Sweet Seals For You, Always
KIROKAZE
we're not kids anymore.
I'd rather be in outer space šø

cherry valley forever

#extradirty
taylor price
macklin celebrini has autism
todays bird

ellievsbear

@theartofmadeline

Janaina Medeiros

ā
d e v o n
Jules of Nature
Cosmic Funnies

Product Placement
PUT YOUR BEARD IN MY MOUTH

romaā
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@sande-ridge

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The complete version!
This is fucking amazingĀ
modern Sappho high school au
This⦠this is the perfect setup for a lesbian harem manga, when those girls start comparing poems and realising that the styles suggest a single author.
Itās so amusing to witness the great lengths white LGBT people will ascend to justify their apathy and dismissal toward LGBT films starring/centering people of color and nonwestern people.Ā
Even if you guys donāt admit it, we all know that white gays think that gayness is centered around whiteness, and that people of color are inherently homophobic and transphobic. Iāve always been aware of this orientalist binary that white LGBT people construct, between theĀ āprogressiveā cultures of the West and theĀ āregressiveā cultures of the East, between white people who are intrinsically either gay (victims) or progressives (willing to learn) and nonwhite people who are static, barbaric homophobes, never moving forward. We all know that white gays think only they are capable of being gay or trans. Even if they donāt admit it, their entire lens of gayness is filtered through whiteness, thorugh eurocentrism, through orientalism/antiblackness/racism/antisemitism/islamophobia/etc.Ā
This is incredibly obvious when you look at what white gays consider to beĀ āgoodā LGBT representation in films versus bad or mediocre representation.Ā
Weāre not just talking about what random white kids on tumblr want to watch. Weāre talking about how white critics leave rave reviews about frankly mediocre white LGBT films, while mocking and picking apart and ignoring nonwhite LGBT films. Weāre talking about how rich white gay celebrities will pay for movie screenings and will relentlessly advertise those movies on their social media platforms, while giving dust to nonwhite LGBT films (unless those films happen to get critical acclaim, at which point they give a meager shoutout, as if theyād always been caping for those films). Weāre talking about which LGBT films The Academy picks for its Oscar nominations versus which ones it habitually leaves by the wayside. Weāre talking about, in short, which narratives receive consistent commercial and critical acclaim alike, in spite of narrative flaws or repetition or mediocrity, and which ones donāt receive anything, despite originality or creativity or phenomenal acting.Ā
Iāve seen people say that you canātĀ ācompareā films like Moonlight or The Handmaiden (the former featuring a dark-skinned Black gay man, whose lover is an Afrolatino bisexual man, and the latter featuring two East Asian lesbians) to Love Simon or Carol. Why lump Love Simon and Carol in the same category, knowing that those two movies are as different from each other as they are different from Moonlight or The Handmaiden, and as if Moonlight and The Handmaiden arenāt also incredibly different from each other? Even in an argument like that, white people are showing that they think LGBT representation is only good if it serves their interests and needs.Ā
Iāve then seen people talk aboutĀ āaccessibilityā, and this is what really gets me. Yes, Moonlight and The Handmaiden feature adult content, whereas Love Simon is family-oriented. No one is saying that 15 year olds have to go watch Moonlight right now. But the fact of the matter is, you all also lapped up Carol and Blue is the Warmest color! You all are already salivating over The Miseducation of Cameron Post, which is about conversion therapy, a topic that is incredibly graphic and triggering. But because TMCP features a white lesbian narrative, itās palatable, despite itsĀ āmature contentā. Or what about Thelma, which white wlw tumblr hypes up? Is action and science-fiction content perfect for 10 year olds to watch?Ā
Also yes, some of these films arenāt readily available. BUT THATāS THE POINT. Listen, most indie LGBT films are only shown in select theaters in the first place. But again, Love Simon was a commercial hit, which means it could be shown in more theaters. Moonlight was shown in very select theaters at first, AND THE ONLY REASON IT WAS RE-SCREENED IN MORE THEATERS IS BECAUSE CRITICS FINALLY WOKE UP AND SAW HOW GENUINELY GOOD IT WAS. If Moonlight wasnāt critically acclaimed, more audiences wouldnāt have access to it. Because white people are hardly giving nonwhite LGBT films any chances, theyāre not going to be readily accessible!Ā
You want to talk aboutĀ āproblematicā content? How about Call Me By Your Name, which featured a relationship between an underage white bisexual teenage boy and a grown-ass white bisexual man? Even Carol, which is the lesbian piece de resistance as told by white lesbians, features a large age gap. Yes, both characters are adults, but age gaps are still fraught with power imbalances and are still a problem within the LGBT community. Meanwhile, Moonlight does showcase sexual content and drug use, but none of the nitty gritty stuff is romanticized as it is in CMBYN or Carol. And again, the sexual content in Carol didnāt stop a bunch of teens and young adults from watching it through any means they could, lol. You all are out here consuming extremely explicit gay fanfiction but balk at an artfully done handjob scene in a poignant movie. Talk about clutching your pearls. But wait, white LGBT people canāt enact racialized homophobia against gays of color :(Ā
