“Margaret Atwood says, “if you get hungry enough (…) you start eating your own heart.” Mine ate me. What does that make of this hunger?”
— i’ll bite the hands that feed me, Grace Moloney
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“Margaret Atwood says, “if you get hungry enough (…) you start eating your own heart.” Mine ate me. What does that make of this hunger?”
— i’ll bite the hands that feed me, Grace Moloney

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Poem 1710
For a persistence hunter I am easily pursued— All manner of tireless hungers Draw closer, while I ebb and wain And move in fits, with aimless purpose They stalk without effort Along the path of least resistance
"Well, if you're not gonna force prisoners to do free/cheap labor, what else can you do with them?" Reform their antisocial/criminal behavior? Educate them? Let them go??? Start seeing prisoners as human beings instead of an underutilized economic resource????
u s2g everyone's a leftist until you remind them harm reduction extends to people convicted of even the worst crimes
What are the purpose of bindrunes? I see lots of Heathen crofters make them but no one seems to have a straight answer about them or what their purpose is
Historically the purpose is probably saving space, most of the time. Other times it's probably to look cool. I mean, the thing is, like with most things related to runes, they're kind of just there when archaeologists find the thing they're written on, so the "why" is something speculated about after the fact.
It's suspected that some magical staves such as these were constructed by making bindrunes and then stylized to make the composition less clear:
For more on different types of bindrunes, see this post: https://thorraborinn.tumblr.com/post/180651108938/hello-one-day-i-saw-that-a-witch-had-a-rune
In modern times people use them to make Austin Spare-style sigils for religious/ritual/magical purposes, not really dissimilar to these staves above.
I think it would be best to say that there is no set purpose, just a set of techniques that can be deployed for any reason that the artist desires.
Other likely purpose of the bindrune: less carving required to write the message. Easier to cut one long line and add bits to it than to repeatedly carve a set of lines. This is probably a reason Ogham letters look this way, as well.
This, and fixing mistakes/accidentally skipped runes also comes to mind.
"A similar association between heart and knowledge is featured in a second poem from Eddukvæði, namely in a few surviving stanzas of Vǫluspá hin skamma that are included in Hyndluljóð. “Loki af hjarta // lindi brenndu, // fann hann halfsviðinn // hugstein komu, // varð Loftur kviðugur // af konu illri, // þaðan er á foldu // flagð hvert komið”, the poem goes (Hyndluljóð, 2014, p. 403, st. 40; “A heart ate Loki // which lays in the embers, // and he found half-cooked // the woman’s heart, // pregnant of the evil woman // Lopt soon was, // and thence among men // all the monsters came”). Here, the woman’s heart is described as hugsteinn, “soul-stone” or “thought stone”, a puzzling definition which has been variously interpreted in previous years, with attention spanning from gender-related references (Clover, 1993; Clunies Ross, 1994, p. 184) to symbolic culinary ones (Borovsky, 2002, p. 12, fn. 5). Actually, the latter interpretation is based on the premise that eating the heart would give the eater specific attributes, depending on the organ’s degree of cooking: if Borovsky mentions the fact that the half-roasted heart (“halfsviðinn”) eaten by Loki made him “soft and cool” and gave him the ability to give birth to monsters, the fully roasted heart of Fáfnismál (“steikja”) made Sigurðr óblauðast[r], “least soft”, other than able to understand the language of birds. Interestingly, the hearts offered to the spákona Þorbjǫrg are more generally described as “búin” (“prepared”, “cooked”), and seem to have not affected her personal qualities, other than giving her knowledge about the future of the nearby environment."
- from "Eaten Hearts and Supernatural Knowledge in Eiríks saga rauða," Andrea Maraschi

