My Encyclopedia of My X-Files Fic Lists, Analyses, Fan Vids, and Fan Fiction Resources
So, I pushed all my little anthills into one dust pile because I got sick and tired of having to manually search through my colonies to find that ONE drone.
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January 1996:
QUESTION: "What do you think Scully's dog should be named?"
GILLIAN: "There were two names that I came up for it. One was
Clyde -- but that's my husband's name, so.... The other was Yappi. [Cheering] Which do you like?"
QUESTION: "I prefer Yappi."
GILLIAN: "You like Yappi? That's the most obvious one, I would have thought."
May 1, 2013:
Q: Gillian Anderson, do you have a dog?
GA: You know, buddy, I don't have a dog. I used to have a dog. Oh, Queequeg! You want to know about Queequeg.
GA: Queequeg died, sweetie.
October 12, 2013:
everdeer: Don't you guys think Queequeg deserved better?
DavidDuchovny_: Yes.
gilliananderson: No. That dog killed people with its farts and it deserved to die a nasty death in the mouth of that alligator or whatever it was. Ugh. I had to shampoo it, or walk away every few seconds, because these puffs of nastiness kept happening.
DavidDuchovny_: "Puffs of Nastiness" should be your band name.
[Bonus: hilarious double standard--
April 1996:
A gunmetal grey trailer home, parked just to the left of the main X-Files set, is Gillian Anderson's sparsely furnished, functional home-from-home. Inside, Cleo, a large, black, slavering hound of undetermined breed is throwing toys from one end of the trailer. And she's farting. "Oh Cleo!" says Gillian. And then to me, "It's the food we're giving her."]
March 22, 2026:
Q: Knowing what you know now, what would you tell your past self?
GA: My past self? [Q: Yes.] My younger self? [Q: Yes.] Or myself in a different life? [Crowd laughs.]
Q: Younger self.
GA: Okay. My past self: don't come back as Queequeg.
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DD and GA's Friendship: the Tense Times
(a Brief History)
Sections: 1993 THROUGH 2002, REWIND: MAY 1997,
AFTERSHOCKS, and 2003 TO PRESENT
A collection of quotes discussing the turbulent years.
Note: this retrospective doesn't highlight the multiple interviews wherein both complimented and expressed understanding for each other (namely because later David and Gillian didn't speak often of those moments, either.) Rest assured, they exist.
TL;DR:
November 1994:
Neil in Victoria (11 years old) asks if GA & David Duchovny are good friends off the screen?
GA: "It's a lot of work to work with someone as intensely as we do on a daily basis. Our relationship shifts and changes, and on the weekends we don't hang out because we're sick of seeing each other all week!"
April 1997:
Refreshed and read for the fourth season, David, cast and crew go to work. "We get along," David says with a natural ease. "But we have our moments, of course. I think sometimes we all just show up and go... 'I'd rather be anywhere else but here and I'm going to make you suffer for it.' But then other times, I'll look at Gillian (co-star Gillian Anderson, who plays FBI agents, Dr. Dana Scully) and I'll think she's the only one that really knows what I'm going through, and vice versa. So there's a real bond there. We're all just trying to make it the best show we can make it. If we keep that common goal in mind, we can forgive a lot."
January 22, 2015:
“I don’t knoooow if I handled it gracefully,” she says between self-deprecating laughter (her infectiously goofy laugh has its own special place in X-Files history as a notorious instigator of crew-wide giggle fits). “I just remember yelling at people a few times, which I don’t normally do. It was pretty stressful back then. The pressure was humongous for the show. It wasn’t popular yet, it was costing a lot of money, we were shooting ridiculous hours. Twenty-four episodes [a season] and there was barely enough time to change clothes before having to get back to set to say another six paragraphs of medical jargon. It was a lot.”
1993 THROUGH 2002: SINK OR SWIM
November 1994:
Neil in Victoria (11 years old) asks if GA & David Duchovny are good friends off the screen?
GA: "It's a lot of work to work with someone as intensely as we do on a daily basis. Our relationship shifts and changes, and on the weekends we don't hang out because we're sick of seeing each other all week!"
May 16, 1996:
Q: Have you and David made a lot of public appearances together?
GA: We did at the beginning. Then the object was to individualize us a bit.
Q: Oh, so you are two different people?
GA: We are!
April 1997:
Refreshed and read for the fourth season, David, cast and crew go to work. "We get along," David says with a natural ease. "But we have our moments, of course. I think sometimes we all just show up and go... 'I'd rather be anywhere else but here and I'm going to make you suffer for it.' But then other times, I'll look at Gillian (co-star Gillian Anderson, who plays FBI agents, Dr. Dana Scully) and I'll think she's the only one that really knows what I'm going through, and vice versa. So there's a real bond there. We're all just trying to make it the best show we can make it. If we keep that common goal in mind, we can forgive a lot."
**Note: May 1997: David Duchovny and Gillian Anderson: "Best of Acquaintances" was moved into its own section, see further below.**
December-January 1997:
"I have a feeling David and I will be much closer after the series is done and we don't have to be with each other daily," Anderson observes. "We can come back together for a second feature four or so years from now. As much as I will feel a huge weight off my shoulders when the series is done, it's gonna be bittersweet. I'm sure all those wonderful moments that David and I have shared together will come to mind and I'll be reminiscing about it for years."