Furthermore, itās so incredibly racist that people expect white LGBT films to beĀ āeasily accessible for everyoneā but think that all nonwhite LGBT films areĀ āhard to digestā andĀ ānot universalā. Listen, globally speaking, there are MORE LGBT people of color than white LGBT people. There is NOTHING accessible to me about some young white lesbian getting it on with an older white lesbian. There is nothing relatable to me about a white bi teenage boy and a grown white bi man falling in love over a picturesque European vacation. There is nothing relatable to me about a gay white teenage boy being accepted immediately by his parents and having a cheesy happy ending. I donāt get to have those kinds of stories, and most LGBT people of color donāt have those types of narratives in their lives either.Ā
You know what is relatable to LGBT people of color? What isĀ āaccessibleā content? Rafiki, a story about two Kenyan lesbians, is relatable to any lesbian of color growing up in a post-colonial country that has criminalized homosexuality. Moonlight, a story about Black gay and bi men, relatable to any Black gay or bi man who has grown up in poverty, who has seen violence, who has experienced homophobia as a backdrop to every other form of material violence in his life. I could go on and on.Ā
If you all expect us to relate to dominant white narratives and claim that those narratives are universal, it really shouldnāt be difficult to relate to our narratives either. But this just shows the extent of white sociopathy, which penetrates the white LGBT community as well! That you cannot empathize with OUR narratives, despite us being able to empathize with yours.Ā
And what aboutĀ ādiversity of genresā?Ā āEthnic gaysā isnāt a genre. All of us have different films and different narratives. Rafiki is a coming-of-age movie about Kenyan teenage lesbians. Moonlight is a coming-of-age narrative about a Black gay man. The Handmaiden is a period piece and a thriller starring two East Asian lesbians. Pariah is a coming-of-age movie about a Black lesbian. Tangerine is about a Black trans woman. Saturday Church is a fantasy, musical, and drama film about voguing/drag/ballroom in the Black LGBT community. And you guys wantĀ āhappy representation, becauseĀ āLGBT peopleā (we all know you all mean white gays, lmao) deserve itāā? Okay, how about Saving Face, a romcom featuring two East Asian lesbians? Or Signature Move, a comedy-drama movie featuring a Pakistani Muslim lesbian and a Mexican Jewsih lesbian? The Handmaiden and Moonlight both have happy endings, and so does Saturday Church.Ā
LGBT people of color are also writing these narratives on their own. Dee Rees, a Black lesbian, directed Pariah. Moonlight was written by gay Black men. Alia Shawkat, a biracial bisexual Arab woman, co-wrote Duck Butter, a wlw comedy.Ā
All of these films feature people of color of different genders, races, nationalities, ethnicites, and religions, spanning different languages and geographic/cultural context. They are in fact far more diverse than white LGBT films. If you only see them as sad, tragic, or tinged with violence, itās because you view people of color as sad, tragic, barbaric, or savage, not worth anything more than their pain, deaths, or alleged aggression.Ā
Iāve even seen some freaks have the audacity to claim thatĀ āgay culture is only watching foreign films for representationā. So yāall are willing to see nonwhite and nonwestern LGBT films out ofĀ ādesperationā but then throw them by the wayside when Oscar-bait, commercialized white LGBT films come out, lol. Thatās just so hilarious to me.Ā
Yāall donāt have to watch these movies if you donāt want to, but at least stop fucking victimizing yourselves and making it seem as if gays of color are beating you all up just because weāre pointing out the racist hypocrisy inherent in how different LGBT films are received.Ā
YOUāRE FUCKING RIGHT AND YOU SHOULD SAY IT.
yeah, Iād like to add a little bit more about how white gays actively dehumanize us and demean our media just to preface, my experience largely stems from cis white lesbiansā reactions to the handmaiden and their consistent criticisms of Backwards Korean Culture because of our (white) missionary-induced catholicism so, back when the handmaiden was out in theaters there were SO MANY white lesbians who got so up in arms over the movie because of the sex scenes. yes, park chanwook is kind of a mad man, and yes his earlier work features violence and cephalopods, but the theme of the handmaiden is overwhelmingly about two women during an extremely traumatic time in korea (1930s, so under japanese colonization) who love each other and face the abuse they suffer from the hands of men. this context got completely stripped away by white people who were mad that the director is a man (never mind that all the sex scenes were handled by women and filmed with nothing but the utmost respect) and therefore the film must pander to the male gaze. the number of times i heard a white woman mutter āmale gazeā when i went to go see it with a friend was,,, a little overwhelming. this criticism then got applied to the idea of ākorea is a perverse backwards chink countryā that 20th century white america was so fond of, and became ākorea is a backwards chink nation that likes to fap to lesbians but hates gaysā without considering why our country is so overwhelmingly catholic and conservative. (spoiler: itās because of white missionaries who built schools, hospitals, and universities with white religious models), and completely ignores the social progress that korea has been making since the late 2000s through festivals like the korea queer culture festival (kqcf) and through pop culture and especially dramas, starting with Life Is Beautiful, a slice-of-life drama about a large extended family that runs a bed and breakfast on jeju island and features a happily partnered gay couple. the second half of the series focuses on their coming out and their eventual acceptance by their respective families. THIS IS FROM LIKE 2009. white people need to stop pretending like they somehow have the ultimate authority to judge work surrounding our community through their mayonnaise-tinted glasses.

