Septima with Tadpoles, Photo by Deborah Luster, 1993
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Septima with Tadpoles, Photo by Deborah Luster, 1993

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Flower Meadow - Alexander Max Koester , 1915-20.
German , 1864-1932
Oil on canvas on cardboard , 48 x 65 cm.
Wendy Morgan
Roses and statuette, 1889 by Paul Gauguin
photo by Nick Brandt

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Samira Abbassy (Iranian, b. 1965)
Serpent’s Devouring Mother, 2020
Acrylic, ink and glitter on art board
Félix Thiollier (Emma Thiollier, daughter of the photographer) 1895-1905
Detailedit : Morning after a Stormy Night, 1819, by Johan Christian Dahl.
Thomas Billhardt
Beirut , primary school in a Palestinian camp, 1977
Ripley Scrolls, 17th century

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Wim T Schippers "Peanut Butter Platform" / museum visitors
In 2011, an iteration of this 1969 floor-bound installation was damaged on several occasions while on view at the Boijmans van Beuningen Museum in Rotterdam.
The work itself is true to its name: 1,100 liters of creamy peanut butter spread over a 14x4m expanse on the ground. Unfortunately, this iteration of the piece was installed without guardrails, which led to four separate visitors accidentally stepping onto the artwork.
In the wake of these events, museum officials refused to cordon off the piece, explaining that such an intervention would not be aesthetically pleasing. They did, however, send each of the museum visitors a bill for the restoration of the piece, which involved museum staff applying new layers of peanut butter to even out the surface.
June 10, 2026 - Rest in Peace Wim T. Schippers, a funny and awesome artist but, more importantly; the voice of Ernie in Sesamstraat.
Pierre Bonnard, Martha Bonnard sur un Divan c.1900
- A Rainbow formed after a random tornado touch down.
Pierre Bonnard, Cat, 1894
A doe in a burnt forest Belin-Beliet, France Photograph: Thibaud Moritz

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Self-Portrait
Artist: Hilaire-Germain-Edgar Degas (French, 1834–1917)
Date: ca. 1857–1858
Medium: Oil on paper, mounted on canvas
Collection: The Clark Art Institute, Williamstown, Massachusetts, United States
Description
Degas presents himself in a striking hat, white painting smock, and orange cravat. The delicate modeling of the face, much of which is in shadow, contrasts with the unpainted area in the bottom left corner.
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