January 1998:
Stories about her alleged affairs with a whole string of men, including her X-Files co-star David Duchovny, break almost every week. They must have been difficult to read about, whether true or not?
"Er, I haven't actually read those stories. Are they recent?"
You never saw them?
"No, were there pictures? They were probably based on that infamous Rolling Stone cover."
Gillian appears to take the world's obsession with the two Paranormal investigators in her stride. But doesn't she ever feel stifled by ScuIIy?
"No not really, because I know what the truth is. It's the same thing with the manipulation of photos on the internet, putting my head on other people's bodies... these things only really hurt if they're true or if there's a degree of truth in them. The times when it hurts are when it gets spiteful. You know I read in a local paper recently that I had had David's wife banned from the set of the show. That's unfortunate, but I know what the truth is and they do too. But it's not nice to go around with people believing that you're capable of being mean in that way, because that's not who I am..."
But living a public life has taken its toll. With everyone suddenly interested in her, it's suddenly hard to trust people's motives. Entering into new romantic relationships is particularly hard.
"The thing is that I can't do things lightly. I can't be in public with any male person, who is a friend, without it being assumed that we are lovers. If you believed the tabloids, I'd be seeing a different guy every week!"
That isn't true?
"No! Sometimes it's funny, with a different guy being added to the list of people I'm 'seeing' every week - and after a year there are 50 people on list. I don't think I'd have time for 50 lovers in a year!"
June 14, 1998:
The relationship Anderson is most cautious in talking about is that with her X-Files co-star. "David and my relationship switches as much as Scully and Fox's does. Sometimes it's better than at other times.
"We're not close. Once in a while we find ourselves in intimate conversation, but we don't seek each other out. We don't visit each other's trailers or see each other on weekends."
September 1998:
Q: When you've read articles about the show, have you learned things about how Duchovny feels about you?
GA: I have, but I'm pretty intuitive about that stuff, anyway. I'm highly attuned to... well, to too much. Once I was surprised by something he said. He gave a description of our relationship that was particularly cold, and I was quoted in the article as saying that.
Q: If you could have more of one quality that he has in abundance, what would it be?
GA: That level of intelligence. I wish I had more facts in my head. When I was in school, I didn't really pay much attention. That's the one thing in my life I regret: daydreaming. I needed to do it; it was a survival mechanism for me. [...]
Q: Lucky me. Now in turn, what do you have in abundance that you would want to give to David?
GA: I know what the answer is, but that leads to a tricky...How to put it? Oh, f-k...Patience. That's about as good as I can do without...
Q: Without what?
GA: Making him angry. (Big laugh) Without saying something I might regret.
Q: You're cagey.
GA: F-k, yes. These interviews are tricky, you have to be really careful. I can't talk abut details of the movie; it's not appropriate for me to talk about my divorce or recent relationships; and there's not really much about my adolescence or early adulthood that I feel comfortable talking about.
Q: So, if you hurt David's feelings, then you apologise. Big deal.
GA: Yes, but if there's something that I have trouble with - about his behaviour, let's say - it's something I need to deal with between the two of us, not expressed through the press.
So you have had a chat about, let's say, your difficulty with his impatience?
March 26, 2000:
Anderson: Here's one for you. How do you perceive our relationship
Duchovny: It's like the roots of a tree. It's very twisted, but it's growing. You know the tree is alive, and it works in its own treelike way, yet you couldn't untangle it. You could, but you'd need the help of a gifted professional.
Anderson: [roaring with laughter] Like a therapist?
Duchovny: Yeah. I always think back to the third or fourth episode. I was sitting in the office with ["X-Files" creator] Chris Carter, and he actually wanted us to get help. He was concerned with how we were relating onscreen. He said, "You seem bored or angry with each other. Maybe you should go see somebody." I thought, "What? We'll go as the characters? 'Hi, my name is Fox Mulder. This is my partner, Scully. We're here for couples therapy.'"
Anderson: I have no memory of that.
Duchovny: You might not have been in the room. But maybe we should have therapy for long-running series actors. It'd be good for the cast of "Friends" to have group therapy. We'd have couples therapy, because we're not an ensemble. Actually, when Chris said that, I thought he was insane. But we do spend so much time together, and it's a hard relationship to navigate. As soon as I say, "No, we don't see each other after work," then it's "You hate each other." There seems to be no room in fans' minds -- as the fans are portrayed through journalists -- for a complicated relationship between us. It can't be summed up with "I love her. She's the best!" or "I can't stand her!"
REWIND: MAY 1997, BEST OF ACQUAINTANCES
May 1997:
When David Duchovny and Gillian Anderson finally sit down together for an interview, it is politely, like family members who come together a few times a year purely out of obligation but who nonetheless recognize each other's importance in their lives....
Duchovny has talked Anderson into the two-for-one interrogation, but now that the time has come, he is slightly more impatient, answering tersely and waiting for the next scene to be completed, because then he will be done for the day. "I'm sorry," he says before we start, "but the second we finish filming, I'm not staying a minute longer." For her part, Anderson seems content to speak at length, if only to ensure that the story is told correctly.
