supportive boyfriend. Heâs everything heâs always wanted to be.
Trauma can be so ugly, and you can hurt yourself in ways you never thought possible, even when youâre trying to protect yourself.
Can my Indigenous ass say the progressive christian impulse to no-true-scotsman their entire religion, appealing to "what jesus actually taught", *specifically* in a way that points to "modern" christianity as deviating from this, implying it used to be better, is completely fucking bonkers. You can't RETVRN your way out of genocide. Christianity has been about pillaging for the last 2000 years & if you sincerely want to change this I can respect that but be so fucking fr when you talk about how "modern christianity" isn't what jesus taught. Neither was the roman empire innit
I've said this before but it's all so....... "this isn't what jesus taught" is like, step 1 of recognizing the hypocrisy. But then nobody wants to keep thinking about it past that point. It's been lies justifying unfathomable violence this whole time
& if you want to play that game the christian bible also says to convert the entire world so. It's not looking great. The pillaging is kind of a central pillar of the ideology. Or did you just think the problem with christianity was homophobia, or some nebulous concept of racism that's simply "hate" and doesn't include robbing people of their cultures
Abrahamic religions are inherently proselytic and that means it will always attempt to erase and destroy foreign cultures and religions. There is just no separating genocide from abrahamic religions. So many of our indigenous practices are seen as "demonic" and "evil" meaning that they should no longer be practiced because they're of the "devil." The goal of abrahamic religions is to convert people and that means the erasure of religion, culture, tradition, ancestral knowledge, etc because we need to be "saved" from our sAvAgE and iGnOrAnT bAcKwArDs wAyS.
This is simply false. Judaism actively obligates people to discourage conversion. The Druze fully prohibit conversion, and they aren't the only Abrahamic religion that does. You cannot become Druze.
If you want to argue that Christianity and Islam are inherently proselytic, then knock yourself out. I absolutely agree about Christianity, and from what I know of Islam they seem to be of the same mold.
But I suspect that you couldn't tell me three things about Rastafaris without looking it up.
What, specifically, about Vodou makes it impossible to practice without perpetuating "the erasure of religion, culture, tradition, ancestral knowledge, etc"?
In what way does your description of abrahamic religions describe anything about Baha'i? Literally anything. Is there any single thing you said about "Abrahamic religions" (a category which includes Baha'i) which is accurate about Baha'i?
Can you in any way at all justify your statement that "[t]here is just no separating genocide from [Samaritanism]"?
I don't think you can. I think you have taken your justified antipathy for christianity and what they have done to your people, and allowed that antipathy to be spread to other victims of genocidal christians.
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Don't You Worry, Baby | Clark Kent x Reader | Drabble - 291 words
You see the harem rumours and freak out, because honestly who wouldn't want your gorgeous superhero boyfriend!
Warning: insecure argument, silly fluff, Clark calls reader "Honey" and "Baby"
For @societynsoelsscribbles January Jumble Scribbles, Jan 25th - Some people call me the space cowboy.
Masterlist | DCU | Clark Kent
"A harem, Clark!"
"Honey, if you didn't believe I was sent to destroy you all, why do you believe that!?"
"Because â because," you waved your hand up and down at Clark, dumping your work bag on the console table and kicking your shoes aggressively into the hall closet.
Clark had met you outside, eager to abait your worries as soon as you'd text him the clip of Lex.
"I promise you, I do not have a secret harem, okay?"
Clark followed you, his eyes pleading.
"Why else would Superman not want to be seen with me?"
"I don't want you to be seen with Superman because I don't want you all over the press, Honey, Baby, please believe me."
You sat on the sofa, arms folded, legs crossed, and stared down your boyfriend.
"You're the only one I want," he fell to his knees before you. "You're my everything, my yellow sun, I'd follow you anywhere. You make it all better."
Clark let his head rest against your knee, dark curls tickling your skin.
"And there's no one else?"
"Why would I need anyone else, when you're the cutest thing I ever did see?" He grinned up at you, his smile boyish and charming.
"Clark," you sighed, but couldn't help a smile sneaking through.
"Come to the farm this weekend, see my Ma and Pa, they've been dying to see you again, I want to show you off." He cupped your cheeks and kissed your nose.
"I could go for some cowboy Clark this weekend. " You agreed, reaching for his face in return and squishing his perfect cheeks.
"You know, online, some people call me a space cowboy."
It took you both less than a second to dissolve into raucous giggles.
Don't You Worry, Baby | Clark Kent x Reader | Drabble - 291 words
You see the harem rumours and freak out, because honestly who wouldn't want your gorgeous superhero boyfriend!
Warning: insecure argument, silly fluff, Clark calls reader "Honey" and "Baby"
For @societynsoelsscribbles January Jumble Scribbles, Jan 25th - Some people call me the space cowboy.
Masterlist | DCU | Clark Kent
"A harem, Clark!"
"Honey, if you didn't believe I was sent to destroy you all, why do you believe that!?"
"Because â because," you waved your hand up and down at Clark, dumping your work bag on the console table and kicking your shoes aggressively into the hall closet.
Clark had met you outside, eager to abait your worries as soon as you'd text him the clip of Lex.
"I promise you, I do not have a secret harem, okay?"
Clark followed you, his eyes pleading.
"Why else would Superman not want to be seen with me?"
"I don't want you to be seen with Superman because I don't want you all over the press, Honey, Baby, please believe me."
You sat on the sofa, arms folded, legs crossed, and stared down your boyfriend.
"You're the only one I want," he fell to his knees before you. "You're my everything, my yellow sun, I'd follow you anywhere. You make it all better."
Clark let his head rest against your knee, dark curls tickling your skin.
"And there's no one else?"
"Why would I need anyone else, when you're the cutest thing I ever did see?" He grinned up at you, his smile boyish and charming.
"Clark," you sighed, but couldn't help a smile sneaking through.
"Come to the farm this weekend, see my Ma and Pa, they've been dying to see you again, I want to show you off." He cupped your cheeks and kissed your nose.
"I could go for some cowboy Clark this weekend. " You agreed, reaching for his face in return and squishing his perfect cheeks.
"You know, online, some people call me a space cowboy."
It took you both less than a second to dissolve into raucous giggles.
you need to be able to explain why you shouldnt use ai rather than âoh well its obviously bad and you shouldnt use it or else youre a bad personâ because that isnât logic. âai generates child porn based off of real children and whether or not it does is entirely up to how it is built and if pedophiles are able to find ways around those safeguards, because ai cannot in itself discern right from wrongâ is a genuine criticism. âamazon tried to build a data center the size of tuson outside of tuson just to power their ai that wouldâve increased the inability to stay alive outside in parts of arizonaâ is a genuine criticism. even âusing generative ai teaches you not to learn how to do things yourself even when theyâre difficult, devaluing necessary skills out of practiceâ is a genuine criticism when you look at the amount of people who think they are able of doing a difficult major when they couldnt write their own papers in high school.
but âai is just bad because itâs badâ will convince no one and is a morally lazy position to take. about anything!
you need to know why reading someoneâs diary is wrong if you want to learn about privacy and respect. you need to know why child sexual assault is wrong if you want to be able to help children form healthy age appropriate relationships. you need to know why capitalism is bad if you want to replace it with something else. you need actual concrete ideas and ideologies rather than âyou should agree with me because i have the right vibeâ
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Bc okay youâre Jinshi right? Youâre a 18-20something year old noble who just a WEEK ago had to fire this amazing, intelligent, perplexing girl who youâre lowkey crushing on. It was devastating but itâs what she wanted.
And in the midst of your wallowing you have to go play your part at some party the high ranking officials are throwing and you canât even bother pretending to enjoy it bc youâre still mourning the loss of this awe-inspiring girl. Then this servant comes up to you and you tell her politely to bug offâŚ
And then ITS HER
The very cause for your sorrows. And she looks pretty, not her normal self but still very pretty. And waitâŚthis is a party for courtesans. Why is she at this party for courtesans???
AND SHE TELLS YOU NOT TO WORRY BC SHES NOT SELLING HER BODY OFF YET. BUT YOURE FREAKING OUT BC YOU THOUGHT YOU LET HER GO SO SHE COULD BE FREE TO BE SMART AND SUCCESSFUL BUT SHES WORKING AT A BROTHEL????
So yeah youâre going to buy her out immediately! Youâd buy her out a hundred times if you had to. Oh my god, itâs all your fault she even had to reduce herself to this.
