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@thesummoningdark

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The Enigma of Amigara Fault
This short story by Junji Ito is about a fault that appears in Amigara mountain after an earthquake. The earthquake exposes countless human-shaped holes in the mountain which seem to have been made about a thousand years ago. People, intrigued by theseĀ silhouettes, gather at the site and thatās when things get creepy.
Itās about a 15-20 min read, but if you havenāt read this before, youāre in for a treat. Link above.
i mean itās not like i can just NOT reblog amigara fault. what if one of my followers is one of the lucky ten thousand who HASNāT been unutturably altered for life by it yet? go read it! itās creepy, but trust me, it was made for you.
What if everything gets better in 2016
oh yes, video format is a wonderful way to receive information, practically effortless, just put on the closed captions and increase the speed as high as it'll go and it's nearly as fast as just reading a text version except sometimes it is also a little slow to load because of my ad blocker, so yeah, basically a perfect format
the amount of lawsuits these exploited children are going to be filing 20 years from now is going to be crazy and im all for it

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emperor kuzco was clearly gay
hes 19, with unlimited power, and he aināt got a gf. the only time we see him interact with any women his own age is when heās rejecting like 7 of them rapid fire. he pretends to date pacha in a gag that lasts like 10 solid minutes. listen to me god damnit
Okay, but just in case anyone is coming to tumblr dot com for my hot takes on 20+ year old kids' movies: Kuzco super WAS gay (or at least coded as such) and of course, I didn't get it until I watched it as a gay grownup.
He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.
Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.
In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.
So yes. There you have it. I will not be taking criticism at this time.
In response to the question āHow did a movie like this get made at all much less by fucking Disney?ā there was a recent Vulture article that outlines the whole shit show of a history behind this film according to everyone (writers, directors, VAs, Stings) involved. The gist of the story is that they fucked up making a whole, true-to-form Disney musical that never came to see the light of day SO BADLY that Disney switched directors, locked the writerās room, and didnāt review a single script until weeks after the film was in theaters.
Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. Itās so catchy though, Iām doubling up on calls to action but please listen now:
holy shit read the article. itās worth it and completely batshit
This is fucking insane
I've never adequately appreciated the batshit brilliance of this joke, I've taken it for granted
World Heritage Post
materialist-scumbag
THE TICK THAT DREW THE MAP OF THE WEST June 28, 2026
So the longhorn was a garbage animal. Stringy, mean, half-feral, descended from Spanish cattle that had gone loose in the brush country for a couple centuries and bred for survival rather than meat. In Texas after the war it was worth maybe three or four dollars a head, because there were millions of them and nobody to eat them. The local market was Texans, and Texas was broke. Up in Chicago or New York the same animal was worth thirty, forty dollars, because the Union had spent four years eating its way through the eastern cattle supply and the cities were short on beef.
That spread is the whole engine of the cattle drive. You don't need a tick to explain why a man would walk a cow a thousand miles to multiply its value by ten. The arithmetic does it.
What the tick explains is the SHAPE.
Because the thing about the longhorn nobody in the romance mentions is that it was a carrier. Centuries in the brush had given it a shaky immune truce with Babesia bigemina, a protozoan that lived in its blood and rode around on a tick that dropped off into the grass wherever the herd went.
The longhorn itself looked fine. Walked fine, sold fine, butchered fine. But the cattle it walked past, the fat improved Midwestern stock that had never met the parasite, those animals would start pissing blood and die at a rate that touched nine in ten. The Texans, reasonably, refused to believe their healthy-looking cattle were doing it. They took it to the Supreme Court in 1877 and won, on the entirely correct observation that their cows weren't sick. The cows weren't sick. The cows were Typhoid Mary.
(The disease disappeared every winter, too, north of a certain latitude, which baffled everybody for thirty years until somebody worked out that the tick just froze to death up there, no vector, no disease, the whole thing seasonal in a way that made it look like a moral judgment on Texas cattle specifically. It wasn't anybody's leading hypothesis that an insect was committing the murders. The leading hypothesis for a while was that the longhorns were poisoning the grass.)
So now run the two facts together. The cow is worth ten times more up north. The cow kills every other cow it passes on the way up north. What do you get?
You get a line.
You get a bunch of lines, actually. Quarantine lines, drawn and redrawn by Missouri and Kansas legislatures and eventually by the federal government, declaring that Texas cattle could not cross at all, or could only cross in winter when the tick was dead, or could only cross by rail if they were going straight to slaughter and never touched dirt that a local cow might later stand on. Missouri shut its border. Farmers formed Vigilance Committees (which is a polite nineteenth-century way of saying armed men) and turned the herds back at gunpoint. Kansas banned Texas cattle outright in 1885. And every one of those legal and shotgun-enforced lines was a wall the drive had to find a gate in.
