When you're a black girl in a mostly white fandom
will byers stan first human second

blake kathryn
he wasn't even looking at me and he found me
styofa doing anything
Aqua Utopia|海の底で記憶を紡ぐ
One Nice Bug Per Day
Jules of Nature

ellievsbear

JBB: An Artblog!

Game of Thrones Daily
AnasAbdin

Kaledo Art

Kiana Khansmith
Claire Keane
occasionally subtle
todays bird
taylor price

Andulka
dirt enthusiast
seen from Spain

seen from Pakistan
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seen from United States
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@sagrising92
When you're a black girl in a mostly white fandom

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Peachy Keen (1)
content warning: tooth rotting fluff, dad!jack abbot, mentions of children, pregnancy, pregnancy reveal, mention hospital, mentions of food & eating, slice of life, not proofread or edited
word count: 2.5K+ words
pairing: jack abbot x black!reader
summary: you think you’re pregnant due to a dream you have and jack is already a few steps ahead of you.
author’s note: fun fact — my mom’s great aunt knew she was pregnant with me because she had a dream about me as a fish. thanks for reading 🫶🏾
IT came to you first in a gentle thought that soon manifested itself to a dream. A dream where you trudged through a fogged, hazy meadows with golden sanctioned flower that reminded you of sunny side up eggs. A dream where you could hold your breath a bit longer in the water of the pond, where the water was clear enough to see nothing but a small magenta fish swimming toward you before you awoke. Awoke with a new feeling — something that you could feel churning underneath your skin. A warm pool spreading across your abdomen, it growing and expanding as you moved through the familiarity of your home you and Jack had been building for years. Walls made out of stone that was soft around its edges as it learned to become tender overtime. You and Jack carried out your normal morning routine where you two could still burn more hours before your night shift. After your girls had their share of breakfast and enough dewy kisses across their cheeks to last them throughout the school day.
It started with the fullness in your cheeks you noticed as you brushed your teeth. You caught the fullness in your dark skin as you spat out the frothy toothpaste in the sink. The mirror was foggy due to the warm steam coming from the shower as Jack bathed. Your fingers dipped in between the flesh around your cheeks, like you did in your dream when you dipped your fingers in the crystallized bond. You turned to the side for a second, hands resting against your hips as you studied your abdomen. Breakfast slightly stretched the fabric of your shirt (actually one of Jack's old shirts), but that same odd feeling in your heart trudged on. A feeling that you knew. It visited you like an old friend in a dream.
The water suddenly stopped. The empty droplets echoed on the ceramic structure and you heard Jack clear his throat. A gruff sound, followed by a squeaky sniff. He sounded like a rusty car engine, something that almost brought comfort to your heart. Jack reached for the towel draped over the railing, stepping out with the towel around his waist. The droplets rolled down his body, like hot coals that dripped past his belly. He gave you a quick smile, face slightly reddened from the warmth that traced his face, the same red that emphasized his body when he had been to close to the sun from harvesting your peach trees almost all afternoon.
You had been growing your peach trees in your backyard as long as you can remember. Pieces of your love that would grow and that you would harvest once the time was right. A time when the world needed it the most. When you could spread its seeds around, blessing the ground where you two walked; blessing the paths the two of you had crossed into a golden, hallowed threshold.
Jack stood besides you, giving your bottom a quick squeeze, knocking you out of your gaze, "You okay?" The question was soft. The tenderness in his voice something you could easily pick out when he either spoke to you, your girls, the women in his life.
You nodded, finding your reflection again, toothbrush now meaningless in your hand. A haze blurring your brain out as you entered in a trance of the pond water and the foggy bathroom.
"I'm just thinking."
He ran a coarse hand through his damp silver curls, taking his face towel and patting dry his face, "'Bout what?"