She wanted to stay?? She thought she was bargaining her position and you fired her like an idiot.
"Getting into this hobby is actually super cheap and easy!!!! First, start with a section of land and a house that you own and can mess up at your discretion"
The original inspiration for this is that I've looked up a lot of basic woodworking stuff multiple times to try and make better and better tortoise enclosures, and ended up in this trap every time lmao
the secret is that people who have a garage with a table saw are constantly looking for reasons to justify that use of space and money. so if you find somebody with a table saw and ask if you can use it, you're actually doing them a huge favor by justifying the saw continuing to take up space. "of course I need a table saw. what if somebody needs to upgrade a turtle enclosue."
"This feels kinda raunchy. How'd we end up like this?"
"The heck, dude? This was your idea!"
"I mean, you wanted to know what's inside me. Right?"
THE SUMMER HIKARU DIED / ĺ ăćťăă ĺ¤
pairing: clark kent (superman 2025) x reader
summary: clark is light in ways the world doesnât always notice. he makes breakfast for dinner, reads to you when youâre sick, peels oranges like his mom used to, and sunbathes on the fire escape like a houseplant that loves way too hard. he doesnât say âi love youâ until the light is just right and youâre wrapped up in him like a second skin, but he shows it every day in the way he stays. inspired by the orange poem by wendy cope. (or alternatively: 4 times he showed you he loves you + 1 time he says it)Â listen to the playlist here.
word count: 11.1 k. oops. i swear this was only supposed to be 8k words but unfortunately, i'm insane.
content warnings: 18+ mdni, fem!reader, established relationship, piv sex, character study, dom/sub undertones, switching (reader and clark take turns domming/subbing), marking kink, hair pulling, big soft men who are whipped for you, soft but kind of unhinged sex, size kink (clark picks up the reader/pins them down), nipple play, unprotected sex, oral (fem!receiving), outdoor sex (sex against a tree), face riding, public sex, use of pet names, tooth-rotting fluff, my love letter to midwest summers!
Your boyfriend photosynthesizes.
Well, that's the joke, anyway.Â
Youâve said it so many times now it might as well be printed on a T-shirt. My Boyfriend Is Solar-Powered! in Comic Sans. Or maybe Papyrus. Whatever will annoy him the most. Haven't really decided yet.
It started out as a throwaway line, one of those things you kind of just say when youâre half-awake and fully-annoyed because heâs hogging the sunny spot in the kitchen again like a smug, six-foot-four housecat with insane shoulders and even more insane bedhead.
But the first time you said itâlike, actually really said itâhe was standing by the window, shirtless, holding his coffee in that chipped blue mug that says "My Son's a Smallville Elementary Grad!" and somehow survived a farm, a college dorm, three apartments, and a move cross-country.Â
The light was doing that thing it loves to do in the morning, all golden and warm and syrupy, catching on his collarbones and the slope of his neck like he was painted by fucking Michelangelo. He had one hip braced against the counter, the other leg crooked, like someone told him to look as unintentionally hot as possible while waiting for the kettle filled with your guys' tea to boil.
You blinked at him, still clutching your own mug and not yet caffeinated enough to regulate your mouth, and said, âDo you ever feel like⌠like a plant?â
He raised an eyebrow. Blew on his coffee. You can see the way his breath fogs up slightly, that super breath of his doing just enough to cool down his coffee to the perfect temperature. âThat a dig?â
âNo. Itâs just. Youâ" You waved vaguely in his direction. "Well, you just kinda look like youâre charging.â
That got a huff of a laugh. âWhat, like a phone?â
âNo,â you said, and grinned into your mug. âLike I said, a plant. Like you're photosynthesizing.â
After that, it became a thing.
He always smiled when you said it. Looked down at himself, half-amused, half-embarrassed. âI mean,â heâd say, âyouâre not wrong.â Or: âSomeoneâs gotta keep the plants company, y'know?"
But he never corrects you. Never laughs it off like itâs ridiculous.
Because it isnât.
Youâve seen the truth of it, slow and subtle and layered in all the small things. The way heâs just a smidge lighter on his feet after a sunny day, how he runs warmer, more golden, like someone turned the saturation up to a hundred. The way his voice softens, deeper, when heâs been in the sun too long. The way the shadows under his eyes seem less sharp after just an afternoon spent lying on the roof, pretending heâs napping when you both know heâs just... breathing.
And the bruises. Thatâs the part he thinks you donât see.
You do.
They heal so much faster when heâs been drenched in the sun. Youâve watched the inky blackish-purple fade to this sickly yellow in the span of a couple hours and tried really, really hard not to stare.Â
Youâve said nothing when he limped into bed one night after a particularly difficult battle and rolled out of it the next morning like absolutely nothing had even happened. Sometimes he winces and pretends itâs nothing. Sometimes he⌠forgets to pretend.
And still, you never say thatâs not normal out loud, even though itâs not. Because he isnât. Not in the way that matters. Not in the ways that make you love him.
You love him like a long exhale. Like a secret thatâs safe with you. Like the song you play on repeat in the car, the one you never get sick of, even though it makes your throat tighten every time.
Sometimes itâs peaceful, like when your ribs finally uncages and let someone else in for the first time in your life. But sometimes, sometimes it's just so fucking devastating.Â
Because heâs Clark. And Superman. And most importantly, he's yours.
And it feels too big. Too fragile. Like trying to hold water in your hands. You want to keep him safe, but you also want to keep him. The real him. The him that leaves you sticky notes that say âeat something, pleaseâ and walks around humming old Mighty Crabjoys songs and insists you donât have to fold my socks, seriously, who folds socks?
But you lie awake sometimes watching him breathe, thinking to yourself, How do I love someone that belongs to the world?
And the answer is: you just do. One day at a time. One morning at a time. One sunlit moment in the kitchen at a time.
That Monday morning, itâs the same as always.
You pad into the living room half-asleep, dragging your feet and wearing one of his T-shirts that hits you mid-thigh. Heâs already up, standing barefoot by the window, coffee in hand, arms folded loosely across his chest like heâs holding himself together in case he gets pulled apart again later.
Pause in the doorway. Watch him for a second. The light pooling around his ankles. His shoulders lift, just barely, when he hears your steps.
He doesnât turn.
âGuess what,â you say.
He smiles, small and crooked. âHmm?â
You cross the room. Slide your arms around his waist from behind and press your face between his shoulder blades, where the sunâs been warming him for at least half an hour.
âYouâre glowing again,â you murmur. âMust be that high-potency sunlight. You hogging the sun again?â
He laughs, the sound low and warm. âYou caught me.â
âYouâre a danger to local crops,â you whisper. Feel the goosebumps rising underneath his skin. âThe cornâs jealous.â
âOh no. Not the corn.â He turns a little, just enough to look down at you. His eyes are so fucking blue at that moment. âShould I apologize to the corn?â
âAbsolutely. Itâs your fault they canât compete. You're literally the reason why Iowa's GDP is going down.â
He leans in. Brushes a kiss to your temple. âIâll draft a formal statement for them later.â
You stay like that for a minute. Him holding you. You pressing your nose into the slope of his back, breathing him inâsunshine and laundry and that faint green note thatâs uniquely Clark. Like basil, or clean leaves. Like something still growing.
And you think: This is the part he doesnât say out loud.
This is how he tells you.
Not with words. Not yet.
Your boyfriend photosynthesizes. And maybe itâs not the kind of love you can pin down, or explain, or protect. But itâs real. Itâs alive.
And you love him.
And he, quietly, completely, loves you back.
(He hasnât said it yet. But you donât really need the words to know.)
.
Clark shows you he loves you in ways so small, theyâd be easy to miss if you didnât know how to look for them.Â
But you do. You catch them in those quiet little corners of the day.Â
How he folds down the corner of your book before you can reach for a receipt or a pen. How he touches your wrist, not yanking, just there, when you step into the street without looking. How he makes a soft sound of protestâahem, maybe more like politely exasperatedâwhen you try to carry six grocery bags at once like you, too, are invincible.
And then thereâs the orange.
Youâre curled into the couch, one of his sweatshirts swallowed over your knees, watchingâbut not really, to be honestâsome long-winded documentary about volcanoes or Icelandic horses or some other quietly majestic subject that definitely feels at odds with your mood. The narrator has this super calm, soothing British lilt and the lighting is very National Geographic: all muted blues and wide drone shots and crashing waves. You havenât really spoken in close to at least half an hour.
