Blushing Reblogging Ouat And Outlander

Maybe I won't even need a sword. ...I'm gonna need a sword.

Emma’s rough exterior was because she experienced a lifetime of trauma. She was constantly abandoned/cast aside by people she cared about. For 28 years she believed her parents gave her up, and for her entire childhood she was living in the foster system or on the streets. When she was still a literal child she was betrayed by a person she loved and was sent to prison pregnant where she sat in that trauma for eleven months without a semblance of justice. She was hardened at such a young age and as seen in the show, it manifested itself into impenetrable walls that made her closed off and snippy. Yes, she was a badass when she chopped down Regina’s apple tree and slammed that guy’s head into a steering wheel (he really deserved it). But many of her badass interactions were because of her walls that made her so closed off. She only had herself to rely on, so obviously all of the stunts she pulled looked so awesome because she only had herself and her strength that was created through years and years of trauma.

What’s cooler? A person scaling a cliff all by themself without help of any kind, or a person using ropes and a partner or many partners to achieve the same result? Many people would choose the first one. But what’s safer? The second. It may not look cooler, but there’s no doubt in my mind that the second person would feel completely safe with people to rely on. And then if you put yourself in that situation, you would choose help. Right? Well when Emma realized that she had that help (mainly in season 4/5), she damn well took that help.

“The only one who saves me is me.” That quote has Emma coolness written all over it, but her tone of voice when she says “Hook” right before just shows how surprised she was that people- that HE actually came back to save her. AGAIN, no less. In New York, she looked genuinely surprised when he said “I came back to save you” because nobody had come back for her before. Absolutely nobody.

Emma is a badass and will always be a badass, but her hesitance to trust anyone and everyone makes her appear MORE badass because she only had herself. Then, she suddenly didn’t have to rely on herself anymore when she got closer to Killian (yes, she did have her parents before, but even then the only thing on her mind was to run far away and take Henry with her because it was safer. And because it was safer, she would have less fear about being put in a situation where she had to trust other people to do something that she previously only did for herself. ‘You want something done right, you have to do it yourself’)

AND THATS NOT EVEN COUNTING THE EMOTIONAL ASPECT.

Scenes where Emma opened up in season 1-most of 3 is like finding an emotional needle in a trauma infused haystack. She only opened up because she had to, and ‘had to’ most commonly meant ‘to get her son back’. She opened up about feeling like an orphan because she needed a magical map to find her son. She told Neal she wished he was dead because she had to unlock a cage, or else her son wouldn’t have a father, not because she wanted to. She didn’t want to face all the trauma he caused her, but she had to. She opened up to Henry in season 1 about a foster family giving her up because she couldn’t deal with how he was complaining about a family that she desperately wanted. It was a necessity for her to make Henry understand that his life was not unfair. (Though that was before Regina acted like a total bitch to her).

But then when she and Killian got together, or even just got closer to each other, she was opening up to him so much and it made her both more vulnerable, but also stronger emotionally, and being able to be emotionally vulnerable IS badass and such a big step for Emma. Compared to her in season 1, season 4 Emma wouldn’t even recognize herself because look at all the people she trusts and relies on. And not just her family, this random eyeliner-wearing-hook-for-a-hand dude who thinks she’s enough purely because she’s HER. The random dude who’s first priority is HER. Emma has never had that in her entire life. She has never been put first like that, and it must’ve been so amazing for her to be put first by a person who doesn’t need to do so because they’re family, but because she’s HER and he loves HER.

Flash forward to the end of season four, she sacrificed herself to the darkness and trusts the people who love and care about her to save her. THAT IS SO BIG FOR EMMA. THAT IS SO BADASS.

And I feel like the same people who believe that Emma and Killian got boring during and after these seasons neglect to realize that it was fricking traumatic. I always imagined the darkness as something that latches on to a person’s suffering and abuses it to their own agenda: to snuff out the light. (Which is exactly what it did to Killian). Emma had that darkness inside of her for the first half of season five and we all saw the tole it took on her. I know some people don’t like how Emma’s voice changed a bit, but that’s how a person who is empty sounds. She was tired and terrified and had to rely on Killian and her family to help her, and Killian was there for her at every step of the way and he helped get rid of the voice inside of her head.

Yes, Henry has always been a rock in her life, but in that season Killian was a fortress that she could lock herself away in and feel safe and loved during a time where she was constantly reliving her suffering.

And then she loses that fortress. One minute he was standing there with the utmost support and the next he was on the floor dying and she was so terrified of losing him that she turned him into the one thing he was desperate to destroy. And then she has to live with this internal conflict of lying to him to preserve the man she loves because she knows he would hate her for doing that to him. But of course she doesn’t want to lie to him, but she doesn’t want to lose him either because she won’t know how to go on.