Something tugged down in your abdomen as you steadied yourself, pressing your palms against the dewy counter, that still felt somewhat cool at the touch, the morning chill still lingering after the warm steam, "How my mom found out she was pregnant with me. She had a dream about a fish. Just a simple fish swimming around in the pond. She called her doctor to see if she could schedule an appointment. When she got her results back, her dream hadn't been so random. I was the fish in the pond."
Jack watched your eyes. Watched as the seemed to glow if possible. How quick your pupils grew, how quick your brown irises churned so quickly he thought they would begin to produce golden spools. He didn't say anything, his face neutral. Instead, he pressed a hand against your back to provide you some sort of comfort.
You continued on, "I didn't tell you this, but I found out I was pregnant with Bonnie so early on is because I had this dream that felt so real. I had this dream where I was in front of this pond and something urged me just to stick my head under for a second. I could hold my breath for a bit longer, the water seemed so easy to see out of. And then I saw our Bonnie girl for the first time: this little bright pink fish swimming toward me. When I was pregnant for the first time ever with Madison, I told her father that I had this dream about a fish swimming toward me. This little pink one. He laughed at it for a while. Until I showed him the proof later that evening and—shit sorry, I'm rambling."
Jack chuckled softly. A noise that you could easily catch and reel up. He shook his head to himself, reaching for his own toothbrush, "Why a fish? Why not a bird, or a butterfly, or even a rabbit?"
You rolled your eyes, a smile tugging at your lips as you caught his reflection in the mirror that seemed to be less hazy, "I don't know," you began, running a hand through your coils, "I never questioned it. Maybe it's something hereditary." You pressed your palms against the counter, while pictures of the fish came swimming back to your mind all over again , and you couldn't stop the pounding in your heart.
"If you weren't a doctor and I never told you about the fish dreams, how do you think you would've found out I was pregnant if I didn't tell you?" You question, breaking the silence along with the sound of Jack brushing his teeth.
He paused his brushing for a second, giving you a raise of his brow before he spat in the sink, "Well, you start craving one specific food. Always. Like with Bonnie, you craved those shortbread cookies that they no longer carry in stores anymore. You told me with Maddy, you always wanted to eat pudding cups, and with this one, all you want are peaches."
Oh.
You stopped for a moment. Your lips parted, eyes growing wider that they stung a bit from the wave of fresh air.
He wiped his lips with a towel before he turned back to you, as you shook your head in disbelief, "You can't know that."
His hands cupped around your bottom, before he found the sector near your hips. His eyes softened a bit, "Can't know what?"
A little noise came out of your throat like you were gargling water as your eyes blinked rapidly and you stumbled to find your wording. "That I think I'm—I didn't even tell you the fish dream I had last night and somehow you can manage to figure it out and I didn't even say anything to you." You placed your hands on his bare chest. It was still warm, and you could feel the gentle thumping of his heart underneath your palm. You shook your head again, leaning your forehead against chest, "And the funny thing is, I haven't even taken a test yet, so we actually don't know… It could all be in my head for all I know and—"
"—Hey, hey, hey," he pressed on in front of you, keeping his arms steady around you, tucking your coils behind your ears, his tender voice maneuvering you through a wave of emotions threatening to catch you, "Look at me. Okay. We're gonna figure this out, okay? We'll get you tested as soon as possible, but you gotta calm down for a moment, hon. We don't need you stirring yourself into a panic. I don't think it's in your head. I think that—"
He took a moment to steady himself, looking down at your belly, pressing his hand against it, you could've sworn he had to swallow back his own tears, "That fish… that you saw our baby. And that you are pregnant and I feel over a thousand thoughts running through my head regarding what the nursery will look like, what Maddy and Bon, are gonna say— oh our Bonnie! God, she's gonna be so excited to be a big sister!"
You laughed. A break from the clawing emotions you felt; the ones that ran all over your head that brought forth your greatest anxieties and fears. Perhaps that lingering fear of having to start all over again. Lingering fears of even having another child together. A film of clearness lined your eyes as you blinked back the urge to cry, "We're really doing this again?"
"We're really doing this again."
