i am working on the fleeces btw.
it is a lot. pls be patient i will contact you.
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i am working on the fleeces btw.
it is a lot. pls be patient i will contact you.

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Camping photos from the weekend:
Bonus picnic table with a very aussie name
And a scenic drive home, where someone is very happy to see us.
honestly i really want to drop some info on pigment lightfastness but i'm too tired rn.
i will say most student grade paints are not going to be formulated with lightfastness in mind. you need artist grade paints or you need to do research and pick carefully. and even a lot of artist grade paints are fugitive and understood to be so. i don't like that but it is how it currently is.
i spend a lot of time on blick looking at what pigments are in paints. there is probably a better way to do it, but i find it convenient.
most good quality paints have pigment info on the tubes.
it'll say something like PBk7 (lamp black) or PB29 (ultramarine blue) both of those are extremely lightfast.
the listing on blick have this info for colors, along with the industry blurb about the pigment(s) before you buy them or if you've found something and want to look it up.
i love this site but it is extremely nerdy and requires a signup.
Artist pigment database with cross reference of 80551 artist paints. Search and browse by 929 pigments, 1397 brands and 36 artist mediums (f
it's also worth looking up vids about lightfastness for your medium on youtube. lots of ppl have done a lot of good work about it.
oh also there are uv sealants you can buy but you have to apply many coats and there's mixed evidence on how it works. it's not an accessible option for me with my health as it is (fumes, long hours standing and spraying) but ppl have had luck with it. again youtube is great resource here
ok one more since i recently got a new tube of ultramarine since i ran out.
you might think that the pigment info should be here. there's a big white space they could put it in.
but no, it's in teeny tiny print round the back. i have to use my macro lens on my phone to read it and once you start squeezing the tube it often gets crumpled and you can't read it at all.
i find this annoying.
I imagine putting it somewhere where there's UV filters on the glass might help more than a sketchy coating, no?
i honestly have no idea. seems like something that needs testing.
i personally tend toward thinking of my art as temporaryish. i'm not selling it, i'm not a master painter, i don't think that my work has any real value beyond me enjoying making it.
i do my best to get pigments that don't fade and aren't super exploitative or toxic and tbh almost all of my paintings are in a box. there's really not enough space to hang them up and no one has asked for one.
i paint to stay sane lol what happens to the paintings later is probably being tossed out eventually tbh.
i love learning about pigments mostly for nerd reasons ngl. but i do know a lot at this point.

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honestly i really want to drop some info on pigment lightfastness but i'm too tired rn.
i will say most student grade paints are not going to be formulated with lightfastness in mind. you need artist grade paints or you need to do research and pick carefully. and even a lot of artist grade paints are fugitive and understood to be so. i don't like that but it is how it currently is.
i spend a lot of time on blick looking at what pigments are in paints. there is probably a better way to do it, but i find it convenient.
most good quality paints have pigment info on the tubes.
it'll say something like PBk7 (lamp black) or PB29 (ultramarine blue) both of those are extremely lightfast.
the listing on blick have this info for colors, along with the industry blurb about the pigment(s) before you buy them or if you've found something and want to look it up.
i love this site but it is extremely nerdy and requires a signup.
Artist pigment database with cross reference of 80551 artist paints. Search and browse by 929 pigments, 1397 brands and 36 artist mediums (f
it's also worth looking up vids about lightfastness for your medium on youtube. lots of ppl have done a lot of good work about it.
oh also there are uv sealants you can buy but you have to apply many coats and there's mixed evidence on how it works. it's not an accessible option for me with my health as it is (fumes, long hours standing and spraying) but ppl have had luck with it. again youtube is great resource here
ok one more since i recently got a new tube of ultramarine since i ran out.
you might think that the pigment info should be here. there's a big white space they could put it in.
but no, it's in teeny tiny print round the back. i have to use my macro lens on my phone to read it and once you start squeezing the tube it often gets crumpled and you can't read it at all.
i find this annoying.
honestly i really want to drop some info on pigment lightfastness but i'm too tired rn.
i will say most student grade paints are not going to be formulated with lightfastness in mind. you need artist grade paints or you need to do research and pick carefully. and even a lot of artist grade paints are fugitive and understood to be so. i don't like that but it is how it currently is.
i spend a lot of time on blick looking at what pigments are in paints. there is probably a better way to do it, but i find it convenient.
most good quality paints have pigment info on the tubes.
it'll say something like PBk7 (lamp black) or PB29 (ultramarine blue) both of those are extremely lightfast.
the listing on blick have this info for colors, along with the industry blurb about the pigment(s) before you buy them or if you've found something and want to look it up.
i love this site but it is extremely nerdy and requires a signup.
