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@queenofthehoneybees

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Hello! How does one separate a character's emotions from your own? I've been in the head of this character for a while who's experiencing some intense anxiety at this point in the story and I feel that it's bleeding over in my own life. Any advice on how to compartmentalize? I want to keep working, but not at the risk of losing my emotional stability.
Honestly, this is a hard one. I've struggled with this a bit from time to time. If it's really getting to you, I think the absolute best thing you can do is just step away from the project a bit. But some distance between you and your character so you can get a handle on your emotional health. After that, if you choose to go back to the story, learn and practice some grounding techniques while you write. Things that can help you focus on yourself and the present to help remind you that you are different from your character.
Hope that helps!
I like to approach this as if it's similar to acting. Actors can be in the skin of some really difficult people, and they can (while being those people) see horrible trauma or inflict incredible pain or any number of awful awful things. Their entire job in fact is based around being present in the moment and showing the emotions they feel in that moment.
But the thing is: it is just a moment. It's not who you are. It's not your actual life.
Part of acting is being able to turn this piece of yourself off when the performance is done. You wipe off the stage blood, you pull off the costume, and you see your own face instead of the character.
You then go home, have some wine, take a bath, chill and watch a movie; you spend time recognizing that what you just did was work, your job, and there's no reason to take it home with you, because the character is not you, it's just something that you're putting on for a while, and now you've taken it off.
So feel free to give yourself permission to let this stuff go completely when you're not writing it. Do things that are relaxing, soothing and fun. Recognize that you are you, and the character is your work. It'll take some practice to find a good rhythm but it's absolutely possible to do.
Thank you for this. I have some experience doing theatrical acting, so I can definitely relate.
Hello! How does one separate a character's emotions from your own? I've been in the head of this character for a while who's experiencing some intense anxiety at this point in the story and I feel that it's bleeding over in my own life. Any advice on how to compartmentalize? I want to keep working, but not at the risk of losing my emotional stability.
Honestly, this is a hard one. I've struggled with this a bit from time to time. If it's really getting to you, I think the absolute best thing you can do is just step away from the project a bit. But some distance between you and your character so you can get a handle on your emotional health. After that, if you choose to go back to the story, learn and practice some grounding techniques while you write. Things that can help you focus on yourself and the present to help remind you that you are different from your character.
Hope that helps!
Thank you, this helps.
Margaret, my dear, youâre not obliged to answer this question, but⌠do you have any reason for thinking that Mr. Thornton cared for you? Father, Iâm sorry.
North and South (2004)
North and South (2004)

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how many times do you have to spell out that you're proposing to someone for love before they accept that and not that you're proposing to them to ruin your life?
Remember in North and South at Edithâs wedding where Aunt Shaw says, âGo on, Captain, dance! Dance with your bride!â Did she like...think they were going to just suddenly stop mid-dance or that they needed encouragement to keep dancing? That line is always so weird to me LOL.
Then Aragorn took the crown and held it up and said:
âEt Eärello Endorenna utĂşlien. Sinome maruvan ar Hildinyar tennâ Ambar-metta!â
And those were the words that Elendil spoke when he came up out of the Sea on the wings of the wind: âOut of the Great Sea to Middle-earth I am come. In this place will I abide, and my heirs, unto the ending of the world.â
I do not believe this darkness will endure.
Lord of The Rings: The Return of the King (2003) dir. Peter Jackson
I feel this deep in my soul. đ (credit: IG Jess Lamworth - @jamworth)

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Inside my Evernote app I have some notes that are encrypted, specifically ideas for fanfics if I ever decided to try writing one. However, I have no idea whatâs in this particular encrypted note titled âWritingâ nor why the hint for the password is just âhairâ. I normally remember my passwords and try to be pretty obvious with hints, but this is so random. Like I have no context for this and am just stuck. Itâs driving me crazy! Whatâs in there?! đđ
In 2509 CelebrĂan wife of Elrond was journeying to LĂłrien when she was waylaid in the Redhorn Pass, and her escort being scattered by the sudden assault of the Orcs, she was seized and carried off. She was pursued and rescued by Elladan and Elrohir, but not before she had suffered torment and received a poisoned wound. She was brought back to Imdralis, and though healed in body by Elrond, lost all delight in Middle-earth, and the next year went to the Havens and passed over Sea.
âOh, my Margaret - my Margaret! No one can tell what you are to me! Dead - cold as you lie there, you are the only woman I ever loved! Oh, Margaret - Margaret!â
Chapter XXII, A Blow And Itâs Consequences, North & South by Elizabeth Gaskell
BBC totally missed out in skipping the scene from the book where Mr. Thornton carries an unconscious Margaret into his home while freaking out and professing his undying love to her. Iâd pay good money to see that scene.
The Mummy Returns (2001) dir. Stephen Sommers

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The Mummy (1999) dir. Stephen Sommers
The Mummy (1999) dir. Stephen Sommers