Clark doesnât push. Never does.Â
He just lets you sit in it, whatever it is, as long as you need to.Â
But eventually, he nudges your ankle with his socked foot, like a hello, and when you glance up, heâs setting something on the coffee table with a kind of shy precision.
An orange.
Already peeled.
Not just peeled. Sectioned. Arranged.
Itâs kind of ridiculous, how careful it is. No torn rind, no mangled wedges. The peelâs just laid out like a ribbon, one continuous spiral that speaks of time and gentleness and someone who took this seriously. Each segment is placed on a napkin, still glistening with juice, like a little offering.
You blink at it.
Then at him.
Heâs pretending to watch the TV, but his body betrays him. His shoulders just slightly angled toward you, eyes flicking sideways like heâs checking the weather.
âI didnât know if you were hungry,â he says after a beat. Like heâs not sure heâs allowed to say more. âBut itâs one of the sweet ones.â
Your throat does something stupid. You reach for a slice and hold it for a second, too long, then pop it into your mouth.
Itâs still cold from the fridge. Bright, juicy, perfect. Like summer broke through the haze in your chest.
You make a noise you donât mean to. Something between surprise and relief.
Clark shifts, trying to look casual, but you catch that familiar smile tugging at the corner of his mouth.
âI was gonna ask if you wanted one,â he says, still mostly facing the TV, his face painted in blue. âBut you looked kind of⌠I donât know. Stuck. So I figured Iâd just do it.â
âYou peeled it for me?â
He finally looks over at you, eyebrows lifted. âWell, yeah.â
And somehow thatâthatâis what catches in your chest. Not the orange, not the care. He says it like itâs obvious. Like of course he did. Like thereâs a whole world of things he would do just for you without even needing to be asked.
You swallow. âYou didnât have to.â
âI know,â he says, shrugging a little. âBut that's kind of the point.â
You donât say anything for a minute. Just reach for another slice.
When you bite into it, something in you loosens. Maybe itâs the juice. Maybe itâs the tenderness.
Clark, watching out of the corner of his eye, shifts a little closer and says, voice low, âWhen I was a kid, my ma used to 'em for me.â
You glance over. Heâs staring at the documentary again, but his tone when he says it, itâs not for the Icelandic horses on the screen.
âShe knew I hated the sticky part,â he goes on. âDidnât like having all that juice on my fingers. So sheâd do it before school. Wrap âem up in plastic, tuck âem in the corner of my lunchbox next to whatever sandwich she made that day. Tuna on Fridays. Always with too much mayo.â
You smile, just a little. âYou were a picky eater?â
âNot picky,â he says defensively. âJustâjust particular. I didnât like when my food touched.â
âMhm.â
âI was seven!â
You laugh, and he finally looks at you, sheepish and warm.
âShe used to write little notes sometimes too,â he adds. âOn the napkin. Stuff like âremember your science quizâ or âyouâre stronger than you think.ââ He scratches the back of his neck. âSometimes just a heart. Sometimes that was enough.â
You watch him as he says it, and you think, Of course. Of course you grew up like that. With kindness taught into you like table manners. With love folded into your lunchboxes.
âAnd now,â you say, voice subtle, âyouâre the one peeling oranges for someone else.â
He shrugs again. âOnly for you.â
You raise an eyebrow.
âI mean it,â he says. âEveryone else can deal with the sticky fingers. You get the napkin and everything.â
You press a slice into his hand before you can talk yourself out of it.
He pauses, then leans forward and bites it from your fingers, playful but gentle. A little juice escapes down the corner of his mouth. He licks it away without breaking eye contact.
It shouldnât make your heart ache. But it does.
âThank you,â you say quietly.
âFor the orange?â
âFor the orange. And the napkin. And, you know. The general care and keeping of me.â
He smiles at that. Tilts his head toward you until your shoulders brush.âWell,â he says, âyouâre pretty high-maintenance. Comes with the territory.â
You scoff, gently ebow him. âI am not.â
He raises his brows. âOkay. Yesterday, you made me reheat the tea because it was two degrees below your ideal sipping temperature.â
âThatâs not high-maintenance. Thatâs just me having standards.â
âSure,â he murmurs, bumping your knee with his. âAnd your standards include expertly peeled fruit on Tuesdays, apparently.â
You roll your eyes, but your smile gives you away. âI just meanâŚâ You trail off, unsure how to say it without sounding too serious, too much. You chew your lip, watching the light hit his profile. âI hope,â you say softly, almost to yourself, âyou never stop doing that.â
He leans his head against the back of the couch, close enough that his shoulder brushes yours. âWhat, feeding you citrus?â
You huff out a laugh. âYou know what I mean.â
He doesnât answer for a long moment. Then he says, simple and sure, like the truth it is:
âI wonât.â
.
You donât even really remember texting him. You think you mightâve. Maybe. Who knows.Â
In the middle of your 2 a.m. sick delirium, burning up and freezing at the same time, with every single cell in your body screaming and staging some sort of mutiny, you vaguely remember opening your phone with bleary eyes and typing something half-coherent.Â
A string of emojis. A sad face, a skull, a wilted flower. Vomit emoji. You mightâve hit send. You mightâve just passed out mid-thought.
Either way, Clarkâs there when you come to.
Heâs on the floor beside your bed, cross-legged, slouched a little in that way he always is when heâs trying to make himself smaller than he actually is. Heâs doing this thing he does similar to when he's reading out his first draftsâvoice low and even, a little scratchy like he hasnât used it much today, or maybe just because itâs the middle of the night and the Metropolis is quiet for once and so is he.
You blink, once, twice, groggily, and he doesnât even look up as he says:
ââŚand then I told Jimmy that if he was going to hide in the cafeteria instead of facing Eve, he should at least clean up after his brooding, because no one wants to sit next to a scone thatâs been glared at for thirty minutes."
That's when you make a soundâhalf a groan, half a breathâand he glances up.
âOh,â he says, smiling. âHey. Youâre awake.â
God, you swear your head's a pressure cooker. Your throat feels like someone lined it with sandpaper and regret. Youâre pretty sure youâre covered in sweat, and not in a sexy, cinematic way, but more in a swampy, bedraggled, my skin might never be clean again kind of way.Â
And yet here he is, reading from what you now realize is his work notebook.Â
Not even a novel. Just⌠Clark, narrating his week.
âGod,â you croak. âI think Iâm dying.â
Clark shifts immediately, one knee bent, his hand brushing against your arm like heâs checking for tremors. âYouâre not dying,â he says gently. âYouâre just sick. Classic human stuff. I Googled it to make sure.â
âYou Googled my flu?â
âYeah. Also called my dad.â
Your lips twitch. âOf course you did.â
âHe said tea, soup, and don't try to touch your toes.â
You blink at him. âI wasnât gonnaââ
âI didnât think you would. But he insisted.â
He presses a glass of water into your hand. Holds it there, actually, like you might forget what to do with it. You sip slowly, mostly because heâs watching you with the intensity of someone monitoring the nuclear launch codes. His hand stays curved behind your back the whole time, steady and warm, his thumb sweeping once over your shoulderblade.
âStill tastes like shit,â you mutter, grimacing.
âThatâs just your fever lying to you,â he says. âGive it time. I brought supplies.â
Which is how, ten minutes later, youâre propped up like a limp marionette with three pillows, wearing one of his hoodies, while Clark, bless him, is rumbling around in your kitchen making the worldâs most dramatic instant ramen.
He hums while he works, something mellow and vaguely twangyâsomething that sounds like wide-open spaces and Sunday mornings and the kind of radio stations that only exist halfway between here and Kansas.
When he brings the bowl back, he sits on the edge of the bed and feeds you, spoon by spoon, blowing on each bite first like he thinks you might scald your tongue.
You watch him through a fever-glazed blur. âYouâre really committing to the bit.â
He raises an eyebrow. âWhat bit?â
âThe Florence Nightingale⌠Florence Kent thing.â
He grins, bashful. âItâs not a bit. I just⌠I didnât want you to be alone.â
Your stomach flips. It has nothing to do with the soup.
âAnd also,â he adds, âI brought a book, thought you might like something to listen to in the background.â
You blink at him.