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I am kind of proud of that Photo. Australian Raven spotted on Kangaroo Island/ South Australia🇭🇲
日常 (Nichijou), Keiichi Arawi
Look man it's taken me almost 30 years to figure out a fraction of who I am and maybe that's an indicator of how slowly I learn or maybe that's just how long it takes for us to rid ourselves of the toxic sludge adults filled our cups with as children but I will fill my own damn cup from here on out
Don't let anyone make you feel like time is running out. You've got so much time to learn and change and grow and wither and rebirth reparent and repair yourself from all the wounds you survived and learn how to thrive for the first time
I won't tell you you're not a burden. But your burden is one those who care about you have chosen to help carry, just as you help carry the burdens of those you care for.
how would you write Black Lives Matter in norse/runes?
Given my followers had to correct me like...three times on my last merch designs with runes, I'm probably the least qualified person to ask this lol
Followers, any help?
The verb "matter" is notoriously difficult to translate. There's a really interesting podcast about translating "Black Lives Matter" into Yiddish here: https://www.theallusionist.org/allusionist/yiddishblm
I've suggested ways to translate this into Old Norse before, I believe I previously went with: "Líf svartra hafa virðingu" which means 'Lives of Black (people) have worth.'
It would also be reasonable to use the standard Modern Icelandic: "Líf svartra skipta máli." This directly translates "Black Lives Matter," but the phrase "skipta máli" 'to matter' isn't found in Old Norse, hence the alternative I came up with before.
Over time, I've shifted my own preference to the Modern Icelandic, because it connects to an ongoing modern movement, and also just because while the phrase skipta máli may not be attested in writing, we don't know for sure that it wasn't used in speech. To write this, I would do it like this:
ᛚᛁᚠ ᛬ ᛋᚢᛆᚱᛐᚱᛅ ᛬ ᛋᚴᛁᚠᛐᛆ ᛬ ᛘᛆᛚᛁ lif : suartra : skifta : mali líf svartra skipta máli 'Black Lives Matter'
That isn't the only way to write it, but the reason I chose the specific spellings I did is that this would (mostly by fortunate coincidence) be a valid way to write it for any time from fairly early in the Viking age all the way through to Modern Icelandic.
For someone who prefers Elder Futhark, we would have to get much more speculative, but the above phrase could be backformed into language contemporary to Elder Futhark, even if it's more likely to be anachronistic:
ᛚᛁᛒᚢ ᛬ ᛊᚹᚨᚱᛏᛖᛉᛟ ᛬ ᛊᚲᛁᚠᛏᛁᛃᚨᚾ ᛬ ᛗᚨᚦᛚᛖ libu : swarteʀo : skiftijan : maþle lību swartēʀō skiftijan maþlē 'Black Lives Matter' Of course, this is completely incomprehensible to most people, so it might be more useful to write the English phrase, but using runes. There are different ways to do that. As is often the case, you have to find a sweet spot between what would have been done back when runes were the vernacular writing system, and what people will actually be able to read. If you try to "sound it out" the way that old rune-writers seem to have, it might look something like this:
Elder Futhark: ᛒᛚᚨᚲ ᛬ ᛚᚨᛁᛒᛉ ᛬ ᛗᚨᛏᛖᚱ blak : laibʀ : mater Younger Futhark (very tough, not recommended) Late YF/"Medieval runes": ᛒᛚᛅᚴ ᛬ ᛚᛆᛁᚡᛋ ᛬ ᛘᛅᛐᛂᚱ blæk : laivz : mæter
Most people don't know that in Elder Futhark a b-rune makes a v-sound (though many people know the runic word gibu 'give'), so using an f or a w does make sense in order to help people understand what they're looking at (as some of the responses indicated). I would probably use w in that case, because although it isn't technically accurate, it's the way that most people handle "v" for Elder Futhark, and in my estimation will be the most legible to the most people.
(Yes, in YF, and f makes a [v] sound in the same places that an EF b does, but in EF, an f is always an [f] sound).
Note that there is a term for a Black person of African descent in Old Norse that I am not using here, because it would go on to become offensive in Modern Icelandic. There's no real reason to believe it was offensive in Old Icelandic, but even creating hypothetical Norse phrase it wouldn't be appropriate to use it for this now.

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Meeting older queer people is an experience I hope we all have when we need it. It’s a reminder that, even though it might be hard at times, we can persevere. Persist. Prosper.
[image id: tweet by "pastelito negro" (at HoodQueer, 1:10 pm 8/3/20) that reads;
woke up crying after hearing something really great in my dream so I'm tweeting it in case someone else needs to hear it
(orange heart emoji)
"you deserve to celebrate not only who you've become, but who you could've become and fought not to."
/end id]
One might sense gods everywhere, even within one’s own self. What if I am I but penetrated by divinities? We have loosed these gods ourselves, they are our finest creation.
Alice Notley, from Certain Magical Acts
Vultures are holy creatures.
Tending the dead.
Bowing low.
Bared head.
Whispers to cold flesh,
“Your old name is not your king.
I rename you ‘Everything.’”
‘No Work, No Prisons, No Alienation’
Graphic by Vezael

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The Flower Moon in a cobalt sky
© riverwindphotography, May 26, 2021
“Last Light”
½ of the paintings I did for a recent exhibition “Unveiling Visions”