They are not similar people, Anderson and Duchovny, but they are forced together in a coupling that the public views as idyllic, and because of this there is an oddly conspiratorial feel to their interaction. "It's a difficult relationship because it's like an arranged marriage," Duchovny says. "We didn't choose to be together." When the first question is asked – "How has your personal dynamic changed over the course fo four seasons?" – they look at each other as if to make sure they're on the same page, and Duchovny begins speaking.
"It changes all the time, right?" [Anderson nods in agreement.]
Duchovny: It's not that it used to be one thing and it's another thing now. It's cyclic.
Q: Are you in an up cycle at the moment?
Anderson: Today, yes.
Duchovny: Or else we wouldn't be here.
Q: Is it really that day-to-day?
Duchovny: It's like any relationship, only intensified, because we can't take a break. I can't say, "I'm going for a walk." [Anderson laughs.]
Q: There's a feeling that fans want you to be great friends off the set.
Duchovny: Or to be fighting.
Q: What's the reality?
Duchovny: We've never socialized. Since the pilot, we've not gone out even once.
Q: Why is that?
Anderson: Soon after we started, I got married and had a baby. On top of that, after working so closely during the week, the days off are time to spend with other people. [...]
Q: Why don't each of you say what strengths the other brings to the show.
Anderson: This is like a therapy session.
Duchovny: I think there should be a therapist that works only with television ensembles. Like Dr. Katz, TV therapist, sitting down with the cast of Friends. [Anderson laughs.]
Duchovny: OK, I'll start. At this point you can't imagine anybody else playing that part. There's not just one thing she does. She's made it her own part. So, there's nobody else to do it. She brings whatever her talents as an actress are.
Q: What about David?
Anderson: One thing I don't think people realize is a lot of the humor in the character of Mulder is not only heightened by David but a lot of times he will add his own lines. A lot of Mulder's dry sense of humor comes more out of David than anything the writers can conjure up.
Duchovny: So, what we've come away with is, I'm just f -ing like my character, and Gillian is a wonderful actress.
Anderson: [Laughs] That's not what I meant.
Q: Do you turn to each other for career advice?
Anderson: There have been defining moments over the past four years where we have, not necessarily for career advice, but when we have both been there for each other for support.
Q: Examples? We love examples.
Anderson: Well, I won't give any.
Duchovny: When my goldfish died.
Anderson: But most of the time, we have our own separate support systems and deal with things in our own way.
Duchovny: I guess the only thing we'd talk about now is when we want to do the X-Files movie. I think we both want to do it as soon as possible so we can get it over with. [Anderson looks genuinely startled.]
Duchovny: Oh. [Pause] I don't know if you do.
Anderson: Have we talked about it?
Duchovny: We did a little bit early in the year. [...]
Duchovny stands. There has been a call from the director, and the two stars glance at each other as if they are pleased to have survived something together They walk out, one after the other; and a few minutes later, as the scene starts and the camera rolls, Gillian Anderson and David Duchovny immediately morph into Dana Scully and Fox Mulder, the partners considered to be one of television's most romantic duos. It is a feat of incredible closeness, considering the two characters have never even kissed and, stranger still, considering how naturally it happens once the camera rolls.
As Kim Manners explains it: "They're totally different human beings, but they can just look at each other and know exactly where they're going in a scene." He stops for a moment before continuing: "It's weird. David and Gillian are best of acquaintances; Scully and Mulder are best friends."
AFTERSHOCKS
March 20, 2003:
[David Duchovny] says, "It is not like we do not get on. We are somehow joined, at some significant level, for ever, for as long as we are alive, not just in the public's mind but our own. To have worked so long together at that intensity, to have gone through so many huge changes in our personal, professional and public lives, means that we have a very deep bond. We have never had a friendship of like minds, but we are soulmates in some senses. I love her and I think she loves me, but we do not have a huge interest in each other as people outside of this work connection."
May 7, 2006:
'You know, early twenties, all the emotions, and I had a baby, and then a divorce, and I was on a brand-new series that was doing well, and all the publicity surrounding that, all the nonsense about David and I, and there were times when it was unbearable.' Hastily, humbly, [Anderson] adds, 'And yet, I was so fortunate to be a part of something that was so exceptional. We did have fun.'
2007 TO PRESENT: A MATURE FRIENDSHIP
April 16, 2008:
Shock: What’s that like with David now that you’re not with each other 16 hours a day on a series?
Anderson: It’s great, but it was great then, too. This is like a sibling relationship and I never had siblings. I had brothers and sisters that started when I was 13, so I was out of the house and didn’t have that experience. There was always this love/hate – hate is too big of a word – but there was always something. It was a natural relationship over a period of time. Now we’ve grown up and we’re older, we’re more appreciative of the relationship period and the unique experience we had together and have an opportunity to continue that and foster it. We’ve always loved each other and we’re always going to be a battle sometimes.
