Q. Quigley

Perspective view of the dome area within the home and museum of John Soane at 13 Lincoln’s Inn Fields, c.1813 by Joseph Michael Gandy (English, 1771--1843)

Architectural capriccio with classical ruins (Canaletto, 1723)

Hannes Bok (1914-1964) Fantasy landscape with dinosaurs and totem (1934) Source

'The Prayers of the Potuans at the Feast of the Unfathomable God'. Nicolai Abildgaard. 1785.

Albrecht Dürer’s Triumphal Arch for Emperor Maximilian I (1515) — one of the earliest and finest examples of imperial propaganda — was made by pressing a whopping 195 woodcuts onto 36 sheets of paper, to form a huge 3.57 by 2.95 metre composite print: https://publicdomainreview.org/collection/the-triumphal-arch-of-emperor-maximilian-i-1515

The Grasshopper Ball, illustration by J. W. Goss, 1927.

Leonor Fini

'Death of the Fairy Queen' by John Anster Fitzgerald, 1860

Isis-Thermouthis statues, between 30 BCE and 395. Louvre. Photo by Wikinade.

Ruins of Antiquity. Dedicated to Clemens (Christian Heinrich Grosch, 1763 - 1843)

Jan Bogumi Plersz, detail from Grotesque frescoes, 1789 • Inspired by Raphael's frescoes in the Loggia at the Vatican

Joseph Michael Gandy (English, 1771--1843)

Private collection

Gerda Maurus in Fritz Lang’s Woman in the Moon (1929)

Monsters of every stripe are collected here.

From the Captain Victory and the Galactic Rangers Special #1 (1984)

1. Architectural Visions of Early Fancy in the Gay Morning of Youth and Dreams in the Evening of Life (a collection of architect John Soane’s unbuilt designs) 2. Sir John Soane’s museum, showing all Soane’s buildings from 1808-15