Two-day-old colt Marilyn Meadows Bernstein Salt River Wild Mustangs; 2025
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shark vs the universe

Origami Around
will byers stan first human second
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"

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Two-day-old colt Marilyn Meadows Bernstein Salt River Wild Mustangs; 2025

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Tove Jansson (Finnish, 1914–2001), Moomin and the Mymble paint an Easter egg
Gabriella Papadakis and Madison Hubbell photographed by Joel Hunn at Art on Ice. The two performed as a “historic female duet”, challenging traditions and and gender stereotypes in the figure skating world
Source: joel.hunn on Instagram
Walton Ford (American, b. 1960, Larchmont, NY, USA, based New York City, NY, USA) - La Marchesa, 2024, Paintings: Watercolor, Gouache, Ink on Paper
Michrich Goodelle

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"Wrath of Marit Lage"
Ice Age 1995 | Illus. Mike Raabe
Church of Prophet Elias. Amorgos, Greece.
My current posting location.
Acid Land by Snid Ziejko, 1967.
Monkey chases and bites dog: the dog comes back with pack of friends to settle scores, 2024 - by Anuj Jain (1999), Indian
Georges Rochegrosse, Le Chevalier aux Fleurs (The Knight of the Flowers) (detail) (1894), oil on canvas

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A Bar at the Folies-Bergère 1882, The Courtauld, London (Samuel Courtauld Trust) Édouard Manet 1832 – 1883
C/2020 F3 (NEOWISE) 16 July 2020
Egon Schiele Self-Portrait in Street Clothes, Gesturing 1910 Watercolor and pencil on brown paper 16 3/4 × 10 3/4 in. (42.55 × 27.31 cm) Sheet: 17 1/8 × 12 3/8 in. (43.5 × 31.43 cm) Mat: 24 3/8 × 17 1/2 × 3/8 in. (61.91 × 44.45 × 0.95 cm)
“You write the beginning and then you go back and rewrite the beginning, and you never got off page one. It’s kind of a syndrome, and I have a rash piece of advice which is — Go on, page two, page three, and never look back. Get something finished, no matter how lousy it is. […] Perfectionists cannot get going unless they kind of do violence to their own instincts, and just blast ahead.”
— Ursula K. Le Guin, The Last Interview and Other Conversations

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Papilio asterias. Handbook of zoology. 1880.
Internet Archive
Jean-Michel Basquiat in his room at the Ritz-Carlton Hotel in New York City, 1984. Photos by Andy Warhol1