July 22, 2008:
Duchovny: I wouldn’t characterize me as the one who really wanted to get it going, but I’m certainly someone who would always say yes whenever Chris and I would talk about it. The love/hate has nothing to do with the actual content, the actual people, the actual anything. The love/hate had to do with me wanting to get on with the rest of my life, the rest of my career and when you think about it, that I did eight years and Gillian did nine, that’s a lifetime. There are no other dramas that keep the same characters that run that long. If you look at ‘Law & Order’ or ‘ER’, they’re twenty years old or whatever they are, but they’re completely recast. So it’s just not something you see. You don’t see actors not get fatigued and not get frustrated in a drama where we’re working, cell phones or not, everyday for many, many hours playing the same characters. So it’s just natural to burnout. There was always love for the show and love for the character. There was never any hate for that.
Anderson: But it’s interesting that it’s always something for the press to latch onto. It’s always a surprise, in some way or it’s a good headline, that someone wants to leave. It creates good drama and so it always becomes this thing, where actually it’s just a natural thing.
Duchovny: Right, like you’re ungrateful in some way. Yes, I love ‘The X-Files’ and I love Vancouver. Those things are true.
July (29?) 2008:
DD: No, uh, there was something, you know, even that kind of brought us together. And then when we were doing the show, it just, you know, no matter what kind of troubles we had as people off the show, or with one another off the show, it, it just never affected that [chemistry.] So, time doesn't affect it, either. It's like nothing affects it. It's weird.
Q: And Gillian, you feel the same way, or...?
GA: Yeah, absolutely. I mean, there, there have been times, you know, when we were in the, in the, in the midst of shooting the series where we were exhausted and fed up with ourselves, with each other--
DD: We didn't talk to one another.
GA: We didn't talk to-- and yet, we could do these scenes where--
DD: The only time we talked to one another was as Mulder and
Scully-- [GA: Yeah.] --for, you know, weeks at a time.
GA: And yet the chemistry was there; and we were, you know.... There was one time actually when somebody called me and said, and said, "You guys are really angry." [Both laugh.]
DD: But the weird thing is, like, even the anger, uh, reads as-- [GA: Yeah.] --kind of, you know, interest.
Q: Well, it played the scenes well-- [DD: Yeah.] --where there was tension or whatever. It played well. [GA: Yeah.]
DD: Anger looks like love on film, actually. [GA: Smiles, amused.]
Q: Absolutely.
GA: And in real life sometimes.
DD: Yeah. [Makes a face of exaggerated anger.]
August 1, 2008:
Q: After working so closely together for eight years you must have been sick of the sight of each other.
DD: Absolutely. Familiarity breeds contempt. It’s nothing to do with the other person. All that fades away and you’re just left with the appreciation and love for the people you’ve worked with for so long. We used to argue about nothing. We couldn’t stand the sight of each other.
August 2, 2009:
The actor - who reprises his role as Fox Mulder alongside Gillian's Dana Scully in new movie 'The X-Files: I Want To Believe' - admits he'd "had enough" of Gillian by the time the original 'X-Files' TV show finished in 2002, but was thrilled to return to the character after a six-year break.
He said: "Gillian and I are not as close as Mulder and Scully but who could be? Nobody is as close as Mulder and Scully. But we worked together for so long that by the time the series ended we had enough of each other.
"But six years having passed, it's like, I don't make jam, but I'm assuming you pour away the boiling liquid so after six years the liquid is all boiled off and all that remains is the jam of appreciation."
October 16, 2013:
"I think we've become more friendly as time has gone by," Ms. Anderson said. "We went through something quite profound together and there's only one other person—"
"Traumatizing," Mr. Duchovny interjected. "We were traumatized."
"Traumatized. OK, that's the word—traumatized," she said. "And there's only one other person who has had that experience, which is me, and I don't think we've ever really fully had that conversation yet."
"You want to have it right now?" Mr. Duchovny asked.
Despite a reporter's encouragement, they politely declined.
(Bonus: DD and GA Talk About Their X-Files Trauma)
October 20, 2014 (source: HappySadConfused):
Q: Was there a sense of almost a bunker mentality where you were at least going through this process with David? You mentioned he had more experience, he had done some bigger films but still the phenomenon that emerged within the first couple years was pretty remarkable. Did it help to have him there too and kind of like “Are you getting this too? Are you going through this too? Is this weird?”
GA: No. No, not really. We talk about the fact that it’s crazy that we didn’t. And that we didn’t take advantage of the fact that we had each other but it was complicated. These were long hours that we were working. We spent more time in each other’s presence than we did with our, you know, spouses and children, etc.
But also, you know, I think we p-ssed each other off, quite frankly. And I have no doubt that after they’re waiting – we’re gonna roll and somebody has to come in and redo my lips and the difference between the maintenance for guys and gals and we’re shooting in all weather – you know, we never shut down except for one day for weather in the entire show. We were shooting up in Vancouver through rain, sleet, everything. And my hair would frizz up to here in between takes and they’d have to get the blow dryer out under the tent and we’d be waiting for Gillian’s hair to do another take. You know, that p-sses you right off. It adds up. So I, you know, I’m sure there were plenty of things he did that p-ssed me off too. It just wasn’t, you know, but on the other hand.. NOW, we get to talk about that and we’re probably closer than we’ve ever been.
