deepika padukone as naina talwar , yeh jawaani hai deewani .
A goddess

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oozey mess
let's talk about Bridgerton tea, my ask is open
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PUT YOUR BEARD IN MY MOUTH

shark vs the universe
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d e v o n

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祝日 / Permanent Vacation

❣ Chile in a Photography ❣
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"I'm Dorothy Gale from Kansas"

Origami Around
occasionally subtle

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@skylersolo
deepika padukone as naina talwar , yeh jawaani hai deewani .
A goddess

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You know damn well Reylo Queen Daisy Ridley put her husband up to it….
from “You Can’t Fuck The Sadness Away” by Vanishing Points, Substack
reblogging this to add that I often think about the old man yaoi mangaka on bluesky who said "the phrase that finally convinced me that the English language is truly beautiful was 'this shit is so ass'"
Them

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And her sister Phthalo Blue, another slam dunk for copper!
Don't forget about her distant cousin, Tyrian Purple
my fave writing reminder
honestly, this phrase has been on my mind more times than i can count. i've kidnapped it, taken it as a hostage with no ransom money because i need it to live permanently in my head.
Long live the mantra of the rough draft!
It doesn't have to be GOOD.
It just has to BE.
Ben.
5 YEARS OF CANON REYLO Star Wars: The Rise of Skywalker Released December 19th, 2019

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Death and the Maiden: How “Reylo” will be canon (but not in the way you’re hoping)
Ahem. This scene right here, basically. This, right here:
See Exhibit A:
So I really wanted to leave this meta as is and let the visuals speak for themselves. I really wanted to leave it as is, to get across the symbolic impact of this scene, because it’s the driving force behind my theory and honestly the most important part in the movie. But in lit crit when you present your ideas, you need to back up the crux of your argument with evidence, so that’s what I’m going to do.
Before I get started, I wanted to thank all those in the fandom who contributed their ideas to this (honestly, it was one of the most stimulating discussions I’ve had on art history in ages). Additionally, I want to give a special shout-out to @a-shipper-despite-herself, who was instrumental in creating the collages. You’re a trooper.
What follows is an exhaustive, essay-length thesis-length deconstruction on the canon possibilities of Rey/Kylo (and all their variations), and why the symbolism in the film reinforces the erotic subtext between them (yes, you read that right. Erotic). The essay is a roundabout continuation of last week’s meta on Force Bonds and the similarities between Revan/Kylo and Bastila/Rey (which you can read here). Spoilers for TFA, EU/KotOR, and general craziness after the jump. Again, if you’re looking for surprises, don’t follow. I basically give everything away in detail.
NOTE: Apparently this thing is so big it crashes the mobile app. Either open it through a web browser on your phone or a laptop/desktop to get around it.
Keep reading
Oh the NOSTALGIA....
Those "modern fairy tales where the princess saves herself" types of books not only misrepresent the gender roles in fairy tales (there are tons of stories where girls get to save the day), but they fundamentally misunderstand the entire genre.
Fairy tales aren't about saving yourself.
These aren't epic myths or heroic legends about the great warriors who slay every monster in their path because they're so awesome. Fairy tales are almost always about ordinary, even incompetent, people who get thrown into strange situations where they only succeed because of the help of others.
It's not a gendered thing. The boy who goes off to seek his fortune is usually the dim-witted third son whose older brothers are the strong, smart ones. The third son succeeds because he is kind to the magical helpers who then complete the tasks for him--and the exact same thing happens when a girl is the main character.
The characters in a fairy tale rarely succeed because they embrace their own strength and take their own path. Much more often, they are told step-by-step what to do, and they succeed because they obey--respecting the wisdom of others.
The core virtue of a fairy tale is not pride, but humility. It's not a story about the strong, but those who are weak, small, helpless. The people who can't do it all on their own, but can recognize the worth and wisdom of others.
Turning this story into a "girl power" (or even a "boy power") story warps it into something that is fundamentally the opposite of a fairy tale, and it has nothing to do with the gender of the main character.
Also most fairy tales don’t glorify individualism and in the opposite teach about the importance of community, communication, seeking and getting help, and also being kind and generous to others.
The girl/boy-bossing this narrative is peak individualist / capitalist approach which I hate tbh
drew the famous twt pose as reylo 🫶🏻

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no one's really ever gone.
this love is alive back from the dead these hands had to let it go free and this love came back to me