Jack Abbot couldn't keep his eyes off you. From across the emergency department is where his eyes followed you down and traced the figure of your body. If you guys were on cases with each other, he'd follow your lead, command the attention of the room back to you; it was always, "Perhaps we should listen to what Dr. Abbot has to say." He followed you around like a lost lamb, giving thumbs up from across the illuminated rooms, giving you little nods. The fruit of his actions all noted back to why you had to purchase a size up in scrubs, the reason why your cheeks looked a bit fuller, the reason why your body had grown more softer over the past couple months — a small secret growing between the two of you guys. A secret you guys wanted to keep private between you two for just a few moments longer.
You were thankful that you had a moment to catch your breath, and steady it. You sat down near the nurses station, a soft sigh leaving your lips as you leaned back in the chair, closing your eyes just for a second. The rhythm of the hospital moved quickly, fast paced, and that was why you liked it (obviously when you weren't pregnant). But it made you realize the moments of quiet that you always took advantage of. The moments of silence were most important to you. Those moments where you could take a step back out of your body and watch the night life fold around the edges, taking in the breaths of humanity. Realizing how important the job you worked was.
"You alright, honey?" Your sweet, red-haired night shift charge nurse, Lena questioned, rubbing a hand over your shoulder.
You pressed your lips together, giving a nod. A couple of strands of your dark hair tickling your forehead became quickly damp from the film of sweat forming at your forehead. Your skin became dewy causing you to wipe your hands over your face. It prickled your skin like dessert heat pooling through your body.
"I'm okay. 'M just hot. Just give me a second and I'll be good to go back on my feet."
She gave you a nod, but she hesitated as she went back to her area behind the desk.
You took another breath before you got up and headed toward the lounge area. You bee-lined straight toward the refrigerator, grabbing one of your plastic cups of diced peaches. The only thing you could seem to stomach these days that wouldn't have you running to the bathroom in the middle of your shift. You sat there, slowly eating your peaches in an attempt to regain some strength to finish out your shift strong. There were still a couple hours left before you could go home and it was taking all your mental capacity to not call it quits and leave early.
It seemed as if the chaos outside had quieted softly; there was still some prominent chatter and hurried voices that echoed back in, but for the most part, you had found your own pocket of peace.
As you were on your sixth peach cup, the door opened, gently shutting behind the figure. You didn't have to look up to process who it was as the soft clink of metal gave it away, alongside the lingering smell of your vanilla perfume wafting in. The seat across from you screeched on the floor before a moment of silence traced after and bathed in between the crevices of the silence.
"Hey."
There he was.
You looked up after finishing the last peach, the sweetness filling out on your taste bud and around the apples of your cheeks.
"Hi."
Jack stood up from his chair, instead occupying the seat beside you. He sat down, at ease almost. His tenderness leaking through, a softer he approach he'd taken for years while speaking with you. The flesh around his eyes appeared slightly worn like a piece of old cloth, but the skin creased as he smiled at you again, pressing a kiss to your cheek, resting his hand on your belly and the other hand right underneath the bowl of your ribs. A new action that lingered with some familiarity at he had done the same for when you were pregnant with Bonnie. His hand was warm against your scrub top and you could feel the slight twinge of his fingers thumping. You were far from showing as you were still in the later weeks of your first trimester, but Jack could've sworn that your belly was in fact growing at a rapid pace.
"How's peaches doing?" He mused carefully, siding his other hand from your ribs to the other side of your stomach, his thumbs brushing against the fabric of your scrubs.
You stacked the empty fruit cups along with the other ones before you placed your own hands on top of his, "They're okay. Like when you asked the past five times."
He hummed lowly, the sound resonating through his chest, as he placed his hand on the small of your back, "Well I was only asking because Lena let me know that you didn't look to great and you went to rest in the break room."
You leaned in closer to him, "I—we're fine, Jack. I promise. We're nothing but peachy."
