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LACAPRA, DOMINICK
Etymology: 판 (pan)
“... 판소리란 ‘판놀음으로 벌이는 소리’라는 뜻이다. 소리라는 말에는 음향(音響)이라는 뜻도 있지만 선소리·김매기소리·짓소리에서 볼 수 있듯이 노래라는 뜻도 있다.”
Most used (in context of 판소리): 1. a situation where many people are gathered 2. a song composed of varying tones
Etymology 1: Sino-Korean word from 板 (“board”)
board, plank (synonym: 널빤지 (neolppanji))
(chess) board, game board
(music) disk, album (synonym: 음반 (音板, eumban))
unit of thirty eggs
Etymology 2: Considered a native word. [Compare Chinese 盤 (pán, “game, match”)]
a place for events; or the scene thereof
situation, state (synonym: 처지 (處地, cheoji), 판국 (pan-guk))
game, round, match
Etymology 3: Sino-Korean word from 版 (“block, plate; edition”)
edition, printing
(printing) block, a plate, a cast
(printing) book size, format
Etymology 4: Sino-Korean word from 瓣 (“petal”)
(botany) petal (synonym: 꽃잎 (kkochip))
valve (device that controls flow of gas or fluid)
(anatomy) valve (synonym: 판막 (瓣膜, panmak))
Etymology 5: Sino-Korean word from 判 (“to judge”)
a Korean surname
Etymology 6: Sino-Korean.
Verb
判: to judge (판단할 판)
販: to sell (팔 판)
贩: to sell (팔 판)
辦: to exert oneself (힘들일 판)
办: to exert oneself (힘들일 판)
辧: to have (갖출 판)
瓪: to be defeated (패할 판)
㤆: to repent (뉘우칠 판)
Noun
板: board, plank (널빤지 판)
版: wooden block (판목 판)
阪: hill (언덕 판)
坂: hill (언덕 판)
岅: hill (언덕 판)
瓣: cucumber seeds (외씨 판)
鈑: gold foil (금박 판)
钣: gold foil (금박 판)
汴: river name (물 이름 판)
舨: boat (배 판)
蝂: insect name (벌레 이름 판)
畈: field (밭 판)
眅: disdainful look (눈 흰자위 많을 판)
鵥: eagle (독수리 판)
粄: 싸라기떡
Adjective
昄: big (클 판)
The etymology of 판 in the corresponding 판소리 seems to be widely debated, to the point where there seemingly is no correct meaning of the word/character. As such, it would not be incorrect of me to define pan through its various contexts, molded through the traditional and contemporaneous narratives of the Korean consciousness and, hopefully, reflected into relevant thematic and musical elements.
(2007). Trauma theory and the singular self: rethinking extreme experiences in the light of cross cultural identity. Textual Practice: Vol. 21, No. 1, pp. 71-92.