âI figured Iâd read to you once the soupâs done. Unless youâd rather I make more toast. I could do toast. Or try. I mean, itâs technically one of the few things I canât mess up.â
You take the spoon from his hand. âBaby.â
âYeah?â
âSit down before you vibrate out of your flannel.â
He obeys instantly, because Clark is nothing if not obedient when you sound just a tiny bit bossy and ill. You laugh a little. Then cough a lot.
When you stop hacking, thereâs a glass of water in your hand again, and he's looking at you like heâs trying to mentally calculate your temperature based soely off your pupil dilation. You wave him off until he settles down again, until his work stories blur into white noise and you feel yourself drifting.
Later, when the room is dark except for the glow of the bedside lamp, and your feverâs burning lower, no longer trying to boil you alive but still leaving your limbs really heavy and wrung-outâyou stir, blink groggily, and find him exactly where heâs been all day: back on the floor, this time leaning against the bed frame like heâs trying to become one with the carpet.
There's a book in his hands.
You squint. âIs that⌠Star Wars?â
He doesnât look up right away. Just flips a page, calm and unbothered, like this is a completely normal Wednesday night activity. âYeah. From a Certain Point of View. Itâs like⌠likeâlittle side stories. People on the edges of the main stuff. Background characters getting the spotlight. I thought you might like it.â
âYouâre reading me Star Wars fanfiction.â
Clark glances up, grinning. âNot fanfiction. Itâs licensed content.â
âClark.â
âItâs from Jimmy.â
âClark.â
He holds his hands up in mock surrender. âOkay, okay, itâs kind of sanctioned fanfic. But itâs good. There's one from the point of view of Obi-Wanâs ghost and it made me emotional.â
You try to snort, but it comes out more like a croak. âYouâre such a nerd.â
âSays the person who cried over an R2-D2 Lego set last Christmas.â
âThat was a very moving gift and you know it.â
Clark reaches over to adjust your blanket, tucking it up under your chin with careful fingers. âI just thought it might be nice. Something familiar. Itâs kind of like comfort food, but for your brain.â
You look at himâreally look at himâglasses askew, hair flattened on one side from the couch pillow, sweatshirt stretched over his broad chest like it was never meant to fit a man built like a brick wallâand feel that weird, awful feeling twist in your chest again.Â
The one that always comes when heâs like this. Sweet and earnest and just slightly off-center in a way that makes your whole life feel gentler.
âThank you,â you rasp, voice hoarse but sincere.
He shrugs, like itâs nothing. âDonât mention it.â
Then, after a beat:
âI was gonna read the one about the cantina bartender next. He has some very strong feelings about the music.â
â. . . Okay yeah, you're weird.â
âExactly.â
He closes the book for a moment and reaches for your hand under the blanket. His fingers wrap around yours, warm and firm and callused at the knuckles. He squeezes gently.
âI know Iâm not good at this,â he says, so quietly you almost miss it. âThe taking-care-of-people thing. Not like my dad was. He used to bring orange Jell-O and put those cold cloths on my head when I got sick. He'd sit with me and hum old country songs like that could fix it. And sometimes, it kinda did.â
You squeeze his fingers back. He looks at your joined hands like theyâre something fragile.
âI donât really even know all the right things,â he continues. âBut Iâm gonna stay right here until you feel good again.â
You swallow. Your throat aches. Your heart does, too, but in a different way.
âClark,â you whisper. âYouâre doing perfect.â
He gives you this lookâhazy and overwhelmed, like maybe he needed to hear that more than he thought. He leans in and presses a kiss to your forehead, cool and steady and grounding.
âI got you,â he murmurs. âAlways.â
He reads until your breathing evens out again, then switches to hummingâbarely there, just a thread of melody tracing the shape of the room. He doesnât move from his place beside your bed.Â
You donât think he even blinks when you stir, reaching a hand out for his. Heâs just there.Â
So you dream of a cantina bartender with strong feelings about the music. Of a man with dark hair and horrendous posture and the kindest eyes in the galaxy, carrying soup and picture books and the whole weight of your heart like itâs not heavy at all.
.
It was supposed to be a date.
Like, a real date. One with proper shoes and napkins that arenât made of recycled drive-thru material. A night where neither of you had to sprint, lie, cover for the other, or show up late with leaves in your hair because someone, cough, got caught helping rescue a tour boat from sinking off the coast of Maine.
Just dinner. Just one Thursday evening. A normal, honest-to-god, pre-planned, mildly fancy dinner.Â
Youâd even made a reservation at that Italian place ou guys have been meaning to try.
Clark had combed his curls with what looked like actual intent and buttoned his shirt all the way to the top, then unbuttoned one (just one) like heâd read about the concept of casual in a book. You caught him practicing his posture in the hallway mirror before you left.
âDo I look like I own a belt?â heâd asked.
âYou do own a belt.â
âRight, but do I look like I believe in it?â
You had rolled your eyes. Heâd kissed your forehead. Youâd both agreed, silently and aloud and silently again: This time, itâs gonna stick.
Just dinner.
Just you and him.
Justâ
The sky, it turns out, had other ideas.
Youâre only two blocks from the restaurant, your heels clicking rhythmically against the sidewalk. Heâs saying something about dessertâabout how heâs never actually had crème brĂťlĂŠe and how suspicious he is of any food that requires a blowtorchâand youâre about to tell him that heâs a coward and has terrible, horrible opinions when heâ
Flinches.
Just slightly. A twitch, more than anything. Like someone tugged on the collar of his shirt from behind.
You stop. Narrow your eyes.
âKent.â
He stills, then winces, and itâs over. The wind picks up just enough to ruffle his jacket and toss a strand of your hair across your lip.
âBaby,â you say, dragging out the vowels like youâre preparing to scold a dog whoâs eyeing the Thanksgiving turkey.
âIâm sorry,â he says. âI know. I know. I justâthereâs something happening in Hobâs Bay. I think itâs Parasite again.â
âParasite?â you repeat, like that somehow makes it better. âThe guy who eats energy and punches holes through cement walls like graham crackers?â
Clark winces again, guilt washing across his face like rain.
âI can take you home first,â he says quickly. âIâll be fast. Twenty minutes. Tops.â
âYou said that last time,â you remind him.
âYes, but this time I mean it withââ he pauses, trying to sell it, ââI mean it. I've got improved time management skills. Iâve been working on it, I swear. I downloaded a calendar app.â
âOh my god, Clark.â
âI even color-coded it!â
You cross your arms. âClark.â
âI swear on my momâs ceramic cow collection.â
ââŚThe one on the microwave?â
âShe dusts them twice a week.â
You sigh, but youâre already unhooking your arm from his. Heâs practically vibrating now, trying to stand still. Thereâs a flash of green in the far-off clouds.
âI liked this dress,â you say.
âI love that dress,â he says, almost in awe. âIâm gonna come back and ruin it for you in much better ways.â
A beat. He realizes how that sounded. âI mean, likeâbecause of pasta sauce. And maybe dancing? gosh, Iâm terrible at thisââ
You laugh despite yourself. Even as the first drops of rain start to hit your shoulders. âGo, Kansas.â
He kisses your cheek. Then the other. His hands linger against your face a half-second too long, his thumbs warm even through the chill.
âIâll make it up to you,â he says, quiet now. âPromise.â
Then heâs gone.
âI know,â you reply to no one in particular, because you do.
You spend the next hour curled on the couch in the dress you never got to wear properly, the hem slightly damp from the rain and your eyeliner gently betraying you. The news cycles through static, then footage of Clark shielding a crowd with a dented bus stop sign like itâs a riot shield, eyes glowing faintly, shoulders squared. Calm. Measured. Still gentle, even in a fight. You eat a sleeve of saltines out of spite.
He texts you twice:
CLARKY <3: STILL FIGHTING THE SLIME GUY. HEâS YELLING ABOUT âTHE SYSTEMâ SO I THINK THIS IS POLITICALLY MOTIVATED.
CLARKY <3: ALMOST DONE. PLEASE DONâT FALL ASLEEP. I OWE YOU SO MUCH CREME BRUILALAE đ¨
You donât reply. He needs to focus. But you do leave the kitchen light on.
It's past ten when he gets back. He lands with a whisper on your fire escapeâso quiet it takes you a second to realize heâs there. Youâre already in pajamas at this point.
He taps gently on the window.
When you slide it open, heâs dripping. Suit ripped at the collar. A graze on his temple thatâs already healing. Mud on his boots. Eyes wide and sheepish and a little desperate.
