the antivenom

naming your native muse

do not make up a "native-sounding" name for your character. names like "red thunder," "greyeyes," "whitefeather," etc. are often used by non-natives trying to signal indigeneity in the rpc, but they come from a very specific historical context.

these weren’t just aesthetic choices. many native people were forced to continue these names during colonization, often by government officials or missionaries, when forced to register for census, land allotments, boarding schools, etc. these names were often translations, misunderstandings, or simplifications of actual indigenous names or meanings. they were not chosen in the way settlers chose surnames. they became permanent family names through colonization, not by cultural tradition.

so when non-natives try to replicate that style, without knowing what the names mean, why they were given, or what community they come from, it’s shallow at best and disrespectful at worst.

what you should do instead: most often, native people today have common surnames just like anyone else (smith, johnson, etc.), or inherited names from the colonization period. best rule of thumb: pick a european name. of course, some natives have traditional names used within the community. if you're not native, don't try to replicate traditional names. it's not your place. for example, i have a kiowa gordon named joseph anderson. doesn't make him any less native to have a "european" name.

*also, try to stay away from "native sounding" words for names. i know non-natives can be named these things, but i always give a little side-eye to natives who are: sage, willow, river, storm, wolf, bear, echo, etc.

how much background should you include?

it’s important to say where your muse is from, what tribe or nation they belong to, what area they live in or grew up in, but you need to know your limits. don't info-dump cultural details unless you fully understand them, which, if you’re non-native, you probably don’t.

saying someone is diné (navajo), from arizona, and maybe was raised around certain customs or ceremonies? that’s fine. pretending you can describe those ceremonies or the “spiritual meaning” behind them? not fine. mentioning things to understand your character more is welcomed! we just don't want non-natives to write about the ceremony of a powwow in depth.

your native muse is more than trauma

one of the most harmful patterns non-native writers could fall into is making their indigenous character's entire identity revolve around suffering, pain, trauma, hurt, etc.

yes, native communities live with ongoing impacts of colonization; boarding schools, land loss, mmiw, racism, addiction, environmental harm, the foster system, and more. these are real, lived traumas. but reducing your muse to only these things strips them of their full humanity.

your muse should be more than what’s been done to them. they should laugh. they should have hobbies, bad habits, complicated family dynamics, love interests, favorite foods, weird dreams, inside jokes, petty opinions, and goals for the future. joy, humor, and resilience are central to indigenous life.

don’t write a tragedy with a face. write a person who exists, who happens to be native, whose life is shaped by history, but not defined only by it. again, having these things in a muses backstory / mentioning them does not necessarily mean it's a "bad" thing (i, for one, love fucked up tragic pasts) but give them more substance outside of that, too.

"native american" is not a culture

this should be obvious, but it’s often overlooked: there is no single native culture. there are 500+ federally recognized tribes in the u.s. alone, each with their own language, traditions, government, and worldview. if you're writing a native muse and just labeling them as “native american” without choosing a specific nation, you’re already off track.

"native american" is a broad political term. it’s not cultural shorthand. it doesn’t tell you where someone’s from, how they were raised, what language their family spoke, or what their values are. saying someone is "native" and stopping there is like saying someone is "european" and expecting people to know if they're french or romanian or english.

what to do instead: pick a specific tribe or nation, and do real research. if you’re not sure where to start, choose a region and look up federally recognized tribes in that area. don’t blend cultures. don’t invent one. specificity shows respect.

your muse is not a magical being

please don’t write your native muse as if they have innate spiritual powers, a mysterious connection to the earth, visions, or vague "ancestral wisdom" just because they’re indigenous. this is a colonial trope, built out of the "noble savage" stereotype, and it’s incredibly dehumanizing.

you might not think you’re doing it. but if your muse is always the one to deliver cryptic advice, commune with animals, feel the spirits in the air, or silently guide others with intuition, take a step back. are you writing a person, or are you writing an aesthetic?

native people have spiritual practices, yes. but those are specific, tribal, and usually not open to outsiders. spirituality isn’t a personality trait. it’s not something you can generalize or sprinkle in to make a character seem deep. if you wouldn’t do it with a character of another background, don’t do it here.

don’t box your muse into stereotypes

not every native muse has to be quiet, wise, brooding, or angry. let them be awkward. let them be funny. let them be annoying, overly ambitious, soft-hearted, selfish, bubbly, arrogant, flirtatious, whatever fits.

when all your ideas of indigeneity are rooted in solemnity or pain, you miss the huge spectrum of native personalities. native people are just people. some are loud. some are shy. some are deeply cultural, some are disconnected and trying to reconnect. some are traditional. some are queer. some are both.

don’t flatten your character into a type. don’t let their "nativeness" be their only character trait. and definitely don’t limit how they act because you’re afraid of getting it wrong. get curious. do the work. and write a full human being.

if you’re non-native, you’re writing from the outside. that doesn’t mean it’s impossible to do with care, but it does mean you have to move slower, be willing to be corrected, and know when to back off.