December 28, 2015:
“We’re probably closer today than we’ve ever been,” Anderson told me. Whatever happens with the new series, The X-Files is a fixture in the pop-culture firmament, and she and Duchovny now understand that, in her words, “it’s just the two of us that have had this particular unique experience.” In the past, she reflected, “I don’t think that was necessarily important enough an element to draw us together.” But they both have children, and their friendship has grown. “I think we’re old enough to realize,” she said, maybe a little coyly, “that there’s value in our staying onside and supporting each other.”
January 22, 2015:
“I don’t knoooow if I handled it gracefully,” she says between self-deprecating laughter (her infectiously goofy laugh has its own special place in X-Files history as a notorious instigator of crew-wide giggle fits). “I just remember yelling at people a few times, which I don’t normally do. It was pretty stressful back then. The pressure was humongous for the show. It wasn’t popular yet, it was costing a lot of money, we were shooting ridiculous hours. Twenty-four episodes [a season] and there was barely enough time to change clothes before having to get back to set to say another six paragraphs of medical jargon. It was a lot.”
January 14, 2016:
Mulder and Scully, Duchovny and Anderson, were and still are in many minds one of the most compelling on-screen partnerships. Rumors of rifts and romances abounded about their off-screen relationship, too, with little foundation. But Anderson isn’t concerned about a repeat of such gossip, despite acknowledging the chemistry between them. “People know we are good friends now and that we’ve found our way into an adult friendship."
January 19, 2016:
Duchovny and Anderson weren’t always so easygoing on set, and they presented about as far from a united front as two co-leads could. “The crucible of doing that show made monsters out of both of us,” Duchovny admits, but says that reuniting on “I Want to Believe” changed things for the better. “Once we got to step back, it was like, ‘Oh, wow, we really like each other. I didn’t know that was going to happen.’
“The way we work together has changed,” he adds. “Whatever rapport we have as actors, we earned. It’s nice to be able to play that without ever even feeling like you’re playing it.”
Anderson agrees. “Our relationship has definitely become a proper friendship over the last few years. I think we’re more on each other’s side. We’re more aware of the other’s needs, wants, concerns, and mindful to take those into consideration— and just sharing more about our experiences in the moment, under the sudden realization that we’re both in this together, and wouldn’t it be nice if it were a collaboration?”
February 13, 2016:
There's no doubt, however that the pair's closeness brought with it a degree of friction. [GA:] "I think the grind of working every single f--- day, 17 hours a day, with each other, in those circumstances, just took its toll. I think when we did the last film, we got closer, as time had passed and we'd, I don't know, matured, grown up, gotten a different perspective on life and work."
June 17, 2016:
Anderson: David and I have solidified and intensified our friendship and our working relationship since the series ended, so it really is just going back and choosing to work with somebody, and feeling like we are doing something that only the two of us have the experience of. We’re there for each other, and enjoy that in and of itself. It was something I looked forward to with this series, and something I would potentially look forward to doing again. It’s a nice thing to have in one’s life.
Duchovny: I agree with that, and it’s going to sound really pedestrian, and not at all lofty, but when I think back to the beginnings of the show, and what I thought acting was—what I thought I could do as an actor—the gift this show gave me was having to go to work. Having to work as hard as we did, every day, for 14 hours a day, over 10 months, for five years in a row. That was a gift in that I took myself to school, and taught myself how to be an actor. For both Gillian and me, it was really sink or swim at that point, and to be able to do that with great material, and talented people helping us along… it could have gone in another direction, so I’m thankful, I think, just for the hard work that it was in the beginning, and the appreciation it gave me for what I do. It didn’t kill us, anyway.
June 8, 2025:
The original runs of the show – from 1993-2002, 2016 and 2018 – were beset with what Duchovny and Anderson spent years euphemistically referring to as mutual “tension”. For long periods, the two were not “even dealing with one another off-camera”, as Duchovny revealed last year during a heartfelt conversation with Anderson on his Fail Better podcast, in which he admitted to a “failure of friendship” with his co-star. Was there something specifically combustible about their two personalities in combination?
“My memory would be faulty, you know? It’s like Rashomon,” says Duchovny, vaguely, alluding to Akira Kurosawa’s 1950 classic in which every eyewitness to a murder tells a contradictory version of events. “Just, I don’t recall.”
CONCLUSION
1997 David Duchovny and Gillian Anderson: "Best of Acquaintances"
The Vancouver Move: Gillian Anderson Welcomed the Change and
The Vancouver Move: David Duchovny, FOX Studios, and the Rain
90s DD and GA’s Relationship: Others’ Thoughts
2000-2024: DD Reminding GA about CC’s “Couple’s Therapy” Suggestion
David Duchovny: IWTB Was Personally “Redemptive”
David Duchovny, Gillian Anderson, and the Paparazzi: Correcting the Record
DD and GA: on Assault from the Paparazzi
2008: DD and GA on Burnout and Opportunistic Headlines
2013 DD: "We Don't Live Together," the Explanation
February 20, 1991:
Ms. Anderson, who was giving her first interview, was pale and looked a bit queasy. When she spoke it was with a vaguely British accent, which comes partly from having lived in London until she was 10 -- her father attended the London Film School, then stayed on -- and partly, she said, from being around Ms. Blethyn. She spoke about herself haltingly, with much of the deadpan quality that her character has in the play.