He nodded, his eyes finding yours. He was about to say something when his eyes saw your stack of plastic peach cups, "How of those have you eaten?"
Heat rushed up to your cheeks, the redness blooming through your dark skin as your let out a loose chuckle, "Probably five. Maybe six."
He laughed. Not in a taunting manner, but it was rhythmic. Something you could follow along and chase the tune to. He pressed another kiss to your cheeks, "How about we get some breakfast after our shift ends. Some proper food in you, yeah? Can't have you eating peaches this entire pregnancy."
You nodded, the tug in your lips growing with almost an overwhelming sweetness, "Yeah… I guess not."
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.
I’m not sure I knew the thy/thine distinction. Thanks for this!
Project Angel Food
ruin the friendship
michael robinavitch x plus size/curvy female reader smau
summary - michael finally talks about his feelings
warnings - suggestive texts, a smidge of angst
part one two three
story masterlist
masterlist

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It's All Washing Over Me
Michael Robinavitch x medstudent!daughter!reader
series masterlist
song rec: the view between villages - noah kahan
summary: after six years of avoiding it, you're finally forced to make your way back home. things should feel easier as you make the transition back to something familiar, but it only fills you with dread to think about finishing your years as a med student at the pitt, working under your father.
warnings/tags: yo... holy daddy issues, angst, michael robinavitch is his own warning, platonic/father-daughter relationship, robby is not really being a great dad rn... he is not the girl dad you people think he is
wc: 10.9k
"For a minute the world seemed so simple"
Your first time back in the PTMC since moving home was more anxiety-inducing than it should've been. Maybe it had something to do with the fact that you weren't just there as an attending's kid; you were now there as a med student.
Ghost Of You (R.J.) Chapter 3.6
Baby, I Love You
2023-Chicago, Illinois
The hospital room was quiet in a strange, suspended way. Machines humming softly, the city muted outside the window. Angie laid propped up against soft white pillows, exhausted in a way she'd never felt before. Her body ached, her head felt foggy, and yet her chest was so full she thought it might crack open.
Sophia slept against her, impossibly small, swaddled tight and warm. Her face was pink and scrunched, mouth twitching like she was dreaming of something important.
Angie couldn't stop staring.
Mikey hovered nearby, useless in a way only love could make someone. He'd washed his hands three times already, paced the room twice, sat down and stood back up like the chair had personally offended him. Now he stood beside the bed, eyes locked on their daughter like she might disappear if he blinked too long.
"She real?" he asked quietly.
Angie smiled softly. "She's been real for nine months, babe."
NOAH WYLE for Variety’s Actors on Actors with Noah Wyle and Sally Field (June 12, 2026)
Dashboard
Michael Robinavitch x medstudent!daughter!reader
song rec: dashboard - noah kahan
summary: your relationship with your father had always been less than ideal since you were a kid. too much emotional weight on a child and not enough support from the adult supposed to be taking care of her. robby thought you were just an easy kid, but he didn't seem to realize that you are in fact his daughter, even as you constantly remind him of such
warnings/tags: Michael Robinavitch... your daughter is your carbon copy and YOU are the reason, angst, daddy issues, platonic/father-daughter relationship, Robby slander (sorry to his three fans), not proofread
wc: 5.6k
notes: this is the first part of a series/oneshot collection i'm working on, so please bear with me... it's not as fleshed out as I initially wanted it to be, but then I actually thought about how many parts this series was gonna be and realized it would be okay lol
"You always went looking for an easy way out"
When your parents first got divorced, you were still fairly young, so it didn't really make sense. It broke your little heart, regardless, because all you knew was that your parents wouldn't be in the same place, and even though you already didn't see your dad much, now you really wouldn't be seeing him.

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It’s 90 plus degrees in Chicago right now, and I have nothing else better to do than respond to things I see that I find unfair or inaccurate.
I want to make my larger point about this whole Noah Wyle discourse clear, because I feel like sometimes people are responding to what they think I am saying instead of what I am actually saying.
