slurp

lesbian blowjob

why are YOU whining about getting edged?? don't you know how hard it is for me? all I wanna do is see you cum over and over until you go fucking braindead but instead I'm taking my time with you, treating you nice, making sure it's gonna be extra good for you. so why don't you thank me? say it. say "thank you for not letting me cum yet." good job. say it again.

hey can you stop placing your palm on my abdomen over the location of my womb and salivating and letting your eyes glaze over with possessive ill intent when i'm talking to you

"Stuffed animal" as a cute nickname for your girlfriend at night

need a sub to fuck my hand. my fingers inside of them, curling in and out, while they desperately grind their needy little pussy against them. feeling them tighten and twitch and knowing just how good they’re feeling because of my big hands stretching them out.

Giving oral is so so so good. I love sucking dick, I love licking pussy, I love eating ass. Truly the best kind of sex.

Put me under your desk for a little stress relief. Let me pin you to the bed until you can't hold back from cumming. Grip my hair and keep me held down between your legs. Hold my hand and whimper while I kiss it so gently. Let me go down on you let me go down on you let me go down on you.

OH MY GOD

the politics of ghost in the shell are interesting. for such a foundational cyberpunk work it's incredibly notable that the main characters are... the police? and they routinely break protocol and apply unnecessary force. they even skim off the top more than once. and the series seems aware that them having all that power isn't exactly a good thing, but it also doesn't really seem interested in interrogating the topic. here and there we get a throwaway line about "this is what it takes to get the job done" in that very tough guy ends justify the means kinda way. the police need all this power because it's The Future and the bad guys also have a lot of power, end of conversation. the rookie character is framed as naive for even questioning this. the possibility of The Good Guys becoming The Bad Guys is sort of explored but it's treated with a "we'll handle it when it happens" kind of attitude; as long as they're the good guys, it's fine if they break some rules. the plight of the common people is largely ignored, and our protagonists actually generally treat them with cold detachment. the first story very purposely shows that Motoko isn't there to save any of the people stuck in the factory, she was just there to get a job done, and then she leaves them to fend for themselves. because Motoko isn't a good person. she's cool and funny and hot, but she's also a high ranking law enforcement officer who treats human life as largely disposable. she's fun to root for, but she's also singularly unsympathetic if you think about her place in the world for even a minute. and that moral greyness serves to make her a very compelling character... but sometimes it's not entirely clear whether the writing knows that it makes her morally grey at all.

the entire winemaking process is kinda erotic ngl

it's the feet

Don’t worry I’m vaccinated and neutered

And those nice ladies at the front desk will put me in a funny cardboard box if you don’t have a carrier to take me home in