The gate was the railhead.
This is the part that rewires the map. The famous cattle town (Abilene, Dodge City, Wichita, Ellsworth, the whole gunfighter pantheon) is not a town that grew up around ranching or water or gold or a river crossing. It's a point where the trail coming up out of the quarantine zone touched a railroad that could take the cow east to the slaughterhouse without it walking through anybody's protected pasture.
Abilene gets invented basically from scratch in 1867 by a man named Joseph McCoy who looked at the map, found a spot on the Kansas Pacific that was far enough WEST that the trail in from Texas could swing around the settled farm country and its quarantine, and built stockyards there. The town is a loading dock. The cowboy at the end of the trail, in the saloon, shooting the place up: he is a longshoreman who has just finished a shift, and the shift was getting the cargo to the one point where it could legally change from hooves to wheels.
And the cargo had to keep moving west precisely because the tick kept the settled east closed. As Kansas farmers spread and the quarantine line marched west with them, the railhead had to march west too. Abilene to Ellsworth to Wichita to Dodge, each town flaring up and dying back as the line of legal infection-free transfer slid across the state. The towns weren't competing on amenities. They were competing on being the current solvent point in a chemistry problem about where a tick could and couldn't survive the trip.
(Dodge City lasts longest because it's furthest out, last to get caught by the advancing farms, sitting out where the quarantine couldn't reach it yet. Its whole mythological career (Wyatt Earp, Boot Hill, the Long Branch) is a few years long and happens because of an agricultural-settlement frontier creeping toward it at the speed of homesteading. When the farms arrive, the party's over. The party was always a function of the farms not having arrived.)
So the geography of the Wild West, which towns exist and why they're where they are and why they boom for five years and empty out and why the trail bends where it bends, is not topography and not destiny and not the romance of open range.
It's the intersection of a price differential and a quarantine map. The price differential said go north. The quarantine map, drawn by the tick, said you may only go north HERE, and HERE, and now not there anymore, here. The cow drew the route and the parasite drew the borders and the men with the guns were just enforcing a public-health regime they didn't know was a public-health regime.
And it all gets zeroed out, eventually, the same way these things always do, not by a hero but by a logistics upgrade. They build the Kansas City stockyards and the packing plants, and then the rail net gets dense enough that the cow doesn't have to walk to the train at all, the train comes to the cow. Refrigerated cars mean you slaughter in Chicago and ship the meat instead of the animal. The long drive, the trail town, the whole apparatus that existed only to get a tick-bearing animal across a quarantine line to a loading point, it just stops being necessary, and the gunfighter towns settle down into being ordinary Kansas, dry and flat and law-abiding, within about a decade of their own legend.
The cattle tick itself they finally beat in 1943, dipping every cow in the South in arsenic for forty years to break the lifecycle. Nobody made a movie about the dipping vats.
Same as it ever was.
Get so fucking real, the princess is not unbuckling the knights armor. The knights squire is going to unbuckle the knights armor and the princess is simply going to wait in her chambers for it to be done. You're mistaken if you think the princess is going to touch your field armor.
The princess is sitting in the cuck chair while the squire unbuckles the knight's armor. The knight doesn't know what's going on.
not to be a nerd but itās so crazy how he (Bernini) really did that from cold hard stoneā¦ā¦. truly a spectacle, truly breathtaking, an honor to behold
I think you should know he was 23 when he finished this and the ass gets a lot of attention but the hand on Persepinaās side/tummy is also exquisite
before i saw the caption I knew that HAD to be bernini.
I try not to make sweeping statements but I think thereās a case to be made for bernini as the greater sculptor thereās ever been.
hereās his bust of costanza bonarelli
hereās apollo and daphne from the front, where sheās mostly human
from the back, where sheās mostly tree
and details
this is the one art form I genuinely just cannot get my brain to accept as real. Iāve watched sped-up videos of it being done, read about it, seen in-progress marble statues and I still just canāt get it to sink in or stick. My mind doesnāt want to believe that any person has ever been able to start with a big block and break little bits off of it until it looks like a finely detailed person. At some point it has no recognizable shape and they still know where and how deep they should take a chip out of it thatāll still be the right decision 50,000 fucking chips later?!?