I do not have a problem with people critiquing Noah. I do not have a problem with people criticizing the Pitt. I do not have a problem with people talking about representation, character development, writing choices, interviews, or anything else. Public figures and people involved in creating media can and should be criticized when criticism is warranted.
My issue is that the criticism needs to be fair, accurate, and based on what was actually said or done.
If you are going to say Noah said something in an interview, article, podcast, or wherever else, then you should be able to pull up that source, reference it, and give the actual quote. And the quote needs to actually say what you are claiming it says.
It should not be separate quotes taken from different parts of an article, mashed together, rearranged, and then presented as if he directly said one specific thing. That is not criticism. That is misrepresenting what was said to fit the point you already wanted to make.
And that has been one of my biggest issues with this discourse.
I also feel like people are taking things Noah has said critically about himself and turning that into “this is what his co-stars said about him,” when that is not always the case.
From what I have seen, Noah has been very critical of his own behavior during his ER years. He has talked about being difficult, competitive, insecure, or not always welcoming to people who joined the show. That is fair to criticize. He said it himself.
But I think there is a difference between saying, “Noah has admitted he did not always behave well back then,” and turning that into “everyone around him said he was horrible” or “he bullied people off the show” without actual proof of that.
Those are not the same thing.
It seems to me that Noah has reflected on his past behavior, has been aware of where he fell short, and has either made attempts to rectify those situations or at least speak honestly about them. That does not erase the behavior, but it does matter.
And when people take something that happened 20 plus years ago and use it as proof that someone is forever terrible, it gives me the impression that they do not believe people are capable of making mistakes, learning from them, and growing.
That is where the moral superiority part of this discourse starts to bother me.
Some of this criticism does not feel like, “I disagree with what he said,” or “I dislike this creative choice.” It feels like people positioning themselves as more ethical, more socially aware, more enlightened, and just generally better than him.
And I do not believe anyone is better than anyone else.
We are all people trying to figure out life. We all have blind spots. We all have things we could have worded better. We all have moments where we missed something, mishandled something, or failed to see something from someone else’s perspective.
That does not mean people should not be held accountable. Accountability matters. Growth matters. Criticism matters. Social justice matters. Inclusivity matters. Representation matters.
But fairness matters too. Accuracy matters. Context matters. Grace matters.
And I am saying this as someone who does have criticisms of the show.
I have said more than once that I do not like what felt like a rollback in representation from season 1 to season 2, especially when it comes to certain demographics. I have also said that representation matters. It matters in TV, movies, books, advertising, and all mainstream media. If a show is praised for realism, then the people in that world should reflect real life too.
I also understand why people are concerned about Supriya Ganesh not returning as a part of the show, and now Shabana Azeez not returning in the same capacity. These are women of color who were fan favorites, and I understand why people are upset or side eyeing those decisions.
But what I also find interesting is that I have not seen that same level of heat when it comes to Black characters on the show, especially Black women.
And as a Black woman, I notice that.
I notice when people are loudly concerned about representation and inclusivity, but Black people are still somehow the afterthought. I notice when people are speaking about women of color, but Black women are not centered or even given the same level of urgency. I notice when the discourse becomes about women of color in general, but the specific absence or reduction of Black women does not get the same energy.
To me, that shows unconscious bias too.
The Black community is often the community people think about last. And I do not think everyone doing this is aware of it, but I definitely recognize it in a lot of the discourse I have seen.
So while some people are trying to come across as the ones who care the most about inclusivity, representation, and people behaving the “right” way, they are still not fully hitting the mark they are expecting other people to hit.
That is part of why the moral high ground bothers me.
Because if the conversation is really about representation, then it needs to be about representation for everybody. Not just the characters people personally connected with the most. Not just the women of color who became fan favorites. Not just the characters who are easiest to rally around.
Black characters matter too. Black women matter too.