Artist pigment database with cross reference of 80551 artist paints. Search and browse by 929 pigments, 1397 brands and 36 artist mediums (f
it's also worth looking up vids about lightfastness for your medium on youtube. lots of ppl have done a lot of good work about it.
oh also there are uv sealants you can buy but you have to apply many coats and there's mixed evidence on how it works. it's not an accessible option for me with my health as it is (fumes, long hours standing and spraying) but ppl have had luck with it. again youtube is great resource here
honestly i really want to drop some info on pigment lightfastness but i'm too tired rn.
i will say most student grade paints are not going to be formulated with lightfastness in mind. you need artist grade paints or you need to do research and pick carefully. and even a lot of artist grade paints are fugitive and understood to be so. i don't like that but it is how it currently is.
i spend a lot of time on blick looking at what pigments are in paints. there is probably a better way to do it, but i find it convenient.
most good quality paints have pigment info on the tubes.
it'll say something like PBk7 (lamp black) or PB29 (ultramarine blue) both of those are extremely lightfast.
the listing on blick have this info for colors, along with the industry blurb about the pigment(s) before you buy them or if you've found something and want to look it up.
i love this site but it is extremely nerdy and requires a signup.
Artist pigment database with cross reference of 80551 artist paints. Search and browse by 929 pigments, 1397 brands and 36 artist mediums (f
it's also worth looking up vids about lightfastness for your medium on youtube. lots of ppl have done a lot of good work about it.
Hmm. Mad at some paint. Time for an experiment.
Okay so in fall 2024 i took an acrylic painting class that was a bit frustrating.
I've painted with acrylics before, and am familiar with liquitex and dahler-rawley student-grade paints.
But I knew that for this class I'd go through a lot of paint, so I bought a bunch of paint at walmart that i used alongside a tube of burnt umber from Michael's, a tube of cyan from a pop shop in texas, and like three partial tubes of titanium white liquitex from a local art store that closed about fifteen years ago and that I miss terribly.
This was a beginning painting class, and like a lot of beginner classes it had a bunch of basic exercises. One of the assignments was to translate an image to a grid and transfer it to a small canvas as a color study. Here's what I did:
It was a fun assignment and I liked how it looked so I pinned it to a cork board.
A couple months ago I glanced at it and noticed that maybe the cheap paints I'd gotten were somewhat less lightfast than I'd expected:
This does not match my prior experience with acrylic paint.
been really struggling with art today but i don't hate this self portrait. it's not perfect but it does have some things going for it.

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Trump watching the Fox News feed of himself watching Fox News
ok now some god needs to turn him into a flower. i think a corpse flower would be appropriate.
A diagram comparing a human hand to the equivalent limb in other mammals from Henry Fairfield Osborn's The age of mammals in Europe, Asia and North America (1910).
Full text here.
There was this woman poet in 4th century China called Su Hui (蘇蕙), a child genius who had reportedly mastered Chinese characters by age 3.
At 21 years old, heartbroken by her husband who left her for another woman, she decided to encode her feelings in a structure so intricate, so beautiful, so intellectually staggering that it still baffles scholars to this day.
Came to be known as the Xuanji Tu (璇璣圖) - the "Star Gauge" or "Map of the Armillary Sphere" - it's a 29 by 29 grid of 841 characters that can produce over 4,000 different poems.
Read it forward. Read it backward. Read it horizontally, vertically, diagonally. Read it spiraling outward from the center. Read it in circles around the outer edge. Each path through the grid produces a different poem - all of them coherent, all of them beautiful, all of them rhyming, all of them expressing variations on the same themes of longing, betrayal, regret, and undying love.
The outer ring of 112 characters forms a single circular poem - believed to be both the first and longest of its kind ever written. The interior grid produces 2,848 different four-line poems of seven characters each. In addition, there are hundreds of other smaller and longer poems, depending on the reading method.
At the center a single character she left implied but unwritten: 心 (xin) - "heart." Later copyists would add it explicitly, but in Su Hui's original the meaning was even more beautiful: 4,000 poems, all orbiting the space where her heart used to be.
Take for instance the outer red grid of the Star Gauge. Starting from the top right corner and reading down, you get this seven-character quatrain:
仁智懷德聖虞唐,
貞志篤終誓穹蒼,
欽所感想妄淫荒,
心憂增慕懷慘傷。
In pinyin, it is:
Rén zhì huái dé shèng yú táng,
zhēnzhì dǔ zhōng shì qióng cāng,
qīn suǒ gǎnxiǎng wàng yín huāng,
xīn yōu zēng mù huái cǎn shāng.