"When Lynne had my resume in her hand and said, 'Is this all you've done?' I didn't know what she meant," Ms. Anderson said. "I thought I had done a lot. But once I was hired, a big fear of mine was letting Lynne down. She was taking a big risk, and I didn't want her to find out she'd made a mistake." [...]
It's a funny story, but staying employed is every actor's concern. Ms. Anderson says: "There is a slight fear this will be my first and last job for a while, but that's in every actor's mind as long as they live. I tend to have a great deal of faith that wherever my life goes, it's the best thing for me." [...]
Ms. Anderson is quick to compliment her. "It's so wonderful to watch you and Lynne work together," she said to Ms. Blethyn. "The silent understandings they have about the character, and the way they can verbalize what's missing, what they need. The thought-instinct process is so precise." She sighs. "That's one thing that only experience gives you. For me it takes quite a lot longer to come up with what's happening."
"As long as you come up with it, dear," Ms. Blethyn said without missing a beat. And they both laughed.
FOR REFERENCE
(Credit to: gilliananderson.ws)
It couldn't have happened any better for Gillian Anderson if Schwab's Drug Store were still in business. A 1990 graduate of the Goodman School of Drama in Chicago, the young actress moved to New York six months ago, found an apartment in Greenwich Village and, when she wasn't auditioning, worked as a waitress at Dojo, a Japanese health food restaurant on St. Mark's Place. She made barely enough money to cover her rent, and the only theater she saw was a performance of "Lettice and Lovage" with Maggie Smith, where she says she practically got a nosebleed in the back of the balcony.
When Mary Louise Parker dropped out of "Absent Friends" because of illness, Ms. Anderson's agent sent her to audition for the part of Evelyn, a sullen young mother in Alan Ayckbourn's black comedy about a group of friends who console an acquaintance on the death of his fiancee. (The play runs through March 17 at the Manhattan Theater Club.) Ms. Anderson's first reading warranted a callback "to make sure it wasn't a fluke," said the director, Lynne Meadow, and when the second reading went well, the actress was hired on the spot. It was her first job in the theater, and the rest of the cast had started rehearsals a week earlier....
Now, in this dreariest of theater seasons, Ms. Anderson is one of two actresses, both in the same play and both new to New York, whose performances are causing some excitement....
Ms. Meadow said: "I didn't realize we would find someone quite this green. But it is one of those great stories, where someone is cast purely on ability. Gillian's background is improvisational and she took those instincts and put them into the highly technical style Alan Ayckbourn writes in, which is not free-flowing at all. It has to be played the way it's written, so our work was extremely specific, concrete."
January 12, 2003:
S: Then you pursued it to New York. Pounding pavements in New York.
G: At the end of the school year, we went to New York and did monologues. I had written a monologue, I think, about my father - something about a park bench, I don't remember. There was an agent from a very good agency there who basically sat me down and said, "Look, if you will move out here we will represent you." And so I packed all my stuff up and I drove out in my Volkswagen Rabbit one night starting at 11 o'clock and I found my way alone across the country to New York."
S: How far is it? Hundreds of miles.
G: Yeah.
S: And did you have anywhere to live when you got there?
G: No.
S: And you did some waitressing because the parts weren't exactly flowing thick and fast.
G: Not at all, they weren't. In retrospect that's not incredibly true because of the fact that within a year I got work.
*-*-*-*-*
S: You've also had a lot of luck too, Gillian. I'm thinking of your landing the part of "The X-Files" - huge stroke of luck because your casting was entirely an act of faith on the part of its creator, Chris Carter, wasn't it?
G: That is correct. At the time, he was going against form and really stuck his neck out for me based on his determination to have the character portrayed in the way that he saw her and not in the way that Hollywood wanted her to be.
*-*-*-*-*
S: You made "The House of Mirth", film of the Edith Wharton novel... you played the doomed heroine, Lily Bart. Again you were chosen, apparently, because its creator, Terence Davies, wanted you. He had spotted you and he wanted you.
G: Well, what was so bizarre about that was that he had never seen any of my work. And he wanted to meet me based on a photograph of a character that I had played who was a middle-aged biker alcoholic. And that was a still from the film.
A Short Discussion of "Extrovert" V. Jungian Extravert
(Credit to: ??)
Jung categorized three tiers of extravert (and introvert):
Now, when orientation [one's conscious focus] by the object [substance disconnected from the self, i.e. material objects, others, experiences] predominates in such a way that decisions and actions are determined not by subjective views [i.e. interior focus, subjective experiences] but by objective conditions we speak of an extraverted attitude.
When this is habitual, we speak of an extraverted type.
If a man thinks, feels, acts, and actually lives in a way that is directly correlated with the objective conditions and their demands, he is extraverted. His life makes it perfectly clear that it is the object and not this subjective view that plays the determining role in his consciousness. Naturally he has subjective views too, but their determining value is less than that of the objective conditions. Consequently, he never expects to find any absolute factors in his own inner life, since the only ones he knows are outside himself.