And again, this does not mean people cannot criticize Noah. He is the lead actor. He is an executive producer. He has written and directed on the show. He wears a lot of hats when it comes to the Pitt, so I understand why people look at him as one of the faces of the creative direction.
But I also think people need to be more critical of the production and writing team as a whole, not just Noah as an individual person.
The show is not made by one man sitting alone in a room with a laptop and a bad attitude. There are writers, producers, directors, network decisions, scheduling decisions, contracts, creative plans, and a whole production machine involved.
And if people are going to have such strong opinions about the show’s handling of representation, then I think it is also worth acknowledging that a large part of the writing team includes women and people of color. That does not mean the show is above criticism. It absolutely is not. But it does mean the conversation is more complicated than “white man bad, everything is his fault.”
And listen, I understand why people have strong feelings about white men.
I am a Black woman in America. My ancestors were enslaved. I can trace slavery through both my maternal and paternal sides of my family. So if anyone understands why people feel anger, exhaustion, distrust, or resentment toward white men and the systems they have historically benefited from and upheld, trust me, I understand that.
I am not confused about that part.
But I also understand how the world treats Black people. I understand how often Black people are expected to support everyone else’s causes while being treated as optional in return. I understand how Black women specifically are constantly expected to show up, understand, advocate, and empathize, while still being left out of the center of the conversation.
So yes, I find it very interesting when people are loud about inclusivity and representation, but still seem to miss the ways their own discourse leaves Black people behind.
That is why I keep coming back to fairness.
Criticism is fine.
Misquoting is not.
Accountability is fine.
Assigning ugly motives based on assumptions is not.
Disliking a creative choice is fine.
Turning every creative choice you dislike into proof that someone hates women, Black women, women of color, or marginalized people is a much bigger claim. And if you are going to make that claim, you need to be able to back it up with more than vibes, stitched-together quotes, and personal frustration.
People can criticize Noah Wyle. People can criticize the Pitt. People can criticize the writing, the interviews, the representation, the character arcs, the structure of the show, all of it.
But criticize what actually happened. Criticize what was actually said. Criticize the work in front of you.
Do not take what was said, add what you think he meant, mix in every other frustration you have, and then present that as fact.
Because at that point, the conversation is no longer about accountability. It is about narrative building.
And if we are going to have these conversations, especially conversations about misogyny, racism, representation, and bias, then we need to be careful. Those topics are serious. They matter. Which means we should not be careless with them.
So no, my issue is not criticism.
My issue is unfair criticism.
My issue is inaccurate criticism.
My issue is people acting morally superior while holding someone else to a standard they do not even hold themselves to.
You do not have to like Noah. You do not have to defend him. You do not have to agree with me.
But if we are going to talk about what he said and what he did, then let’s talk about what he actually said and actually did.
mrs magic
summary: single dad!robby hires a nanny after adopting baby jane doe.
contains: black!fem!reader, but anyone can read. feminine!reader. nanny!reader. age gap between reader and robby. yearning. 18+ fantasies about smut. robby lowkey being an old perverted man.
after that dreadful fourth of july shift, robby made the biggest decision of his life; fostering baby jane doe. he also made the decision to extend his sabbatical, and it wasn't filled with traveling across the country, instead he was taking care of a little baby girl. then robby got rid of that death machine called a motorcycle, and bought a suv, the kind a family man would own.
this pitt doesn’t exist to cater to YOU.
yeah. the show is not meant to make YOU feel seen and represented, unless you’re in the healthcare field and is burnt out, hopeless, depressed and suicidal like dr. robby or dr. abbot, or nurse dana, even.
the pitt has always been about dr. robby’s mental health journey to healing and the show is merely an invite for us, non healthcare workers, to understand better what it’s like to be a doctor or nurse in the united states of america, through the lenses of a very mentally unstable doctor.
i am genuinely shocked to see the lack of reading comprehension from some of you. you’re attacking the actors/crew for not doing what you want???? this is so embarrassing, acting like you know them personally. acting like they owe you anything. they don’t!
this show is not about shippers, get over yourselves. it’s not about what you want it to be. the pitt has a target audience and... it’s not you. that doesn’t stop you from enjoying the show, obviously, but you’re not the audience they want to please and impress.
dOeS nOaH wYlE eXpEcT mE tO wAtCh fIvE sEa-
babe, he doesn’t care about you, he doesn’t know you, he cares about healthcare workers, he has been an advocate for over thirty years. he has always used his fame and influence to shine a light on the fact that doctors, nurses, patients, are all victims of a terrible government who sees illnesses as dollar signs.