âYouâre late,â you say.
âThe Italian place was closed,â he says, holding up a crumpled brown paper bag like an offering. "But I brought dumplings?"
Your stomach betrays you with a loud growl. Fucking saltines. He smiles, relieved.
âTheyâre from that place you like,â he adds quickly. âThe one with the crab rangoon that makes you make weird noises.â
You cross your arms. âYou think you can just bribe me with steamed buns and flattery?â
âYes?â he tries.
ââŚYouâre not wrong.â
You step back to let him in. He shrugs off the cape, moving slower than usual. His shoulders dip lower. His steps drag a little. The exhaustion sits in him like weight.
âSit down,â you say.
âI canââ
âClark. Couch. Now.â
He obeys without question, settling into the cushions like a man unraveling. You grab a towel and a hoodie from your roomâone of hisâand toss both at him. Then you disappear into the kitchen.
After a beat, he calls after you: âI missed you.â
You donât answer right away. Just finish plating the takeout, dividing the dumplings and the sticky rice and the rangoon with practiced ease. Your apartment smells like warm ginger and garlic. Familiar. Safe.
When you bring the food over, you find him curled sideways on the couch, legs too long, towel around his shoulders like a cape. He grins when he sees the plates.
âYou forgive me?â he asks, hopeful.
You hand him a rangoon. âChew before you talk.â
He does. Then says, with a mouthful of crab: âI really did want it to be a normal night.â
You look at him. At the tired, good man who flew across the city to keep someone elseâs world from breaking. At the one who brought you dumplings and rainwater and apologies on the roof of his tongue.
âI know,â you say.
He finishes chewing, then leans forward, chin on your shoulder, voice curling around the edges. âYou look beautiful, by the way.â
You snort. âYou say that now that Iâm in fleece pants with soup stains.â
âI stand by it,â he murmurs. âAlways.â
You let him curl around you then, dinner plates on the coffee table, reruns of I Love Lucy playing low in the background. He eats with one arm around your waist. You steal his dumplings when heâs not looking.
Later, when youâre both too full and too warm and too tired to move, he says it again.
âIâll make it up to you.â
You nudge his leg with your foot. âYou already are.â
He hums, pleased but tired, and lets his head fall back against the cushions. âStill wish I hadnât missed dinner. Not the food. Justâbeing there. With you.â
Thereâs a smear of sauce near his mouth when you glance over him. Heâs so unbelievably warm around the edges like thisâlike the fightâs finally bled out of him and heâs just Clark again. Your Clark.
âYou always say that,â you murmur.
âBecause I always mean it.â
You reach up, thumb brushing the corner of his mouth. He goes quiet. Doesnât blink. Just watches you like heâs trying to memorize the moment.
Thereâs a beat where neither of you speak. The kind that hums with the weight of something unspoken, blooming slow between you. Then, without moving your hand, you ask, âYou gonna let me kiss you now, or are you still trying to be polite?â
That gets a smile. A real one. A little crooked, a little shy.
âYou can do whatever you want,â he says. âYou always could.â
So you lean in.
The kiss starts off like a warning.
Your mouth brushes hisâbrief, firm, no room for questions, not reallyâand then again, slower this time. He makes a noise, deep in his chest, something caught between relief and surrender.
When your fingers slide into his hair, he tilts into it instinctively. His hands stay right where they are, just one at your waist, one braced uselessly on the couch cushion like heâs reminding himself not to move unless you ask him to.
He huffs something like a laugh when you pull back for a breath. âYouâre terrifying, you know that?â
You smile. âFlatterer.â
His hand on your waist shifts slightly, pulling you in closer. Not rough. Not needy. Justâanchoring. Your knees bracket his hips and you kiss him again, open-mouthed this time, licking into his mouth like youâre starved and this is your first taste of real food.
And Clark lets you.Â
He lets you kiss him with all the frustration of the ruined date and the tension of waiting and the affection thatâs been building in your chest for weeks, maybe months. He meets you where you areâmouth pliant, eyes closed, his breathing unraveling under your hands.
âYou always come back like this,â you whisper, teeth grazing his jaw. âAll apologies and those puppy dog blue eyes and your make-up take-out. Like I wouldnât crawl across glass to have you.â
He exhales, sharp and shaky, like your words hit a nerve. His hands tense slightly at your thighs, just for a second, then relax again. He doesnât try to flip you, doesnât shift to take control. Just looks at you.
âI mean it,â you murmur, kissing just under his ear. âYou come in, wrecked and kind and too damn good, and Iâm supposed to what? Sit next to you like my skin isnât trying to crawl off my bones just to get to yours?â
Clark swallows. âYouââ His voice is rough, halting. âYou can have me.â
He says it so quietly you almost miss it.
âYou already do,â he adds. âYou donât have to prove anything. Youââ
Your mouth is on his before he can finish. You kiss him like youâre trying to breathe him in, to memorize the way his ribs rise under your hands. His lips part on a gasp, and you take it as invitation. He lets you tilt his head back even further, lets you set the rhythmâhis hands gripping the couch cushions like theyâre the only things that can possibly ground him.
You pull back, just enough to see his face. His hairâs still damp, starting to curl at the edges, his cheeks flushed. His glasses are askew, so you reach up and slide them off. Set them gently on the side table. His eyes donât leave yours for a second.
"Stand up," you say, and he does, wordless, chest rising fast under the hoodie. He's got the towel instead of the cape draped around his shoulders, like he's still half in hero mode. You take that off.
Your fingers go to the hem of the hoodie next, lifting it. He raises his arms obediently, eyes half-lidded, focused. Heâs still in the bottom half of the suit, and your breath catchesâbecause even now, even like this, he wears it like a second skin.
But you want the man. Not the symbol.
âOff,â you say, fingers brushing the slick, faintly scorched fabric of the suitâs torso. âI want you, not him.â
He nods. Itâs so damn slight, like heâs not so sure his voice will work. His hands go to the hidden seams and he peels the suit down, exposing inch after inch of bare skin beneathâtoned and marked from the night, faint purple bruises already turning gold where his healing has started. You trail your fingers and follow him down, down, down his sternum, then lower, across his ribs.
The suit hits the floor in a gentle whisper. Boots, too. The capeâs already been discardedâsomewhere between the fire escape and your front doorâand now heâs just standing there in front of you, bare and breathless and completely yours.
âCome closer,â you say. "It's my turn."
He goes to help you, but you stop him. Eyebrows raised. "Eyes up here. I'll do it myself."
Clark watches you the whole time, not rushing, not leading. His expression open, undone. His bottom lip's caught between his teeth, eyes trained on every single one of your painstaking actions. Peeling your shirt off, your ratty fleece pants, your bra, all of it. He's enjoying this way more than he should, those eyes of his glinting in the light, but that's the intoxicating part of it.Â
When you're done, he finally speaks up, voice reduced to a hush. Wills himself to look away from your body and just look into your eyes. "How do you want me?"
You hum, turning on your feet, pretending to think it over. Really, it's just an excuse to have him look at your bare body. Tempt him a little bit. It drives him insane. Still, he doesn't break eye contact.Â
"I think," you purse your lips. "I want you underneath me tonight."
He nods. Serious. "Of course."
You lead him back to the bedroom. Not because he needs help walking, but because thereâs something in you that just wants to savor the walk. He lets you guide him backward, his legs bumping against the edge of the bed.
He sits.
Then waits.
Clark just looks so⌠perfect like this.Â
Hard, aching, weeping, cheeks pink and pupils dilated. Hands, those goddamn hands, politely by his sides. Does nothing but lay down on the mattress, just waiting for whatever you feel like doing to him. The knowingâthe seeing, does more to you than you'd like to admit.
You crawl, slowly, over his body. Fingers skirting over the freckles of his body, the light dusting of hair across his torso, the goosebumps that rise there. Anything but pay attention to his cock that's begging for you, until you're close to straddling his face, hovering there.
A pause. Those baby blue eyes, the cause of so many of your little deaths. His lips, pink and wet as his tongue swipes over them. A hint of a smile. You brush a curl away from his forehead, fingers methodical and thoughtful.
"Okay."
Once you give him the go-ahead, he's all instinct, steady hands pulling your thighs more snug over his shoulders with all of the skill and quiet confidence of a man who's been breaking you down and laying you out for a long time.Â
It's so easyâso easy to lose yourself in it. So easy when you're on top of the world.
