when i was a child for multiple halloweens in a row my costume of choice was “fancy lady” who was a character i invented who looked like this
Alisa U Zemlji Chuda
Mike Driver

Janaina Medeiros
trying on a metaphor
he wasn't even looking at me and he found me

@theartofmadeline
NASA

blake kathryn
DEAR READER

titsay
dirt enthusiast
noise dept.
Three Goblin Art
Today's Document

JBB: An Artblog!
Cosmic Funnies

izzy's playlists!
YOU ARE THE REASON

if i look back, i am lost
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@rgb-hex
when i was a child for multiple halloweens in a row my costume of choice was “fancy lady” who was a character i invented who looked like this

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Saint Hildegard. The First Vision of the Trinity, The Fifth Vision, The Sixth Vision, The Seventh Vision, The Eighth Vision, God’s Road to Salvation in the Course of Time The Ninth Vision, The Tenth Vision of Hildegard von Bingen. Liber Divinorum Operum (Book of Divine Works). 1174.
The 4pm bird gets the weird and fucked up spider
Errol Le Cain
Angela Smyth (British, based Halifax, West Yorkshire, England) - Insomniac, 2026, Paintings: Acrylic, Ink

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ap of my henry and pebbles print, on horrible sketchbook paper which is why it’s so dry and uneven. I’ll finish up the text on the banners, it’s just so tiny and my neck was hurting lol. (edit: final here!)
reference was this dot work medieval print of st. george. (under cut)
Age of Rot
Henryk Weyssenhoff (Polish, 1859-1922) - Premonition (1893)
via
my bug

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ana mendieta “people looking at blood, moffit, iowa” 1973
“In this piece, Mendieta spilled a large amount of what appeared to be chunky blood over a doorway and sidewalk on an Iowa City street. Then she removed herself from the scene and, from a distance, photographed the reactions of various passersby. […] It intimates to passersby that a grievous and dramatic injury has taken place, but it gives no explanation and, more important, no recourse to action. It may incite horror, concern, compassion, and revulsion—in short, pity and fear—but it doesn’t offer anywhere for these feelings to go. […] Each pedestrian’s only real choice is to walk on by, which looks from the outside—and likely felt, on the inside—like an uncaring abandonment, even if of an indeterminate or imaginary entity. […] And somewhere out of sight lurks Mendieta, a voyeur of each passerby’s involuntary voyeurism. […] People Looking at Blood says, Look at this pile of carnage, with no clear story, source, assailant, or victim. Just look at it. Now look at others looking at it. (And I will be looking at you looking.)”
— The Art of Cruelty, Maggie Nelson
bitches hate me for my earnest whimsy and my pathological degree of avoidant behavior
Lily McMenamy By Talia Chetrit For Re-Edition Magazine October 2019
life can be so beautiful
please don't touch me, 2021 by Luka Khabelashvili

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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they should let me listen to music while looking out the window of a train for my entire life