The Ecstasy of Saint Teresa has a hidden skylight for gold rays of actual light to shine down on their expressions and clothes and clouds.
Hi yes I have been there and seen all of these IRL and I have some more pictures to share:
Insanely detailed feet with veins from āAeneas, Anchises, and Ascaniusā
Another foot from the same statue because a) he textured underside of the foot and the folds of skin in the arch and b) can you see the light coming through the thin marble between the toes?
One of the mouths of Cerberus from āThe Rape of Prosperinaā.
Prosperina/Persephoneās facial expression and HAIR TEXTURE
Hadesā hair as well - this man was entirely too good at making CURLS out of ROCK.
A (poorly lit) close-up on the tree textures from āApollo and Daphneā.
Hand, sling, and rock from āDavidā which I think deserves to be at LEAST as well-known as Michelangeloās. Saw them two days apart and I prefer Bernini, honestly.
Facial expression from āDavidā - I just love the character in this so much.
Kind of a weird angle but look at the texturing on the sling pouch!!!
We also got to see one of Berniniās earliest works (possibly his very first) in the Uffizi; itās not currently on display, unfortunately, but look at this:
Forgive the poor photo quality but. He was 14 when he carved this. FOURTEEN.
Man was a straight-up wizard.
In conclusion: if you get the chance to visit the Borghese Gallery in Rome (which has the most Bernini sculptures gathered in one place), do it. The āEcstasy of St. Theresaā is in a church a short walk away from there, too, and well worth a visit. There are also several more Berninis in churches around Rome which can be visited for free or for a nominal donation! Just⦠be smarter than we were and make sure youāre not trying to visit them on days they have services.
went into a wine shop the other day to buy pasta and they did not have pasta but they were doing a wine tasting so i thought what the hell. and got to chatting with the other woman there because we had both just come from the library and were comparing our books and sipping wine and turns out weāre both teachers so we got on the topic of phones in classroomsāand the guy pouring our wine was like āthatās actually a point of contention in one of my divorces right now.ā
and i very delicately said āone of your divorces?ā and his eyes got really big and he said IāM A PARALEGAL

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Sometimes the best fic youāve ever written isnāt on ao3. Itās in 50 frenetic discord messages sent over a fifteen minute span where you and your friend yes and each other into a perfect story that will never actually be written.
been listening to the Murderbot diaries recently..i like it a lot
On twitter Iām seeing dozens of threads from Black activists warning people against burnout, giving all sorts of useful tips about preventing and managing it for the sake of a long-term, sustainable effort.
On tumblr Iām seeing a hell of a lot of young white kids yelling at anyone who actually follows those steps, and acting like burnout is a moral falling rather than a well-proven psychological phenomenon.
Be careful who you get your information from. Donāt let guilt lead you to make choices that will harm both you and the movement.
Iām going to reblog this again since I see more individuals are inquiring about burnout prevention tips in the notes and itās why I sought out this resource. I hope it helps you!
source
This is important!!
[text id:
Preventing burnout.Ā Keeping the movement alive.Ā
What is burnout?Ā Burnout is the experience of physical, emotional, and mental exhaustion often caused by longterm involvement in emotionally demanding situations.Ā
Effects of burnout on a movement.Ā In a 2015 study it was observed that roughly half of activists who experienced burnout did not take a break or hiatus. Instead, they ended up leaving the movement for good.Ā
Why is burnout common among activists?Ā Research has highlighted burnout among activists is usually caused by the setting of unrealistically high standards for oneself.Ā Activists commonly feel the weight of the world upon their shoulders, with a heightened sense of accountability, empathy, and guilt.Ā
Tips to fight burnout.Ā 1. Identify your feelings.Ā Symptoms of burnout can include:Ā
Anxiety
Guilt
Isolation
Irritability
Anger
Sadness
Pessimism
Disappointment
Numbness
Fatigue
Insomnia
Lack of motivation
Physical pain/sickness
2. Talk to a trusted confidant. Whether a therapist or a friend, sometimes taking the opportunity to let out your thoughts and feelings with someone who understands us can alleviate stress, or point us in a direction we may not have yet considered.Ā
3. Find healthy outlets.Ā Work on a coping bank, a go-to list of activities and behaviors that give you a sense of fulfillment, relief, and replenishment when youāre feeling burnout.Ā
4. Learn when to step back.Ā While your voice is valuable, know that many others are willing to carry on the work you have done, until youāre ready to step back in.
āJust donāt give up what youāre trying to do. Where there is love and inspiration, I donāt think you can go wrong.ā ā Ella Fitzgerald.Ā
End id.]