In other words,
Individuals who use extraverted traits some of the time (everyone),
Individuals who naturally or primarily use extraverted traits (i.e. ENTJs dominant function Te or ENFPs dominant function Ne),
Individuals who used extraverted traits all of the time (i.e. the
broad societal understanding of "extrovert.")
(These apply to introverts as well, but with opposing expressions.)
The third category is closest to our current cultural conception of "extrovert": loud, gregarious, completely and totally externally focused (compared to inwardly focused), energized by others' company. However, these personality expressions are often a niche representation of the whole.
For example, there are plenty of extraverted dominant Types (e.g. ENTJ, ENTP) who might crave solitude or "separateness" from others. To label them "introverts" because they have a lower threshold for human interaction would be erroneous. (There are many introverted types who are more interpersonal than some "extroverts," as well.)
Moreover, Jung and other analysts have noted that the natural expression of the self can be muted or silenced per the societal or interpersonal expectations of one's environment. For some, they might feel a familiarity with expressions or language which align with "introvert" while actually existing as a low-key or solitary (through choice or trauma) Extraverted Type.
What Jung was describing is an acknowledgment of extraverted and introverted energy-- where they pull it from, where they retain it, how they advance or withdraw it-- with the strong caveat that it would be of greater value to study one's cognitive functions (e.g. Extraverted Intuition and Introverted Thinking: ENTP) in order to accurately pinpoint information gathering- and decision-making processes. Whereas "extroversion"/"introversion" depend on fluid social dynamics and personal situations, extraverted/introverted can be gauged by measures of primary, secondary, and so on strengths (i.e. since we all use one primary function most comfortably, using other functions will feel less instinctual.)
As Dr. Linda Berens describes it,
What is a [personality] type?
A type is often thought of as a classification according to a group of similar characteristics. However, there is another meaning to type that is deeper down in the definitions on dictionary.com: “the general form, plan, or design distinguishing a particular group.” When I look at personality type, I am referring to the pattern or form of a group, not a random cluster of characteristics. I would say that a type in this sense is an organizing system. There is an energy field that self-organizes around a core of some kind. I think of it as an unconscious operating system, with a core driver of the system and ‘talents’ that maintain the system.
What is a polarity?
One definition, again from dictionary.com, describes a polarity as “the state of having or expressing two directly opposite tendencies”. In other words, the two tendencies are there and energy flows between the two. There is a tendency to speak of one side of a polarity as a type. I disagree. One is not an Introvert or an Extravert. We have an introverted pole and an extraverted pole and our energy moves inward and outward at different times with different activities
[e.g. Se+Fi form _SFP; Ni+Te form _NTJ]. A polarity is not a type.
Later systems that incorporated Jung's research include the Interactive Styles, which very generally divides extraverted and introverted focus into "Initiating" and "Responding: those who tend to ‘Initiate’ interactions and those who prefer to ‘Respond’ to the initiations of others (per Linda Berens.)
In other words, those who 'move toward', 'move against' or those who 'move with', 'move away from.'
However, even this methodology uses three vectors to determine one's comfortable interactive process (i.e. Initiating/Responding, Directing/Informing, Control/Movement.) "Initiating" ("extroverting") and "Responding" ("introverting") are simply two measures of the whole.
January 1996:
QUESTION: "What do you think Scully's dog should be named?"
GILLIAN: "There were two names that I came up for it. One was
Clyde -- but that's my husband's name, so.... The other was Yappi. [Cheering] Which do you like?"
QUESTION: "I prefer Yappi."
GILLIAN: "You like Yappi? That's the most obvious one, I would have thought."
May 1, 2013:
Q: Gillian Anderson, do you have a dog?
GA: You know, buddy, I don't have a dog. I used to have a dog. Oh, Queequeg! You want to know about Queequeg.
GA: Queequeg died, sweetie.
October 12, 2013:
everdeer: Don't you guys think Queequeg deserved better?
DavidDuchovny_: Yes.
gilliananderson: No. That dog killed people with its farts and it deserved to die a nasty death in the mouth of that alligator or whatever it was. Ugh. I had to shampoo it, or walk away every few seconds, because these puffs of nastiness kept happening.
DavidDuchovny_: "Puffs of Nastiness" should be your band name.
[Bonus: hilarious double standard--
April 1996:
A gunmetal grey trailer home, parked just to the left of the main X-Files set, is Gillian Anderson's sparsely furnished, functional home-from-home. Inside, Cleo, a large, black, slavering hound of undetermined breed is throwing toys from one end of the trailer. And she's farting. "Oh Cleo!" says Gillian. And then to me, "It's the food we're giving her."]
March 22, 2026:
Q: Knowing what you know now, what would you tell your past self?
GA: My past self? [Q: Yes.] My younger self? [Q: Yes.] Or myself in a different life? [Crowd laughs.]
Q: Younger self.
GA: Okay. My past self: don't come back as Queequeg.