Clark knows. You've genuinely never met a guy who enjoys eating someone out more than him. He knows all the ways to make your legs shake and your head vibrate out of its skull, all the little skills and patterns and consistencies to get you to cum within minutes, but from the way he takes his time, mouth roaming everywhereâyour thighs, your legs, the back of your kneesâ
He means to torture you. Make you eat your words. But you're gonna have the last say tonight.
You squeeze your legs around his face, bringing his attention to you, all blue-eyed innocence glancing up to you. Little shit. "Hey," you will your voice into something vaguely commanding. "How many times do you think you can make me cum tonight?"
All you get is a lopsided smile. "As many times 's you want."
"Ball park?"
He strums his fingers along your thigh. Pretends to think about it. Looking up at the corner of his eyes like he's doing mental math. "How about we start with five or six and go from there?"
"Perfect. Delightful, Kent. Alright, proceeâ"
His arms tighten around your thighs, and that's all the warning you get before he dives right in, parting your lips with his tongue and tasting all that you've got to offer, and god, if that doesn't make the slick accumulate even more in between your thighs, gushing, eyes falling closed.Â
A trooper always, Clark's mouth is warm, forming into a smile. "Baby, you taste so good. Needed this."
There's desperation in it, the way he sucks on your clit, two fingers finding themselves rocking against your cunt so that you feel nothing but full, boundless pleasure. You're so wet that his digits are sliding effortlessly, even more so as he licks you through it.
All you can do is whimper and whine, hands coming to rest up against the headboard. "Clark, Clark, so good. Don't stop. Please."
The mattress shakes around you as he grinds up into the air, barely concealed want and need and everything he hasn't said before, teeth gently scraping at your cunt. You can hear it too, his mouth working against you, his moans rising above it all. And god, the tensionâthe fucking strength of this manâthe fact that he's letting you ride his face like there's no tomorrow.
Then his tongue sweeps hot across your clit, his two fingers curling inside you at the exact moment you squeeze. And fuck, you pulse hard and come until you've got nothing left to give, just a mantra of his nameâ"Clark, Clark, babyâ"
He licks and sucks you through the aftershocks, shuddering through it all, and then it's back down to earth.
You fall down on the bed next to him, legs unable to hold you up. The only way to describe how you feel now is justâpure, fucking, boneless glee. And then you look over, and god, if that's not the best view in the worldâClark. The bottom of his face glistening, smiling in that stupid, boyish way of his, curls in his eyes and a twinkle there like he just won the lottery.Â
"What are you smiling about?"
Clark shakes his head, shrugging and looking up at the ceiling like it has the answers. "Oh, nothin'. Just happy."
This hunger, this love for himâyou don't think it'll ever go away. You don't think you could ever get sick of it, you don't think you can ever get your fill of him. You're going to want him this badly for the rest of your life.Â
But before you could spiral down that terrifying staircase of thoughts, you're brought out your stupor with one large hand trailing up your thigh. Clark's shifted so that you're beneath him, world turned upside down. He's going back down for more.
"We've got at least four more to go, sweet girl. Made you a promise, remember?"
.
Itâs honestly the quiet that gets you, at first.Â
That slow, rolling kind that doesnât sit heavy so much as drape itself across everything like an old quilt. The kind of quiet that has its own rhythm. Space between sounds.Â
Not silence, never that, but it's more akin to a hush. A pause you didnât know your life had been missing.
There are birds, sure. A lot of them, actually. Thereâs the wind, too, rattling through those wheat-colored fields, whistling past the house's warped slats like itâs trying to remember a song it used to know. But underneath it all is stillness.Â
A kind of breath you didnât realize youâd been holding, now slowly, slowly letting out.
A little more soap opera meets Hallmark originalâmaybe some mysterious family feuds and charming small-town antics. Some lingering drama about a pie contest. You fully expected someone with an old-timey name to pour you coffee at the local diner you guys stopped at and mention she âhasnât seen Clark Kent around these parts in a while.â
Instead, you got: rooster at 5:30. Floorboard in the kitchen that creaks like itâs about to file a complaint against you just for exisiting. A guest room that smells faintly like wood polish and wheat. You got Clark, elbow-deep in chicken feed at seven a.m., wearing a white t-shirt thatâs hanging on by a thread but you're not complaining.
Youâre house-sitting for the Kents while Jonathan and Martha are on a cruiseâa cruise, of all things. Clarkâs voice had been thick with disbelief when he told you.Â
âCan you believe my dad packed four Hawaiian shirts?â Then later, when they called from the boat to say theyâd already made friends with a retired couple from Branson and signed up for salsa dancing classes, Clark had stared at the phone like it had personally betrayed him.
âThey deserve it,â he says eventually, a little quiet. âTheyâve never done anything like this. I hope they stay gone the full two weeks.â
Youâd kissed his shoulder and said, âSelfishly, me too.â
Because being here, just the two of you, itâs not glamorous. But it feels like something. Something good.
One morning, early on, you found yourself squinting into the haze of a Kansas dawn, clutching a cup of coffee that tasted like burnt hope, and whispering, half to yourself, âDo⌠do the cows have names?â
Clark, already in his work boots and wrist-deep in a feed bag, turns like youâd just offered to marry him.
âOf course they do!" he says, smug. âThatâs Millie.â He points at a big black-and-white cow with the expression of someone whoâd once gone on Twitter and got traumatized. âSheâs real skittish when it rains but loves, absolutely loves cantaloupe rinds. That oneâs Donnieâheâs dramatic. Moooos like heâs dying if youâre even five minutes late.â
You blink at him. âYouâre serious.â
âDeadly,â he says, patting Millie with the same affection he uses on your lower back when you cook dinner barefoot. It makes you snort. âAlso, we donât call it breakfast here. Itâs âmorning feed.ââ
You stare. âThis is so not the rural romance novel I signed up for.â
He grins, boyish and crooked. âLet me guess. Thought itâd be Days of Our Lives but make it cornfed?â
âExactly. Whereâs the murder mystery? The barn dance? The family rival who wears all linen and says ominous things like, âYouâll never take the south pasture from me, you bastard.ââ
"You forget. It's the Midwest. We're not in the South," He scratches behind Donnieâs ear. âBut there is a someone with drama kinda like that here. Name's Barb, I think,â he says. âShe runs the Dairy Queen and once hit a deer with her truck and cried about it for a week.â
You pause. ââŚOkay. Thatâs actually kind of sad. But wholesome."
âSee?â
The days fall into a rhythm, eventually.Â
You weed the garden (poorly). He fixes the gate (obscenely well). You help collect eggs and try not to let on that the chickens genuinely unsettle you. Clark, that menace, just laughs every single time one flaps in your general direction and you flinch like itâs going to demand your wallet and keys and job.
One Friday afternoon, you find yourself washing strawberries at the sink while Clark scrubs paint off the porch railingâsome old project Jonathan started and never finished.Â
You glance up and heâs standing there in the sun, t-shirt stained, face flushed, humming some old country song under his breath, and your chest physically hurts from how much you love him.
âYou wanna do something dumb?â you ask, voice louder than it needs to be, just to get his attention.
Clark looks up, squints against the light. âAlways.â
Itâs not fancy.Â
Twenty minutes later, youâre both in the back pasture, far enough from the house that itâs just you and the cows and the sound of summer in every direction.Â
Thereâs a plastic grocery bag between you full of things neither of you should technically call lunch. Two kinds of chips (barbecue for you, cheddar for him). A Diet Dr. Pepper, sweating in the heat. One sad gas station brownie. And a couple of oranges, wrapped carefully in plastic wrap.
You lift an eyebrow as you start to unpack. âYou know we have actual food, right?â
He shrugs, pulling the chips open. âThe grocery storeâs like forty minutes away,â he says, like that explains everything. âDidnât wanna leave you.â
Your mouth opens, ready to toss something casual backâsomething about sandwiches, or homemade pasta salad, or literally anything with proteinâbut then you see how gently heâd wrapped the oranges. How he packed napkins, remembered your favorite chips, brought two plastic forks for the brownie like it was a birthday cake.
So instead, you say, â...I like barbecue,â and your voice is quieter than you mean it to be.
