No. 14 (White and Greens on Blue), Mark Rothko, 1998, Oil on Canvas, 90.2 × 69.9 cm

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No. 14 (White and Greens on Blue), Mark Rothko, 1998, Oil on Canvas, 90.2 × 69.9 cm

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Chol Mabior at Robert Wun Couture FW 2026
Weather camera self portraits (2012— )
Tatu Gustafsson
/ Herbert List, Baltic Sea, Germany, 1930s
Robert Adams, Summer Nights, Walking: On the Colorado Front, 1976 - 1982

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Amazing
nightmusic.
Untitled from 88 Maps, Matt Mullican, 2010.
Graphite rubbing with screenprint from an illustrated book with twenty-eight graphite rubbings, fourteen with screenprint additions [MoMA]
Here are the lastest whole sketches pages I made in San Francisco. Most of them were drew in Japantown, especially in the Saint Francis square cooperative. It’s the last pages I got of the US and I must thank all of you for the reception of them all along of my posts. Thank you !
Design for one of H.R. Giger’s Tarot printed in black on metallic silver.

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Unicorn print carved from a 3x4 rubber stamp. I'm quite pleased with how she came out :)
SIGINT #7414 from GPS III-SV05 (Q CLEARANCE) 1. Volcano Shrine 2. Tired Hyperobjects 3. Invisible Ham Sandwich Landfill

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“That’s how you get deathless, volchitsa. Walk the same tale over and over, until you wear a groove in the world, until even if you vanished, the tale would keep turning, keep playing, like a phonograph, and you’d have to get up again, even with a bullet through your eye, to play your part and say your lines.”
— Baba Yaga, Deathless, by Catherynne M. Valente
"Diver," 2026. Photo transfers onto cotton, freshwater pearls, fish hook, thread, colored pencil, gloss medium, gloss gel. dimensions: slightly smaller than my hand :)