Q. Quigley

Leonor Fini, La Bête de la Mer for Josef Foret's L'Apocalypse de Saint Jean, 1960

An illuminated page from the 16th-century manuscript "Hours of Jean Lallemant the Younger"

Allegories of The Five Senses, in order: Sight, Hearing, Touch, Taste, and Smell (1617-1618) by Jan Brueghel the Elder and Peter Paul Rubens, oil on panel, Museo del Prado, Madrid

Crowned Jupiter among the elements and planets (Michiel Le Blon, 1587 - 1656)

Franz Von Stuck - The Philosopher's Stone (ca. 1896)

Artist : Warwick Goble

Director: Vojtěch Jasný 👹🖤

Frederick Simpson Cobur, The Arrival Of The Plague, 1909

Perspective view of the dome area within the home and museum of John Soane at 13 Lincoln’s Inn Fields, c.1813 by Joseph Michael Gandy (English, 1771--1843)

Architectural capriccio with classical ruins (Canaletto, 1723)

Hannes Bok (1914-1964) Fantasy landscape with dinosaurs and totem (1934) Source

'The Prayers of the Potuans at the Feast of the Unfathomable God'. Nicolai Abildgaard. 1785.

Albrecht Dürer’s Triumphal Arch for Emperor Maximilian I (1515) — one of the earliest and finest examples of imperial propaganda — was made by pressing a whopping 195 woodcuts onto 36 sheets of paper, to form a huge 3.57 by 2.95 metre composite print: https://publicdomainreview.org/collection/the-triumphal-arch-of-emperor-maximilian-i-1515

The Grasshopper Ball, illustration by J. W. Goss, 1927.

Leonor Fini

'Death of the Fairy Queen' by John Anster Fitzgerald, 1860

Isis-Thermouthis statues, between 30 BCE and 395. Louvre. Photo by Wikinade.