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tHERE IT IS
YOU FOUDN IT OMFG
This is literally my favorite set of comic panels ever.
I connect with these panels on a spiritual level
this boy literally has a superhuman sense that warns him of danger in advance, but still makes decisions like these.
The major cause of Peter Parkerās problems is, in fact, Peter Parker.
asd;flakdsjfn this is my favorite infographic ever
Weāre Approaching Bubonic Plague All Wrong & How To Use Soap To Fix It
yo this bot just wrote a headline from 1342
1348, excuse me
What does it mean to be a billionaire?
So thereās been a lot of discussion floating around regarding billionaires and society, and Iāve noticed that most people have no idea what a billion dollars is for practical purposes - people tend to think of it as a vague, nebulous concept of āa lot of moneyā rather than something concrete you can wrap your head around. This is understandable, considering 1) a billion of anything is really hard to visualize and 2) the average person has no real reference point for an amount of money that large. So Iām going to try to break it down for everyone:
Okay, so imagine you have a billion dollars. What can you actually buy with that?
This is a mega mansion that will have an Imax cinema, a bowling alley, and a spa when itās fully complete. It costs around 4.6 million dollars.
Now letās buy one of these in every country in Europe - thatās 50 mansions you now own. So how are you going to travel between all your many homes?
This is a Bugatti Veyron Super Sport, the fastest street-legal car in the world. It has a maximum speed of a face-melting 254 mph and can go from 0 to 60 mph in 2.5 seconds. It costs around 2.5 million dollars.
Letās buy a dozen of them - you know, in case you total a few of them racing around the highway. But maybe a sports car is still to slow for you:
This is an Embraer Lineage 1000. Itās private jet that can seat up to 19 passengers, and weāre going to buy it for 53 million dollars.
How about a boat? The Tatoosh is a 303 ft private yacht, meaning itās longer than a football field. Weāll take it for 369 million dollars.
Do you like art? Just for fun letās buy Monetās most expensive painting ($90 million) Van Goghās most expensive painting ($151 million), and this monstrosity, which is made with 8,601 diamonds and costs 65 million dollars.
Now that weāve gone on our ludicrous and absurdly wasteful shopping spree, how much money do we have leftover? About 12 million dollars, which is almost an order of magnitude more than the average American with a bachelors degree or higher earns in a lifetime ($1.8 million). So if you for whatever reason decided to buy the 50 houses, 12 sports cars, plane, yacht, art pieces etc. and immediately set them all on fire, you would still have enough cash leftover so you never would have to work again if you so chose. This is what it means to be a billionaire.
But weāre not done yet.
The richest person in the world is Bill Gates, with a net worth of 86 billion dollars. If he liquidated his assets, what could he buy?
Well, for starters, the Burj Khalifa - the tallest man-made structure in the world at 2,722 feet tall, costing around 1.5 billion dollars.
The Large Hadron Collider, the worldās biggest and most advanced particle accelerator for 9 billion dollars.
The Hubble Space Telescope for 10 billion dollars (including 20 years of operating costs).
The Three Gorges Dam, the largest power station in the world, more than a mile wide.
And to top it all off, a fleet of five Nimitz-class aircraft carriers, the largest military vessels ever built for around 8.9 billion dollars each. If you look at the picture very closely you can see the people standing on it for reference.
If Bill Gates bought all of this, he would still have around 2.3 billion dollars leftover. Thatās enough to go on the billionaire shopping spree I described above twice over (so 100 mansions, 24 sports cars etc.) and still have hundreds of millions of dollars in the bank when itās all said and done.
But weāre not done yet.
Currently, itās estimated that there are 2,043 billionaires alive today, with a combined net worth of around 7.67 trillion dollars.
This is Russia, the largest country in the world, extending more than six and a half million square miles, with a population of more than 144 million people. The United Kingdom could fit inside Russia 70 times.
In 2016 Russiaās gross domestic product was about 1.28 trillion dollars. This means that if the two thousand and some odd richest people in the world - less than half of 0.1% of 0.1% of the Earthās population - liquidated and pooled their assets together, they could buy every single product and service made in Russia for almost 6 years.
So yeah, make of that what you will.
1 YEAR UPDATE
