âMonolithâ (1944) â Gustav Vigeland â Vigeland Sculpture Park, Oslo. 121 figures carved from a single block of granite.
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âMonolithâ (1944) â Gustav Vigeland â Vigeland Sculpture Park, Oslo. 121 figures carved from a single block of granite.

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Milton Glaser, Opera News cover art (rising woman on crescent moon) Die Zauberflote, Volume 34/No. 12, 1970
A Coign of Vantage (1895) by Sir Lawrence Alma-Tadema (Dutch, 1836 â 1912), oil on canvas, 64 in x 44.5 cm (25 in x 17.5 in), Private Collection
The National Baseball Hall of Fame was opened in Cooperstown, NY on this date in 1939. The first 5 members had been voted in three years earlier, with enough additional members added to total 25 inducted in that opening ceremony, of which 11 were still living, as seen in the upper left photo. The other three photos come from that day as well.
Covers from the sports-themed pulp-fiction magazine, âDime Sports Magazineâ, which published from 1935-1944. The first four issues came out as âDime Sport Magazineâ, before they added an âsâ at the end of the second word.

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Wilhelm Pleydenwurff The Temptation and Expulsion of Adam and Eve
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Covers from the popular Jazz Age humor magazine, âCollege Humorâ. It was particularly popular during the 1920âs, but continued to publish until 1943. It was not affiliated with a particular university, though it would often reprint material from student publications. But it was not written exclusively by students. Writers included F. Scott and Zelda Fitzgerald, Robert Benchley, Carl Sandburg, even Groucho Marx.
âThe Music Lessonâ, porcelain, modeled by Joseph Willems, based on two engravings by Francois Boucher, c. 1765
Alexis Mata, âThe Sky is Fallingâ, 2026
Joe Jackson - not the 80âs rock star, the âShoelessâ baseball player, nor the Jackson Five patriarch - was an Austrian cycling champion (born Joseph Jiranek in 1873), who put on clown makeup and turned his skills into a trick bicycle act in vaudeville ahd circuses on both sides of the Atlantic. As such, he pretty much set the tone for comedy bicycle acts for decades to come.

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Generally accepted as the first organized auto race in history, the Paris-Bordeaux-Paris race took place on this date (6/11) in 1895. Photos of participants.
English landscape painter John Constable was born on this date (6/11) in 1776.
17th century miniature painting from Mughal India, ââJahangir Preferring a Sufi Shaikh to Kingsâ. The main portion of the painting is by the Hindu artist Bichitr, while the ornate margins were done by Muhammad Saddiq. Emperor Jahangir is sitting radiantly on the throne, taking counsel from a Sufi shaikh, rather than from the Ottoman sultan below the Sufi, or from English King James I, shown below the sultan. The figure in the lower left, underneath King James, is Bichitr himself. Circa 1615-18.
From our stacks: Illustration from Bewick's Woodcuts: Impressions of Upwards of Two Thousand Wood-Blocks, Engraved, for the most part, by Thomas & John Bewick, of Newcastle-On-Tyne. Including Illustrations of Various Kinds for Books, Pamphlets, and Broadsides; Cuts for Private Gentlemen, Public Companies, Clubs, Exhibitions, Races, Newspapers, Shop Cards, Invoice Heads, Bar Bills &c. with An Introduction, A Descriptive Catalogue of the Blocks, and a List of the Books and Pamphlets Illustrated. By Thomas Hugo, M.A., F.R.S.L., F.S.A., &c. London: L. Reeve & Co., 1870.

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View of two women baseball players participating in baseball game; one player holds baseball overhead while tagging the second player on base. Spectators stand in background. Printed on front: "Blonde and brunette beauties as ball-players. A bevy of pretty girls play a game of base-ball at the Ladies' Athletic Grounds in New York City." Illustrated American Life, v. 1, no. 33. 1879-05-24.
Ernie Harwell Sports Collection, Detroit Public Library
The Golden Bowl
Artist: Frank Cadogan Cowper (English, 1877-1958)
Date: 1955
Medium: Oil on canvas
Collection: Private Collection
Description
The Golden Bowl represents the last flowering of Pre-Raphaelitism, painted well into the twentieth century in 1955 almost a hundred years after Rossetti had painted similar luscious depictions of exotically attired maidens in richly ornamented costumes. Here, an un-named maiden of an renaissance-type holds aloft a bowl of votive fruit, inviting the beholder to take one from her.