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April 14, 2000:
Nevertheless, at press time, Twentieth Century Fox and the actor’s lawyers were still negotiating, and getting a straight answer regarding the particulars - well, even Cancer Man couldn’t crack this. “There is a scenario which would bring me back and it’s up to Fox whether they want to meet it,” says Duchovny. That scenario, he adds, has less to do with money than other issues, but he’d happily “bleed the studio for as much as I could get.”
Duchovny, who currently takes home a relatively low $200,000 per episode (ER’s Noah Wyle gets twice that) as well as a cut of the profits is hardly crying poverty. “I’ve been compensated more than an actor should,” he says. “But in the grand scheme of things, if you look at what the show’s made for Fox [which Duchovny’s lawyer estimates at more than $1 billion in profits so far], and you look at people like myself, Gillian, [directors] Rob Bowman and Kim Manners, and [former producers] Glen Morgan and James Wong - people who were instrumental in the success of the show have not been compensated sufficiently.” Duchovny laughs. “It brings up all those 6-year-old issues - you know, It’s not fair! Like I’m yelling at my mom, ‘It’s just not fair!” [...]
“There will have to be some arrangements made to make the show survivable,” says Anderson, referring to the 70-hour weeks demanded of her and her costar. Duchovny suggests that had X-Files creator Chris Carter developed other regulars into main characters, the pressure on them would be less. “It would have been great if Mitch Pileggi [Assistant Director Skinner] had been made into a third lead.” It might have given the series more longevity, he adds, “but no one’s used well on the show, aside form Gillian and I, and sometimes I don’t think *I’m* used well.” [...]
Carter and his executive producer, Frank Spotnitz, are currently in the impossible position of writing the last episode of the season without knowing if it’s also the final chapter of the series. “It’s very frustrating working this way,” says Carter, who adds that although he’s always known how the series will end, he’s unclear as to how he would handle the show if it continued without Duchovny, especially since he and his lead actor are still eager to do a second movie:
“I’ve never imagined The X-Files without him.”
Ditto Anderson, who can’t conceive of the “scenario Carter would have to come up with to make it okay and watchable” without Duchovny. “It’s insane the position we’re in right now,” she says. “We’re about to shoot episode 20 out of 22, which means if this is the last season, we have one or two episodes to wrap up *everything*, which is absurd.” Equally absurd, she says, is the notion that Fox would let the last season of their top drama pass without promoting it: “Which leads me to think they have no intention of ending it.” More personally, she’d miss what she calls healthy closure. “I don’t want to let go of seven years and have one episode to mourn it or be mourning in retrospect.”
BONUS
-Interesting Admissions-
July 20-21, 2000:
Q10: Hi Mr. Carter. I was curious whether you feel that as a body of work, and assuming that the X-Files is on its last season, do you feel completed, or satisfied with what you’ve done with the show, or is there anything you would have liked to have done that you’re not going to get an opportunity to do?
CC: Well, you know, I’m going on, so I have the opportunity right now to explore the things that I wasn’t going to be able to do. There was a point last season, it was actually distressing, where it was right around Christmas time and I came into Frank Spotnitz’s office and I was kind of excited and I said, ‘I’ve got this idea, and it’s be really great if we could do this and this and this.’ And he said, ‘You know, we only have ten more episodes left to go.’ And that was when we thought the show wasn’t coming back, and it was like, wait a second. I never actually imagined that the show actually ending, so there’s still a lot of things I want to explore, but I’ve got a new character now so I’ve got to integrate them in an interesting way so that I can explore those things.
Also the one to pull the plug--
January 18, 2002:
The truth about Fox’s “The X-Files” is finally out there: Come May, the series will end, after nine seasons.
Executive producer Chris Carter told Fox programmers on Wednesday that he wants to end the show this season.
The pending departure of original star Gillian Anderson – David Duchovny left after last season – and a decline in audience this season nudged Carter toward the decision.
“All of the things that I come to work for every day are in place, minus David Duchovny,” Carter said. “And those things might not be here next year. So I decided to take these people to wrap this up in style. […] It’s better to go out strong.”
-To Be Fair-
November 4, 2000:
Bean: Chris now, be honest, were you angry when David Duchovny decided he didn’t want to come back or were you completely like understanding– hey, this guy’s got to have a life of his own, too?
Chris Carter: No. I understood. I mean. .. It was… We are all working hard and it’s.. it’s… you know the work is actually too hard. And so, these guys [DD & GA] are still young, they have careers. They want to go out and do other things. So, it made sense and he didn’t have a contract. So, it was a good time for him to leave. But fortunately, we found a way to have him back.
May 17, 2002:
Q: Why didn’t the show shift completely to Doggett and Reyes?
CC: That was the plan, but when the ratings dipped this year, my feeling was I didn’t want to sit and wait for the journalists (whom) I felt would see it as an angle and a chance to flog the show. I thought that was a new show that could have built a new audience, but I wasn’t interested in seeing “The X-Files” damaged at all or criticized unfairly, so I decided to call it a day and focus on the upcoming movies.
Further clarification--
FOX Used "Another Movie" to String along the People of Ten Thirteen
GA Liked Early Season 8 (and Envisioned a Darker Character Arc)
GA and Mitch Pileggi on the Positives of (Early) Season 8
-Disclaimer-
Things were, of course, more complicated than that. (...Or were they?)
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