That changes a person, and I think because OUAT is a magical show, there’s a tendency to downplay the trauma characters go through because it’s magical and it couldn’t happen in real life. It’s difficult to put yourself in the character’s shoes because it requires a lot of imagination to do so. Emma has spent months creating a relationship with Killian. She’s opened herself up in ways that she has never done before and suddenly he’s ripped away from her emotionally because the darkness took control over him, but she was so terrified of losing him that she settled for his physical presence.

That is so fucking traumatic. And because Emma is starting to completely open up, it hurts so much more because she doesn’t have walls to protect her.

And then she has to kill him, and he dies in her arms. The person she’s grown to love and care about dies in her arms and the amount of guilt and sorrow she felt clearly crushed her as seen in the scene of her lying on the couch, holding the ring he gave her, in what was supposed to be the place where she and Killian would live together- the life she wanted so much that she turned him into a dark one to keep him with her. And dark one Killian said a lot of messed up stuff to her (let’s be honest he was self-projecting) that definitely affected her.

Then she finds out that Killian’s entire death was for nothing so she goes back to save him. And she sees the torture and pain he endured because she made him a dark one and that guilt is probably so crushing, and amplified by the fact that she dragged her entire family down here including her son to save him because she was so desperate to see him again.

But when she finally has him back, it’s realized that he can’t go back to the living. She will never get to have that life with him that she wanted and it crushed her.

Yes, at the end of it all, she gets him back in the graveyard, but all of that trauma doesn’t go away.

In no way shape or form should Emma be the same exact person she was after living through that. In no way shape or form should she be EXPECTED to be the same snappy-comeback-armor wearing-badass she used to be because of that emotional and physical trauma she went through.

She is not boring because she relies on other people, and she’s not boring because she’s showing exhaustion or being less ‘badass’ than she used to be. The girl needs a break. She needs a break from the constant bombardment of villains and curses and trauma and in those little moments when she’s alone with Killian, she gets that break and it’s seen every time she smiled and her eyes soften at him. That’s her being happy, not boring. I would so much rather have Captainswan be happy and ‘boring’ than ‘badass’ and severely traumatized because haven’t those guys been through enough?

I didn’t even get to Killian who could fill the ocean with his trauma , but honestly most of the boring comments I’ve seen are directed towards Emma and it makes me so mad because she needs to REST. So what if Killian isn’t as flirty as he was in early seasons. it’s a mask, it’s clearly been a mask since the beginning and he finally has a person who loves him because he’s him (Emma) and a family and basically a brother (David). I for one think that pirate deserves to rest after living in darkness for hundreds of years. And I think he’s been plenty flirting. Uh, pancakes???????? Let the man have a break.

But does this make anyone else mad? Is it just me? I hope it’s not me.

THEYRE LIKE MY BABIES LET THEM BE HAPPY WITHOUT COMMENTING ON THEIR LACK OF BADASSERY PLEASE

O'Danceoghue, Angle Deux he looks so proud of himself too

They stayed silent on Weinstein for decades

They hung around with Epstein

They defended Polanski

They ignored Balenciaga

But they actively attack sound of freedom because the film based on a true story “supports dangerous conspiracies”

That is very much what all of the headlines are designed to make you think. I'm afraid you fell for one of the classic blunders.

Tim Ballard is very much a real person, and so is Operation Underground Railroad - the organization he founded to combat child sex trafficking, which has performed dozens of bust operations on sex trafficking rings over the past decade.

Sound of Freedom is about one of those busts in particular, I think.

Imma go ahead and add a donation link here 😉

Cuties was not satirical at ALL?? Holy smokes babe, new fucking hot take right there. "Don't worry officer, I only had children do inappropriate sexualizing behaviours for my parody, I did it ironically and for the lulz, so it's A-OK."

GQ published this, got a phone call, and killed it, but someone had already archived it, so...

Diana Gabaldon hints at Outlander book 11 as she admits keeping first a secret from her husband

As the TV adaptation starring Sam Heughan and Diana Gabaldon returns to screens, the adventures of Jamie and Claire Fraser may go on a little while yet

ByGeorge Mair

14:21, 18 JUN 2023

Outlander author Diana Gabaldon has hinted that she might go beyond book 10 in the series as she admitted keeping the first installment a secret from her husband. Interest in the time travelling series has been reignited with the seventh series of the TV show starring Sam Heughan and Caitriona Balfe hitting screens once more.

The eighth series is set to be the last while American Gabaldon, 71, has previously said the book series will last for 10 installments, with her currently working on the ‘final’ one. But she has now admitted she could continue if she feels she can’t wrap the story of Jamie and Claire Fraser in that time, despite each book taking up to four years of research and writing.

Speaking to the National Trust for Scotland’s latest Love Scotland podcast, she said: “I’m 71 and I don’t know how long I will last so I have it in mind that book 10 should be the last to give me a good chance of actually finishing off the series in good order, but you never know. I wrote Outlander for practice – I was never going to show it to anyone - I just needed to learn what it took to write a novel but things happened and here we all are.

