tomato cultivars cataloged by rutgers new jersey agricultural experiment station

oozey mess
YOU ARE THE REASON
RMH
Interview Vampire Daily

PR's Tumblrdome
Sade Olutola

Product Placement
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roma★

❣ Chile in a Photography ❣
untitled

shark vs the universe

izzy's playlists!
The Stonewall Inn
hello vonnie
cherry valley forever
NASA
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@sincere-serene
tomato cultivars cataloged by rutgers new jersey agricultural experiment station

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“ask me about” button PNGs credit not necessary but appreciated!
you can hit it raw, i’ve got an IED
you have a wha
“The Enchantress” a.k.a. “The Witch”
Richard Earlom (1743–1822) after David Teniers the Younger (1610–1690)
mezzotint and etching on paper, 1786 — source
A what…

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our age of adz is collapsing
Patricia Kara Hellraiser Inferno 2000
Mud Wrestling International Volume #1 (July 1981)
riding the highest horse you’ve ever seen back to my glass house

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What does hate fuck mean ?
when hate someone so much you fuck them
The tulip fuck the buzzing bee that steals it sugars
❓
Nolan's Odyssey plays with PTSD as a theme, but it neither glorifies nor condemns war as such. It's textually a movie about how war and fighting and killing have Rules, and if you break the Rules enough then not only will you as an individual be divinely punished but all of civilization will collapse. This is the rare take so ultra-centrist that it will appear to many viewers as cryptic and esoteric
I actually don't resent Nolan for making movies with assertively centrist politics. That's his right as an artist, and anyone vehemently asserting anything is automatically kind of interesting to me. But of course there's a void at the heart of centrism - a fundamental absence of real belief - which is why people run into so much trouble when they try and pick apart the politics of a Nolan film. There's nothing underneath, nothing there to "get to."
I was thinking about Disco Elysium's Moralism while trying to explain this post to someone, and of course about "Kingdom of Conscience", and it occurred to me (and I know this isn't an original thought) that centrists have a very hostile relationship to desire. It's not just beliefs and convictions that must be "put away immediately, and the child reprimanded," it's the wordless desires that lie under those beliefs and convictions. Desire is by definition unfulfilled: all desire is the desire for things to be different, which is the opposite of what centrists want.
What I'm saying here is that the lack of sex, and of sexiness, in Nolan movies (and Marvel movies and other contemporary blockbusters) has a direct connection to their political messaging. It's not solely American puritanism or risk-averse PG-13 corporate conservatism - although it is those - it's also this desire thing. These movies don't just lack sex, they lack eroticism in the broadest sense of the term. They lack frisson. Even when there is sex or nudity, there's still no eroticism!
These blockbuster protagonists generally don't want things, they don't need things, they don't crave things, they're obligated to things. That makes them less than human, not more than human (just compare and contrast with the gods in Greek mythology), and it makes the movies quite boring in my opinion!
world changing post
he doesn’t know it but russell crowe’s dream job is playing the king at a renaissance festival. horseback riding. grand monologues. silly little outfits. a fuckass accent. leading the tavern in a singalong. unlimited beer on tap. nobody gets to speak to him unless they make it through his entourage. putting people in the stocks. getting put in the stocks himself.
can anyone tell me when its gonna stop feeling like this?

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you need to be equanimitymaxxing
Me: i support the fetishistic nature of this content but NOT the mischaracterization