has anyone guessed where you're from based on your accent?
Has anyone guessed where you're from based on your accent?
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Kiana Khansmith
Cosimo Galluzzi
Not today Justin
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n
Game of Thrones Daily
trying on a metaphor
taylor price
Alisa U Zemlji Chuda

Origami Around
I'd rather be in outer space 🛸

祝日 / Permanent Vacation
$LAYYYTER
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

if i look back, i am lost
almost home

Love Begins
PUT YOUR BEARD IN MY MOUTH

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@silvermarmoset
has anyone guessed where you're from based on your accent?
Has anyone guessed where you're from based on your accent?
Yes
No

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Svetlana Lazareva - Cooing, 2026 - Oil and acrylic on canvas
via
1860s Portrait of a Man (photo by unknown American photographer)
(National Gallery of Art, Washington)

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Commission for Rika
i had a dream that time travel was invented and too many people choose to travel back in time to save the titanic from sinking (the question of whether unsinking of the titanic deserved so much attention in the face of human history was the subject of both heavy academic and online discourse), which caused a rift in the space-time-continuum that led to the titanic showing up indiscriminately all over the world’s oceans and sea in various states of sinking.
this caused a lot of issues both in terms of fixing said space-time-continuum and in terms of nautical navigation, and after a long and heavy battle in the international maritime organization it was decided that the bureaucratic burden of dealing with this was to be upon Ireland, much to their dismay. the Irish Government then released an app for all sailors and seafarers so they could report titanic sightings during their journeys, even though they heavily dissuaded you from reporting them given the paperwork it caused.
anyway i woke up with a clear image of the app in my head and needed to recreate it for all of you:
no you don't understand. i do international regulation of emerging technologies for a living. this WAS me stress dreaming about work
Photographs from Alan Lomax’s “Southern Journey” a long series of recordings of various music such as blues, gospel, country, and spirituals from prisoners, recently freed slaves, poor southerners and largely black communities where these genres originated, this series became the first official stereo recordings of traditional african american southern folk music, celebrating generational heritage and the struggles of black life in the south at the time and impacted the creation and commercial spread of american music as we know it pioneering the “american” country sound, many of the singers, musicians and dancers present in these recordings and pictures are unnamed to this day.
happy juneteenth! if you have the time I really recommended taking a listen to some of these recordings to celebrate the voices of my ancestors and their music of resilience, especially as many of these clips are from after chattel slavery was abolished here in america and this series reflects the hope and newfound freedom black americans in the south were feeling as they looked towards the future
public transport??????
I mean obviously the public transport route would be different in 1969 but??? paul??????
how it feels when your whole world is falling apart and also you had to take three buses to get there
correction! I think I accidentally clicked on cavendish road rather than cavendish avenue for the first maps screenshot. here's what he'd actually be doing if public transport in 1969 was the same as public transport in 2026:
'Tricia's Wedding' (dir. by Milton Miron) [1971]

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Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
indeed.com: hello person with a graphic design degree we think you'll be great match for (checks notes) dying in a coal mine
there is so much to unpack in this clip
We NEED to keep talking about how celebrities are getting too thin. We need to talk about how that is not healthy, how it isnt and shouldn't be a beauty standard. We have to do it for Gen alpha growing up and for everyone else who lived through this once and recovered

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beautiful blue skies and golden sunshine all along the way
its crazy how we've had the art of movie lighting nailed down for like literally 100 years at this point but for some reason nobody wants to do it anymore. do people know they're still allowed to do it