“The story of modernization could be described as the process in which the spatial consciousness of the Renaissance came to be increasingly preoccupied, even haunted, by new temporal realities pressing in from all sides. The breaking forth and ‘irruption’ of time, the experience of time intensification and even time-crisis are not incidental features of modernity. These phenomena do not merely happen to us, for they comprise the deep-rooted tensions of the modern worldview as-such (i.e., our ‘background experience’ or ‘structure of feeling’). The metacrisis is therefore not an anomaly of the modern condition, but rather—as Heidegger describes—its poiesis: the moment it is revealed, comes to presence [West], and the process through which it becomes transparent [Transparentwerdung]. Our era of modernization is like a strange moiré pattern that emerges in the complex-dynamical tensions between worldviews and realities, space and time, mutations and structures of consciousness. The great extent of the current project then, involves a process of familiarizing ourselves with those deep patterns which constitute us, for the present is comprised of latent tensions spelling our eventual transformation.”
-Jeremy Johnson, excerpt from Fragments of an Integral Future
(Featured art: Ivo Pannaggi, “Speeding Train” 1922)




