He glances over, chin on his shoulder, smiling like itâs the easiest thing in the world. âI know.â
You eat like kids. Cross-legged on the blanket, crumbs everywhere, licking orange juice off your thumbs. You wipe your hands on your pants. He stretches out on his side, elbow propped, watching the clouds like theyâre moving too slow. His knee brushes yours and doesnât move away.Â
You think you feel a mosquito bite. You donât really care anymore.
âI forgot what this feels like,â you say at one point, picking salt from the corners of your lips. âJust⌠doing nothing. On purpose.â
He hums. âItâs good for you. Stillness.â
âYou sound like your mom.â
âSheâs smarter than I am.â
âYou said that last night when I told you to take a nap.â
âSee? Pattern holds.â
You lean back on your elbows and look at him, really look. Light getting caught in his lashes. Heâs watching you, too, like thereâs nowhere else heâd rather be. Like the world could ask for him and heâd still choose to stay here, sweaty and dumb and mosquito-bitten and happy beside you.
He peels another orange with a practiced hand, splitting it down the middle and handing you the sweeter half.
âThanks,â you murmur.
âSometimes I miss this, y'know?â he says, around a bite of an orange.
You glance over.
âNot the chicken poop or the mosquito bites,â he adds, âbut the...quiet. The not-having-to-be-everything-all-the-time. Out here, youâre just...you. You fix the fence. You make a mess. You listen to cicadas and complain about the humidity and your ma yells at you for tracking dirt inside.â
You tilt your head. âYou ever think about staying? Settling down here?â
He doesnât answer right away. Just plucks a blade of grass and spins it between his fingers.
âSometimes,â he admits. âBut then I thinkâthis is what shaped me. But itâs not all I am. The worldâs loud, and itâs messy, and it needs things. But thisâŚâ He looks at you. âThis is what I miss when Iâm out there.â
You nod. Reduced to speechlessness, because it's so tender and perfect and so him that it hurts.
Clark finishes the orange. Wipes his fingers on a napkin, then on his jeans when that doesnât do the trick. You lie back on the blanket with a quiet sigh, letting the sun press into your skin, the breeze lift the sweat at your temples.
It couldâve ended there. Couldâve been just a quiet kind of golden. But then you nudge his ankle with yours.
âBet I could outrun you,â you say lazily, like youâre not poking a bear.
Clark huffs. Turns his head toward you, amused. âThat so?â
âMmhm,â you say, stretching. âYouâve been slacking. Porch paint and chicken dutyâs got you soft.â
He squints at you. âYou really wanna start this?â
âYou said yourself, Kansas. Nothing to do out here but complain about the heat and cause a little trouble.â
He smiles slowly. The kind of smile that curls at the corners. Dangerous only someone so gentle and kind can be.
âAlright then,â he says, sitting up. âYou get a ten-second head start.â
Your eyes go wide. âWait, reallyââ
âNine,â he says, already grinning, already counting.
You scramble to your feet. âOh my god, you are not seriousââ
âEight.â
You bolt.
The grass is taller in some spots and it catches at your ankles, slows you down. The air is thick with sun and the hum of everything living. You turn left, laughing, hair sticking to the back of your neck, and glance behind you just in time to see him loping after you, easy and unhurried, like heâs letting you win.
Which is worse. Infuriating. Fucking ass.
âKENT!â you shout over your shoulder. âI swear if you let me win Iâm gonna trip myself just to spite youââ
âThen you better run faster!â he calls back, but heâs laughing too, bright and open and young in a way he doesnât always let himself be in the city.
You make it halfway to the barn before he catches you, just a hand on your waist, barely a tug. You spin with the momentum and half-collapse against him, breathless, wheezing from the run and the heat and the sheer absurdity of it all.
âYou cheated,â you gasp.
âI didnât even use my powers.â
âThatâs worse.â
He leans in, resting his forehead against yours, both of you flushed and sweating and smiling like idiots.
âYouâre fast,â he murmurs, voice low. âBut I know how you move.â
You roll your eyes, still catching your breath. âDonât say stuff like that unless you wanna get kissed.â
âMaybe I do,â he says, quiet now.
Oh, if that doesn't make you wanna ruin him. When you lean in, he tastes like oranges and sweat and something warm you canât name.
âYouâre always holding back,â you murmur against his mouth. âLet me have you.â
Clarkâs breathing stutters.
âYou have me,â he says, like itâs a promise. Like itâs been true since the first day you met.
Your teeth graze his lip, just enough to make him gasp. âThen act like it.â
Now thatâthatâdoes something to him.
His hands slip quickly under your sundress, palms mapping the curve of your back, hungry and greedy all at once. Your head tips back when his mouth finds your neck again, hot and open and just a little bit wild. His teeth scrape the spot just beneath your ear and your fingers clench in his curls, hard.
The bark digs into your shoulder blades. You can faintly feel the ground disappearing from under you. Grass sticks to the backs of your calves. The sky overhead is lazy and blue, clouds like pulled cotton, and none of it, absolutely none of it, matters.Â
Not the cows, not the heat, not the fact that you're pressed up against a pecan tree in the middle of a Kansas pastureâjust this. Just him.
It doesn't take long for it to escalate.Â
You're not normally a fan of thisâquickies, anyway, you'd rather take your time, break him down methodically, piece by piece, but you think you'd actually combust if you don't have him right there, right at that second. And damn it, you will.Â
You will.Â
Your hands scramble to wrench his shirt off, a mad dash to get as close to his skin as possible. He helps you, your pretty boy, your sweetheart, your sunshineâchuckling when the fabric inevitably gets caught between his head and shoulders.Â
"Clarkâ" you glare at him, not really annoyed with him but his stupid, stupid shirt. "Get itâplease, get it offâ"
"So impatient," He grins. He helps you anyway, giving you that final push to get the shirt off his head. And then ou're like a moth drawn to a flame, nipping at his skin, sucking little love bites that you know he adores into his chest. "Baby, sweetheartâ"
"Sweetheart, babyâ" You kiss his collarbone, hands going to undo his belt, the metal clinking from your actions. "Need you now."
Clark nods vigorously at that. "Yeah, yeahâokay."
He readjusts, free now from his belt, jeans dropping low, and he's scooping your thighs up so you're flush against the tree for leverage. The bark of the tree's rough and it'll leave some truly horrendous marks later, but he's pushing your dress up around your waist, cock situated and ready at your entrance.Â
A breath. A look between you. And then he sinks you down, no prep, no foreplay, just him and the burn of taking all of him bare.
You make an embarrassing noise when he bottoms out, yelping and wrapping your arms around his neck. Clark slows down, pressing kisses on your forehead and muttering small little praises. "You're doing so good. You feel amazing, baby, you just let me know when, I'll waitâ"
Fuck, that turns you on more than it should've. You clench around him, mouth parting in a quiet moan. "Now, I'm ready now. Move, Kent."
His hand hitches your leg up higher for a better angle, andâyeah, if that's not the hottest thing in the world. The tenderness mixed with the way you know he's about to utterly destroy you. He rolls his hips, once, twice, until he sets a punishing rhythm.
He moves, hard and deep inside of you, always a stretch widthwise. Always feels like a rearrangement. Every single vein, every twitch, every agonizing inch as he gets to work fucking you like your life depends on it.
And the tree shakesâit fucking shakes, leaves falling all around youâwhen his pace gets punishing and relentless. All you can do is take it, legs shivering and hands scrambling to hold on to something, anything.
The strap of your dress has fallen down your shoulder at this point, and Clark takes the opportunity to wrap his hot mouth around your exposed nipple, eyes falling closed. "Tastes like heaven."
"Clarkâ" You shudder, his ruts turning more and more shallow. "Need more, I needâneed help, pleaseâ"
He nods against your skin, letting go of your nipple with one wet pop. A hand skirts down between you, wordless, and rubs hard circles against your clit, never twisting, just a constant, almost vibrating pressure that wrenches more desperate gasps out of you.
You love him.
It hits you the hardest at that moment, when he grins and you can feel those tell-tale signs of your orgasm shuddering closer, so impossibly close that it makes your knees weak. Like your body canât hold the thought anymore.Â
Months of this, this agonizing need to tell him, to show him. And suddenly itâs all you can feelâthis pressure behind your teeth, this wild, unspooling thing clawing to get out. You didnât plan on it. You don't meant to. But itâs already there, clawing its way up your throat with a kind of ferocity that feels unstoppable.
You pull back a breath. Just enough to get the words free. Try to get lucid fast.
âIââ
But then his handâs on your cheek.
Soft. Certain.