“So while I at the moment intend book 10 to finish things off it might not work out that way. I might get further into it and think I can’t do it and I can see much more stuff, there’s going to have to be eleven. If that happens we’ll just deal with things when we get there.

“I’ve written the final scene – which is not to say that I won’t rewrite it because I fiddle constantly with stuff. The language might get picked at but I know what happens. But that scene doesn’t necessarily affect what comes before that.”

Gabaldon also told how she wrote her first novel in the historical fantasy series in secret – and didn’t even tell her husband in case he stopped her out of fear for her health. She was inspired to write the time travel romance Outlander, set in 18th century Scotland, after seeing a kilted Scot in a 1969 episode of Doctor Who.

The books have since gone on to sell over 50 million copies. Being interviewed by Trust president Jackie Bird for the podcast, she said: “I had two full time jobs and three children under the age of three. I wasn’t even telling my husband that I was writing a novel on the side because he would have tried to stop me – not out of any objection to my writing a novel per se but out of fear that I would drop dead (from exhaustion). “I knew that if I told him he would say ‘wait until the kids are in school’, ‘wait until my business is doing better and you can quit one of your jobs’ and all that. I knew if I didn’t do it then I might never do it and so I just didn’t tell him. I kept going along and when he finally found out it was much too late to stop me.” Gabaldon, who was working as a research professor in Arizona, wrote Outlander to see if she could write a novel but was unable to visit Scotland at the time. Instead, she read everything she could find written by Scottish authors “to get a feeling for the speech” and researched the country’s history for accuracy. She only left her university job while writing her second novel, having been awarded a three book contract by her publisher, and decided to visit Scotland. When she eventually stood on the site of the Battle of Culloden, which features heavily in the storyline, she said she found it “extremely moving”.

I will not rest until Disney gives us ACTUAL PHYSICAL COPIES of The Right Stuff! Them pulling it from streaming is atrocious, but even worse is not giving us ANY guarantee will be able to access it whenever we want.

(Info redacted because I prefer keeping these accounts separate but no one follows me on the side blog I have for that account.)

The story was posted almost a year ago and is relatively “popular” by my average statistics even though it has tropes and themes that are big turnoffs for a lot of people (hence separate accounts). This popularity is undoubtedly because it’s a Marvel Loki story and that fandom is massive.

So there is obviously an algorithm or a bot scrubbing ao3 statistics and leaving this comment on fics that meet a certain metric with the main character of the fic inserted into the comment.

I had a little time to kill this morning so I decided to investigate further. And y’all this is so predatory. Come on this journey with me. It made me mad. It may make you mad.

First, if you go to Webnovel’s website, you HAVE to choose between male lead or female lead stories before you can go any further. WTF?

And that’s weird, but this gets so much worse. This is basically a pay-to-read site that has different subscription models. Which… okay BUT! The authors don’t get paid! Look at that comment again. They’re promising a supportive and nurturing community, but zero monetary compensation. It’s basically, “post your stuff here so we can get paid and you can get… nice vibes?” I mean look at this Orwellian writing:

Using the phrase “pay-to-read model” in the same sentence as “qualitative changes in lifestyles for authors” deliberately makes you think that you can get paid and maybe even make a living on this website. But that’s not actually what it says and authors will not receive one red cent.

Oh but wait, the worst is still to come. In case this breaks containment (which I kind of hope it does) this is where I mention that I’m a lawyer in the US.

I don’t do intellectual property or copyright law but I do read and write contracts for a living. So I went to look at their terms of service. It was fun!

Highlights the first, in which Webnovel gets a license to do basically whatever they want with content you post on their site. This is how they get to be paid for people reading authors’ writing without paying them anything.

Highlights the second, in which Webnovel takes no responsibility for illegally profiting off of fan fic. This all says that the writer is 100% responsible for everything the writer posts (even though only Webnovel is making money from it).

Highlights the third which say that by posting, the author is representing that they have the legal right to use and to let Webnovel use the content according to these terms. So if a writer posts fan fiction and Webnovel makes money from people reading the fan fiction, and the House of the Mouse catches wise, these sections say that that’s ALL on the writer.

So that’s a little skeevy to start off with but the thing that is seriously shitty and made me make this post was that these assholes are coming to ao3. They are actively recruiting people in comments on their fan fiction. And they are saying they are big fans of the character you’re writing about and that they share your interests.

They are recruiting fan fiction writers and giving every impression that you can make money from posting fan fiction on their site and hiding the fact that you absolutely cannot but they can make money off of you while you try, deep in their terms of service which no one but a lawyer who writes fan fic and has some time to kill will read.

I see posts on here regularly from people who don’t understand how this stuff works, don’t understand that they (and others) can not legally make a financial profit from fan fiction. And there are tons of people who will not take the time to dig into the details.

so if you're seeing job openings for screenwriters at places like netflix, amazon, paramount, etc and you're thinking "hey, maybe i'll apply and get my foot in the door," just know that you WILL be scabbing and you WILL be barred from ever obtaining WGA membership. permanently.

Picard/Crusher