THE DRUNK PAS DE DEUX on ACT II of Sir Kenneth Macmillan's Manon
Performed by Ryoichi Hirano as Lescaut and Itziar Mendizabal as Lescaut's Mistress
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THE DRUNK PAS DE DEUX on ACT II of Sir Kenneth Macmillan's Manon
Performed by Ryoichi Hirano as Lescaut and Itziar Mendizabal as Lescaut's Mistress

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âOlivia Gatwood, âWe All Got Burnt that Summerâ from Life of the Party
âA child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skillful maker, of anyone doing needed work and doing it wellâthis durable joy is perhaps the deepest source of human affection, and of sociality as a whole.â
â Ursula K. Le Guin, The Dispossessed
from "Tenebrous" by Georgia Rebecca
âYou have the blood of a poet. You have that and always will. You show, in the middle of savage things (that I like), the gentleness of your heart, that is so full of pain and light.â
â Federico GarcĂa Lorca, from a letter to Miguel HernĂĄndez wr. c. April 1933

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The director Ivo van Hove and a dazzling international cast â led by Ben Whishaw, Sophie Okonedo, Saoirse Ronan and Ciaran Hinds â have plumbed the raw terror in Arthur Millerâs âThe Crucible,â which opened on Thursday night at the Walter Kerr Theater. And an endlessly revived historical drama from 1953 suddenly feels like the freshest, scariest play in town.
In March the earth remembers its own name. Everywhere the plates of snow are cracking. The rivers begin to sing. In the sky the winters stars are sliding away; new stars appear as, later, small blades of grain will shine in the dark fields. And the name of every place is joyful.
Mary Oliver, âWorm Moonâ in Twelve Moons
from âso we have been given time or (excerpt)â by sawako nakayasu
âOne speaks of the moods of spring, but the days that are her true children have only one mood: they are full of the rising and dropping of winds, and the whistling of birds. New flowers may come out, the green embroidery of the hedges increase, but the same heaven broods overhead, soft, thick and blue, the same figures, seen and unseen, are wandering by coppice and meadow.â
â E.M. Forster, Howards End.Â
MĂȘng Chu, Spring Song, tr, by Kenneth Rexroth and Ling Chung

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Sarah Lamb as Mary Vetsera in Kenneth Macmillanâs Mayerling, The Royal Ballet Season 2016/2017.
ââI found this environment unbearable. I could understand ignorance, but I could not accept its glorification, still less its right to rule.â
â Jung Chang (Wild Swans: Three Daughters of China)
Sophocles, Electra (trans. Anne Carson)
âWhile occupying the islands, the American soldiers referred to the Filipinas as âlittle brown fucking machines powered by rice.â A sex industry sprang up to cater the U.S. military men, offering âa girl for the price of a burger.â It was the imperialistic conquest of the islands by the Americans that jump-started the sex entertainment industry in the Philippines. During the Vietnam War, five U.S. military bases stationed in Thailand sheltered 40,000 to 50,000 American GIs at any given time. Between 1966 and 1969, as many as 70,000 U.S. soldiers came to Thailand for âRest and Recreationâ (R&R) and ignited a sex industry. R&R facilities have been, and continue to be, a vital component of the U.S. military policy. With pervasive disrgard for human rights, the military accepts access to indigenous womenâs bodies as a ânecessityâ for American GIs stationed overseas. After the Vietnam War ended, âthere was a major campaign on tourismâ targeting White men to sustain Thailandâs sex industry. By the early 1990s, several million tourists from Europe and the United States visited Thailand annually, many of them specifically for its sex and entertainment industry. In 1995, for example, a study reported that sixty-five percent of tourists to Thailand âwere reported single men on vacation.â The White conquest of Asia is 'far from being a thing of the past but is a lived experience of many.ââ
â âWhite Sexual Imperialism: A Theory of Asian Feminist Jurisprudence,â by Sunny Woan, 2008. (via mashrou3-ummi)
Amitava Kumar, Passport Photos, 2000

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angels in america (2017) dir. marianne elliott & bridget caldwell
"But this is my own maze, she told herself, this is the maze I grew up in; I could not be a prisoner here; I know the way so perfectly, and she turned and was further lost."
â Shirley Jackson, The Sundial