âWait,â he says, and itâs gentle, but firm enough to stop you.
You freeze, stunned. Like someone hit pause on your entire brain.
âWâWâWhat?â you whisper, barely breathing. His pace doesn't break. Still pounding into you like he doesn't see right through you. His eyes flicker between yoursâquiet, careful, like he sees exactly where you were going. Like he caught the words mid-flight.
âNot yet,â he murmurs. âNot like this, baby. Not while I'mânot against a tree.â
âI don'tâI don't mind,â you whine.Â
He laughs under his breath. "No.â
You must've pouted, must've frowned, or⌠or something, because Clark's expression goes soft. He tugs you closer, hips going deeper this time until your head falls back, like an apology.Â
You're so close, so goddamn close, and fuck, if he's not determined to make it up to you. Focus redirected to the sole goal of making you finish harder than you ever have before. Another broken moan slips out of you.
And you're still overtaken by this need to say something, something to encapsulate this feeling inside of you. So instead, you say the next best thing, âYouâre mine,â you say, fierce and true and sure.
Clark nods. âYours,â he echoes, like itâs gospel.
You come around him like that, muscles wound up tight, him working himself into you fasterâfaster, until he pulses inside you. It's all warmth, his shoulders shaking like a leaf, you holding onto him like the old tire swing on a tree. Chests heaving. Sweat pooling underneath your knees. But he doesn't let go.
He pulls back just a tad, just enough to rest his head against the crook of your neck. His curls tickle your skin, just slightly. "Hold me tighter?"
You're still quivering, traitorous legs twitching, but you do. You wrap your arms around him and squeeze until he sighs, relaxed and spent and all the things that you let go unsaid.Â
The cows, thankfully, have the decency not to interrupt.
.
Heâs on the fire escape again.
You donât see him at firstâjust the corner of his shirt sleeve through the window screen, fluttering gently in the breeze like a flag someone planted in a place they want to stay.
You step closer.
And there he is.
Sitting on the metal grate, knees drawn up, socked feet tucked against the warm steel, one arm draped loosely over the railing like he forgot the rest of the world exists. His head's tilted back against the sun, eyes closed, face subdued in that way it only gets when no oneâs watching.Â
Or maybe just when you are.
His shirtâsome washed-out old thing from Central Kansas A&Mâis rumpled and crooked on his frame like he pulled it out of the laundry basket and shrugged it on without thinking. One sleeve's shoved all the way to his elbow, exposing the freckles on his forearm.
Youâre barefoot, cradling a sweating glass of lemonade in your palm, still in sleep shorts and one of his too-big sweaters again. You hadnât meant to come looking for him. You just woke up and felt the space beside you was empty, not in a sad way, just⌠hollow. Cool.Â
You followed the pull of it until it led you here.
He doesnât move when you open the window. Doesnât speak. But his eyes blink open, lashes catching the light. He looks at you, and that alone does something to your insides.
Itâs the kind of look that hits low and blooms slow.
Not a spark, but a sunrise.
His smile when he sees you is small. A little crooked, like maybe heâs not so sure itâs okay to be this happy about something so simple.Â
Like you just standing there, sleepy and squinting and probably still with pillow creases and hints of drool on your cheek, is his favorite part of this whole Saturday.
He lifts a hand and stretches it toward you.
Palm up.
Fingertips flexing.
âCâmere,â he says, voice warm from disuse. âItâs nice.â
You donât hesitate.Â
You climb carefully, your lemonade forgotten on the windowsill, and ease down between his legs. The fire escape creaks beneath you but holds. Of course it does. He shifts to make room for you like he already knew exactly how this would fitâyour back against his chest, his knees bracketing yours, arms folding around you like second nature.
And you just sit like that, folded into him.
His chin hooks over your shoulder. His breath brushes your neck. One of his hands rests against your stomach, just above the hem of your sweater, warm through the fabric. The other finds your thigh, fingers drumming lazily against the denim there.
And you breathe. In and out. Slowly. Like maybe you forgot how before this.
âYou been out here long?â you murmur.
He shrugs behind you. âI dunno. Long enough, maybe.â
You lean back into him, let your head fall onto his shoulder. âGet what you needed?â
Thereâs a long pause. Not like heâs unsure, just like heâs letting the quiet fill in some blanks first.
âYeah,â he says finally. âI think I did.â
You let the silence stretch after that. Itâs not awkward. Itâs just⌠Clark.Â
Which is to say: itâs safe.
The sunlight spills golden across the alley, catching in the curls at his temple. Today, he smells like clean cotton and cedar and whatever fancy soap he borrowed from your shower. His skin's warm.Â
You rest your hand over his where it sits on your stomach. His thumb traces a lazy circle just under your ribs, like heâs mapping out the shape of you in his mind.
âI used to sit like this back home,â he says after a while, voice soft. âNot on a fire escape, obviously. We had a roof. And a swing. My dad always left it out a little too long, so in the summer it was warm to the touch by the time I got to it.â
You hum, eyes slipping closed.
âHe used to say it was good for me. Sunlight. Said I always looked like a weed after a storm when I stayed inside too long. Pale and strung out and grumpy.â
âGrumpy?â you smile, turning your face a little to glance at him. âYou?â
âOh yeah,â he grins. âPouty little farm boy, hair sticking up, refusing to eat my vegetables unless they were corn.â
âLet me guess,â you say. âMartha snuck green beans into casseroles when you werenât looking.â
He makes a pleased noise. âBingo. Said it was her secret weapon for keeping me out of trouble.â
âThat and the swing?â
âThat and the swing.â
You settle again, your cheek to his shoulder, the metal warm beneath your thighs. You wonder if this is what he felt like, back thenâsitting outside in the golden quiet, the weight of the sky pressing gentle on his shoulders, like a blanket he didnât know he needed.
âIsnât it a beautiful day?â he says suddenly, like it just occurred to him.
And it is.
But it wouldâve been, anyway.
You twist slightly, enough to catch the line of his jaw, the slope of his nose. Heâs not glowing. Not exactly. But something in him is bright.Â
And youâyou love him so goddamn fiercely in that moment it feels like your ribs might crack from the inside. Like your heart is blooming against them, stubborn and wild and wholly his.
You lace your fingers with his where theyâre still resting against your chest. His grip tightens. Not possessive. Just⌠sure.
Heâs quiet a long time.
Then, like heâs been trying to time it right: âI love you.â
Just that.
Just the words, tucked into your collarbone. No fanfare. No build. Just truth. It roots into you like sunlight in soil. You donât speak for a long moment, trying to get your lungs to work again. Your body. Everything else. Because itâs a simple sentence, but it feels like something tectonic and holy.
Eventually, you turn, content and sure.
âI love you too.â
His head drops forward until his forehead presses to yours. You feel him exhale, shaky but smiling.
âI kept trying to find the right time,â he says. âI didnât want it to feel like⌠I donât know. A checkpoint. Like I had to say it because it was next on the list.â
You smile, thumb still brushing his skin. âSo you went with the middle of the fire escape, during golden hour, while Iâm in your hoodie and havenât showered since last night?â
He shrugs. âYeah. Felt right.â
You sit like that for a while, sun on your skin, his breath on your neck. The world feels quieter with him this close. Still.
Eventually, when the light starts to dip low, painting the fire escape in rust and gold, you shift to get up.
He doesnât let go. Not immediately. His hands stay at your waist, his fingers patient where they rest at your sides. Anchoring you.
âYou look good in this light,â you murmur. âLikeâtoo good. Itâs kind of rude, honestly.â
He huffs a laugh. âYeah?â
You nod. âLike you belong in it.â
He looks at you for a long moment, something intimate and private in his eyes.
Then, âYouâre not wrong.â
You tilt your head. âWhat, that you photosynthesize?â
But he just shakes his head, slow.
âNo. Just⌠I think itâs you,â he says, almost like heâs surprising himself. âYou make everything brighter.â
And itâs stupid, and itâs a little embarrassing, and you kiss him anyway. Because heâs warm and real and saying the kind of thing that would make anyone else roll their eyesâbut with him, it just lands.
Tastes like the last light of the day and something sweet and earthy beneath it. Like coming home.
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honestly i never thought the phrase âi want that twink obliteratedâ was like a sexual thing. like when i read the phrase i imagine âa meteor like the one that killed the dinosaurs is summoned from the heavens and hits the twink in questionâ type situation