Once a student of mine, translating Euripides on a mid-term exam, came up with "wild in the grips of a god." Those were the days.
Anne Carson ❂ Wrong Norma (2025)

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Once a student of mine, translating Euripides on a mid-term exam, came up with "wild in the grips of a god." Those were the days.
Anne Carson ❂ Wrong Norma (2025)

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THE ORESTIA
Agamemnon, Aiskhylos (tr. Anne Carson)
THE ORESTIA
Agamemnon, Aiskhylos (tr. Anne Carson)
I have Emily p. 216 propped open on the sugarbowl
but am covertly watching my mother.
A thousand questions hit my eyes from the inside.
My mother is studying her lettuce.
I turn to p. 217.
“In my flight through the kitchen I knocked over Hareton
who was hanging a litter of puppies
from a chairback in the doorway. . . .”
It is as if we have all been lowered into an atmosphere of glass.
Now and then a remark trails through the glass.
Taxes on the back lot. Not a good melon,
too early for melons.
Hairdresser in town found God, closes shop every Tuesday.
Mice in the teatowel drawer again.
Little pellets. Chew off
the corners of the napkins, if they knew
what paper napkins cost nowadays.
Rain tonight.
Rain tomorrow.
That volcano in the Philippines at it again. What’s her name
Anderson died no not Shirley
the opera singer. Negress.
Cancer.
Not eating your garnish, you don’t like pimento?
Out the window I can see dead leaves ticking over the flatland
and dregs of snow scarred by pine filth.
At the middle of the moor
where the ground goes down into a depression,
the ice has begun to unclench.
Black open water comes
curdling up like anger. My mother speaks suddenly.
That psychotherapy’s not doing you much good is it?
The Glass Essay, Anne Carson
There is too much self in my writing. Do you know the term Lukács uses to describe aesthetic structure? Eine fensterlose Monade. I do not want to be a windowless monad—my training and trainers opposed subjectivity strongly. I have struggled since the beginning to drive my thought into the landscape of science and fact where other people converse logically and exchange judgments—but I go blind out there. So, writing requires some dashing back and forth between that darkening landscape where facticity is strewn and a windowless room cleared of everything I do not know. It is the clearing that takes time. It is the clearing that is a mystery.
Anne Carson, Economy of the Unlost

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From Grief Lessons, Four Plays by Euripides, translated by Anne Carson
Grief and a Headhunter’s Rage #my photo
There was something ultimate, adorable, almost sexual, something certainly historical, in that stack of bread set into the larger history of a sunlit afternoon on that ancient property amid fields stretching to the ends of the mind. No one ate the white bread. It wasn't there to be eaten. It was a chapter of civilization.
Anne Carson ❂ Wrong Norma (2025)
Gods should not resemble humans in their anger.