So itās been just a little bit over a year since Iāve made this post, and holy shit I didnāt expect it to get so many notes⦠anyway thought Iād make an update. First, a few responses to common criticisms I noticed:
āThat house costs more than you said it costsā
I provided sources for everything, I canāt click on the links for you broski.
āThe map of Russia is incorrectā
Strange, my bad⦠didnāt notice until after I posted that the map I used includes Belarus and a few other countries as part of Russia, no idea why they did that, I should have picked a better map.
āNet worth somehow doesnāt count as worth because not all of it is literal stacks of cashā
First of all I distinctly specified that my figures were based on if said billionaires liquidated their assets, but more importantly thatās like sitting on top of a pile of solid gold bars and claiming youāre totally broke because you canāt use them at the supermarket. Seriously, this is just asinine.
*Insert impassioned defense of capitalism here*
Now if you follow my blog itās pretty obvious that Iām a leftist, but something I did very deliberately for my billionaire essay was try to avoid ever mentioning left politics or making any moral judgements, i.e. more or less everything I wrote in that post was just objective, inarguable facts. I very intentionally ended the essay with āmake of that what you will,ā without ever actually commenting on whether the situation was good or bad. If you consider yourself a capitalist and want to remain consistent with reality, you really shouldnāt be offended by this post. If your first response upon looking at a neutral series of data points is to immediately rush to defend the system that produced it, it means you instinctually realize something is terribly wrong and youāre trying to justify it. Just saying, not a good position to be arguing from.
ANYWAY
As of the time of this update, Bill Gates is no longer the richest person in the world; the title now belongs to Amazonās Jeff Bezos with with a mind-blowing $147.7 billion. Now, what could he actually do with all of that? Letās make a list!
End Homelessness in America
There are an estimated 553,742 homeless people in America. Jeff Bezos could hand every single one of them $50,000 cash for $27,687,100,000, which should be more than enough to get a roof over your head for a decent amount of time.
Give 100,000 students a full ride to Harvard
Going to Harvard University will cost a student about 60,659 a year including tuition, room and board, and various other fees. Paying for a full 4 years for 100,000 students would cost $24,263,600,000.
Buy Iceland for a year
The gross domestic product of Iceland is currently about $23.9 billion dollars, which means for that amount Jeff Bezos could buy every single product and service produced in the country for an entire year.
Fund every US national park for 10 years
This yearās budget for the national park service will probably be about $2.7 billion, so 10 years of funding would be $27 billion.
Give every Amazon worker a $20,000 bonus
Jeff Bezos has 563,100 employees working for Amazon. He could give each and every one of them a $20,000 bonus for $ 11,262,000,000.
End world hunger
It would probably cost around $30 billion to ensure that no person in the entire world suffered starvation and malnourishment this year.
And how much does Jeff have left?
After doing all of that, Bezos would still have upwards of $3.5 billion left over, which is not only far, far more money than a single person could ever spend on themselves, it also would mean he still gets to remain substantially richer than most other billionaires.
Funny world we live in.
Fucking bleak

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No other PokƩmon has the same type combination as Volcarona and its pre-evolution. Volcarona and its pre-evolution are also the only PokƩmon with a double weakness to the Rock-type that are not Flying-types. This makes them the PokƩmon most vulnerable to entry hazards, taking maximum damage [50% of its maximum HP] from Stealth Rock while also being affected by Spikes, Toxic Spikes, and Sticky Web.
Volcarona (via thanksbulbapedia)
Slenderman isnt scary I see tall white twinks all the time
Thank you Canada that is a great name
IāM FREAKING CRYING I CANāT BELIEVE THAT WAS THE INSPIRATION
Kids are just like āppptppptppthhptpppthhā until one day theyāre like āoh shit I can thinkā and then itās all downhill from there
message to all babies: think before you think

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marimba-ing in ecruteak for @jtgarou
having to likeĀ āeatā several times a day for energy is just poor & flawed design on Godās part Iām sorry to say it but why come a fucking dandelion can eat sunlight but I have to like. physically move for sustenanceĀ
a Mood