I agree with about 97% of your post, truly. The one part that made my face go “hmm” was the beginning section about representation.
I do think representation matters in mainstream media. It matters in TV, movies, books, advertising, and really any media we consume on a regular basis. It matters because the world we live in should be reflected in the stories being told.
One criticism of The Pitt that I have agreed with is that from season 1 to season 2, there seemed to be a noticeable decrease in representation, especially when it comes to Black women.
I am not saying the cast needs to be 50% POC or that every show has to check every possible identity box. That is not my argument. My argument is that if one of the biggest selling points of the show is realism, especially realism about the day to day life of an emergency room, then the people in that emergency room should also reflect real society.
Society is not one ethnicity, one race, one gender, one body type, one sexuality, one background, or one kind of person. A realistic hospital setting should reflect that variety too, not just in the patients, but in the staff, the leadership, the social workers, the nurses, the doctors, and everyone else moving through that space.
Speaking personally as a Black woman in America, it was disheartening to look at the Black female medical professionals we had in season 1 and then compare that to what seemed visible in season 2.
In season 1, we had Dr. Collins, Kiara the social worker, Gloria, Dr. Ellis, Nurse Bridget, and paramedics like Ziegler and Crow. That is not even including patients. I am only talking about medical professionals within the world of the hospital and emergency response.
From what I remember seeing in season 2, and from what I checked afterward, the only Black women from that group who seemed to carry over visibly were Dr. Ellis and Paramedic Crow. So no, it is not that Black women were completely absent. I want to be accurate about that.
But there is still a noticeable difference between having several Black female medical professionals visible in the world of season 1 and then having that number and visibility reduced in season 2.
I understand that part of realism in healthcare is that not everybody works the same shift every day. People rotate. People transfer. People go on vacation. People are not always in the same place at the same time. I get that.
But still, it was hard not to notice that the presence of Black women, especially in professional roles, felt reduced. And when a show is praised for realism, that kind of reduction stands out.
And yes, someone could say, “But there are still women of color.” And that is true. But Black women are not interchangeable with the broader category of women of color. Anti-Blackness exists, including within POC communities, so Black representation specifically still matters. I do not want to derail this into a separate conversation about that, but I do think it is important to name.
To be clear, I do not agree with every criticism people have made of the show or the fandom. I do not agree with people jumping straight to calling specific people racist, misogynistic, narcissistic, or saying they hate women based on assumptions. I think a lot of those takes go too far.
But do I understand why people have raised concerns about representation and inclusivity? Yes, absolutely.
I also do not think this was necessarily intentional in the sense that anyone sat down in a meeting and said, “Let’s reduce the presence of Black women.” I do not believe that. But I do think unconscious bias can show up in creative decisions. And when the end result is that the visible presence of Black women is reduced from one season to the next, that is something worth questioning.
And before anyone says it, yes, I recognize that Black representation was not completely absent in season 2. Donnie had professional growth, Louie went from having a smaller role in season 1 to becoming a much more central part of season 2, and Cruz was introduced as a Black doctor. I am not ignoring any of that.
But that is also why I am being specific. My criticism is not that there were no Black characters at all. My criticism is about the noticeable reduction in Black women specifically.
Black men being present does not erase the reduced presence of Black women. A Black male character getting more development does not replace the Black women who were no longer as visible in the world of the show. Those are related conversations, but they are not interchangeable ones.
