Destroying jewelry is my game

If the Witch knew the true meaning of sacrifice, she might have interpreted the deep magic differently. That when a willing victim who has committed no treachery, is killed in a traitor’s stead, the stone table will crack, and even death itself would turn backwards.

↳   “ While still in his early youth he wedded Nerdanel, the daughter of a great smith named Mahtan, among those of the Noldor most dear to Aulë; and of Mahtan he learned much of the making of things in metal and in stone. Nerdanel also was firm of will, but more patient than Fëanor, desiring to understand minds rather than to master them, and at first she restrained him when the fire of his heart grew too hot; but his later deeds grieved her, and they became estranged. ”

“I know your face… Éowyn. My eyes darken.” “No. No. I’m going to save you.” “You already did.”

↳ Lament for Boromir

The tols Vs. The smols

proof

Originally posted by destroythesith

IT KEEPS CHECKING OUT

*scREAMING*

Newt and Niffler

What do you reckon we should do with it? “We”? I’m just saying, that’s the Elder Wand, the most powerful wand in the world. With that, we’d be invincible.

Favourite Overwatch Skins [3/?] ♡ Hanzo’s Lone Wolf

A witch ought never to be frightened in the darkest forest, because she should be sure in her soul that the most terrifying thing in the forest was her. ― Terry Pratchett

THOT

Just to keep things in the spirit of Halloween.

Fairy Glen, Isle of Skye, Scotland, April 2014

And Gandalf said: “This is your realm, and the heart of the greater realm that shall be. The Third Age of the world is ended, and the new age is begun; and it is your task to order its beginning and to preserve what must be preserved. For though much has been saved, much must now pass away; and the power of the Three Rings also is ended. And all the lands that you see, and those that lie round about them, shall be dwellings of Men. For the time comes of the Dominion of Men, and the Elder Kindred shall fade or depart.”

Not Another Teen Movie (2001) Dir. Joel Gallen