You cannot be everything. You cannot fight systemic problems on your own; you are too small. You cannot be perfect. You cannot face all the horrors. You cannot win every fight.
You are worthy of compassion. Yes, you. I know what Iām talking about because Iāve offered compassion to people who have killed and hurt other people very badly, and I guarantee there is nothing you say that will convince me you are less worthy than they were. You are worthy. You are worthy now, not later, not when youāre finished, not when youāve proven yourself, not once youāve grown up. Now.
Compassion is saying not āI didnāt even tryā but āitās understandable that I didnāt have the energy.ā Not āIām not as good as themā but āIām learning,ā āwe all bear different burdens,ā āthe way Iām growing is in a different direction.ā
This starts with being a compassionate witness to yourself. And if you canāt be, try a friend who can be kinder to you than you can be to yourself.
I literally imagine myself as having paladin oaths, because Iām a nerd, but one of the oaths is:
I will protect myself, because I am no less worthy than any other I would protect.
Losing, being defeated, itās inevitable in my line of work. Whatās crucial is gathering the wisdom that comes from the loss, not carrying the pain. I mean, weāre human and sometimes we carry the pain. But you canāt carry it all. Not alone.
Be kind. Be kind to yourself. Kindness is giving yourself space to grow, not locking yourself away. Kindness is resting. Kindness is caring for yourself.
I got a little carried away here, but back to the beginning: the solution to burnout starts with compassion.
I spent the afternoon arranging our books by size and color (and itās so satisfying and looks amazing) and my partner came home and stared in shock at the bookcase and then said āiām a librarian, you canāt do this.ā
him: you split up all the song of ice and fire books
me: yeah i know, theyāre all primary colors, itās perfect
him: [self-destructs]
Youāre a monster
As a former bookstore employee, this hurts my soul. I mean, sure it looks nice, but how do you find anything?
it has occurred me during this process that apparently not everyone thinks about books by what color they are? like, literally when iām looking for a book, i picture it in my mind. i have a veryā¦tactile experience with the books i read and idk! i thought everyone did that lol.
my partner was likeĀ āhow will i find [this book] for instanceā and i repliedĀ āeasy, itās purpleā and he looked at me like i was a witch.
OP your brain is neat and I love you for it you funky little color-coded cupcake. But youāre still a monster.
This actually is interesting in terms of information-seeking behavior, which is a thing librarians think about a lot and often actually study (some library jobs require you to publish, and academic librarians, for instance, will often use the students at the college they work at to study how they search for information in order to figure out how to best provide them services).
When you go for an MLS (Masterās of Library Science, which is a thing, and which is usually required for āprofessional-levelā library work [which is also a weird and contentious concept that I wonāt go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is āabout"āa concept we tongue-in-cheek call āaboutness"āand how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in itās own section or mix it in with all of the other fiction, so on and so on.
OP is organizing books by how they would look for them. OPās partner is thinking in terms of aboutness. This is a system that works for OP because itās their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.
In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesnāt work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesnāt know what the book looks like or is expecting a different cover, theyāre lost. Thatās why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what itās āaboutā, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.
Basically, OPās system works for their own personal library, because itās best suited to how the primary userāOP themselvesālooks for books. OPās librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.
And also, OP is a monster.
network effect is really good because to amena murderbot is basically just a babysitter with guns but to everyone from the corporate rim itās like seeing a teen hanging out with a grizzly bear and when theyāre like what the hell sheās just like yeah thatās my momās friend itās lame as fuckkkk

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Tip:
When it comes to stuff like racism, sexism, homophobia, etc, Iāve found itās usually way better to think to yourselfĀ āI donāt want to beā thanĀ āIām notā.
I.e. if someone goesĀ āthat thing you just did is ableistā, instead of goingĀ āIām not ableist, I donāt hate disabled people!ā itās usually a lot better to goĀ āI donāt want to be ableist, I should rethink what Iām doing/saying/etc in light of that factā. Because that shifts your thinking so rather than jumping straight into denial and attempts to defend your character, youāre instead more inclined to look at how your actions could be misrepresenting your intentions. Or whether youāve overlooked something, been callous, or acted in ignorance.
Your maternal grandfather:
Fuck that dude
Meh (leaning negative)
Meh (leaning positive)
Love that dude
I don't know her
Another nuance
Your paternal grandfather
Fuck that dude
Meh (leaning negative)
Meh (leaning positive)
Love that dude
I don't know her
Another nuance