And that is where the issue becomes frustrating. It felt like a give and take. Yes, we gained or expanded some Black representation in certain areas, but the Black women who helped make the world of season 1 feel fuller and more reflective of reality were not carried over with the same level of visibility.
So again, I am not saying the show had no Black representation. I am saying the show’s Black woman representation took a noticeable hit, and I think viewers are allowed to notice that without being accused of asking the show to cater to them.
Representation is not separate from realism. Representation is part of realism.
Also, I want to be very clear that this is not a personal attack against you or me saying that I think you are anti-Black, racist, or that you do not care about representation. You have not said anything that would make me jump to that conclusion, and that is not what I am trying to imply here.
My concern is more about how that part of your post could be taken by other people who already believe representation does not matter. I would hate for someone to read that and use it as “proof” that conversations about representation are unnecessary, because I do think those conversations are necessary.
I do not think you were saying representation is unimportant. I think you were talking more about the fandom infighting, the constant discourse, and the way people have been projecting a lot onto the show and the people involved since episode one. And honestly, I think a lot of us are tired of that too.
So this is not coming from a place of hostility. It is coming from a place of wanting to add nuance to a conversation that I think is important. I agree with most of what you said. I just felt like this specific piece about representation needed to be expanded on, because representation does matter, and I do not want that point to get lost.
Hey, so let’s be mindful of stereotypes and the way we talk about actors that are part of historically persecuted groups when criticizing them and their behavior.
An actor being part of a minority group does not make them exempt from saying bigoted things. Also, an actor saying bigoted things is not an excuse for you to be a bigot towards them. Both things are true and it should not be that hard to understand.
Wyle saying something biased is not and will never be an excuse for you to make the decision to be antisemitic. Calling a Jewish man power hungry is disgusting when there is practically zero evidence to support that.
He has done so much great work for healthcare workers. He has gone to Capitol Hill twice now to push for their rights. He has been an advocate for mental health for a while, and he is doing incredible work with The Pitt bringing awareness of mental health matters, the abuse of healthcare workers, and so many other problems going on in this country right now.
It is not an attack on him to say he is coming across as misogynistic with the way he talks at times. It is also not discounting the incredible things he has done. It is also not an excuse for you to use that to be an antisemitic dick and use stereotypical language to describe your views on Wyle.
A Great Soul Never Dies (chapter ten)
michael 'robby' robinavitch x adamson!reader
w.c: 2.3k
summary: reconciliation, labels, i love you's and a dinner alone together
a/n: sometimes im maybe good sometimes im maybe shit. they sound like teenagers fucking talking it's a little embarrassing. BUT i will defend my honor here and say that although there was compromise it was due to the power of love that they can't stay away from each other. trauma bonded for life. also i only have two more chapters planned so this series is winding down. thank you and enjoy :)
tags: mentions of suicidal ideation!!!
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Robby can't sleep. He sits on the couch in the dark as his mind races. The hotel's channel service plays on the television as his only light source. He rubs his hands over his face as he thinks about you. He was so sure something was wrong and he took the letter at surface value.
Now, you could be anywhere, doing god knows what. He tried looking for you around the hotel. Walking the dark path to the pool and around the bar and even checked Crystal's bungalow but everything was closed. He returned to the bungalow feeling helpless. A particular looming feeling of dread burrows in his heart.
He goes into your room and looks into your suitcase to see Monty's urn. He sits beside it your luggage and he sighs, "Let her come back safe." He sniffles, "Please."

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i hate to be the one to make a post like this, but i’m not sure where to go anymore.
my husband & i lost our jobs this past month & we are quickly running out of groceries. (our fridge/freezer is almost empty). it may be weeks or another month or so before we get any income in & our local food banks are over-booked in our town.
if anyone could spare absolutely anything, i’d be beyond grateful. i understand that the world is fucked & we are all struggling out here, so if you can’t, reblogging this post will also help a ton. thank y’all sooooooo much in advance. 🫶🏻🤍
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