Notice how it rhymes? táng / cāng / huāng / shāng
The rough translation in English is: "The benevolent and wise cherish virtue, like the sage-kings Yao and Shun, With steadfast will I swear to the heavens above, What I revere and feel - how could it be wanton or dissolute? My heart's sorrow grows, longing brings only grief."
Now read it from the bottom to the top and you get this entirely different seven-character quatrain:
傷慘懷慕增憂心,
荒淫妄想感所欽,
蒼穹誓終篤志貞,
唐虞聖德懷智仁。
The pinyin:
Shāng cǎn huái mù zēng yōu xīn,
huāngyín wàngxiǎng gǎn suǒ qīn,
cāngqióng shì zhōng dǔzhì zhēn,
táng yúshèngdé huái zhì rén.
It rhymes too: xīn and qīn, zhēn and rén
And the meaning is just as beautiful and coherent: "Grief and sorrow, longing fills my worried heart, Wanton and dissolute fantasies - is that what you revere? I swear to the heavens my constancy is true, May we embody the sage-kings' virtue, wisdom, and benevolence."
That's just 2 poems out of the over 4,000 you can construct from the Xuanji Tu!
At the very center of the grid, the 8 red characters wrapped around the central heart, she "signed" her poem with a hidden message:
詩圖璇玑,始平蘇氏。 "The poem-picture of the Armillary Sphere, by Su of Shiping."
Or reversed:
蘇氏詩圖,璇玑始平。 "Su's poem-picture - the Armillary Sphere begins in peace."
Many scholars, and even emperors, throughout Chinese history have been completely obsessed by Su Hui's puzzle.
For instance, in the Ming dynasty, a scholar named Kang Wanmin (康萬民) devoted his entire life to the poems (kangshiw.com/contents/461/2…), ending up documenting twelve different reading methods - forward, backward, diagonal, radiating, corner-to-corner, spiraling - and extracting 4,206 poems. His book on the subject ("Reading Methods for the Xuanji Tu Poems", 璇璣圖詩讀法) runs to hundreds of pages.
Empress Wu Zetian herself, the legendary woman emperor of the Tang dynasty, wrote a preface to the Xuanji Tu around 692 CE (baike.baidu.com/item/%E7%BB%87…).
Incredibly, there's even far more complexity to the Xuanji Tu than just the poems:
- The name 璇玑 (Xuanji) - Armillary Sphere - is astronomical in meaning and the way the poems can be read mirrors the way celestial bodies orbit around a fixed center. It's a model of the heavens.
- Her original work, with the characters woven on silk brocade, was in five colors (red, black, blue/green, purple, and yellow) which correspond to the Five Elements (五行) - the foundational Chinese philosophical system that explains how the universe operates. So it's also a model of the entire cosmic order according to ancient Chinese philosophy.
- It's also of course deeply mathematical with this 29 x 29 perfect square grid, with sub-squares, lines and rectangles, and a structure which allows for symmetrical reading patterns in all directions
- Last but not least, the content of the poems themselves contain multiple registers. On top of expressing her personal grief and longing for her husband, it's also filled with accusations against the concubine (Zhao Yangtai) he left her for, reflections on politics (with many references to sage-kings) and philosophical reflections.
So the Star Gauge is simultaneously:
- A love letter (expressing personal longing)
- A legal brief (arguing her case against her rival)
- A cosmological model (structured like the heavens)
- A Five Element diagram (encoding the fundamental structure of the world according to ancient Chinese philosophy)
- A mathematical construction with perfect symmetry and precision
And yet, for all this complexity, we should not forget this was all ultimately in service of the simplest human message imaginable: a 21-year-old woman asking the love of her life "come back to me".
Her husband did, eventually. According to what empress Wu Zetian herself wrote in her preface to the Xuanji Tu, when he received Su's brocade he was so "moved by its supreme beauty" that he sent away his concubine and returned to his wife. As the story goes, they lived together until old age.
The heart at the center was filled after all.
I wish I could travel through time and transcend language to hold this woman’s hand and tell her “girl, he ain’t shit”
What To Know About Cyclosporiasis
Cases of cyclosporiasis, a parasitic infection that can cause “explosive diarrhea,” have been reported in at least 34 states. The Onion shares everything you need to know about the illness.
So what ARE your opinions on field vs water retting? I’m gonna farm some fiber this year
Water retting makes flax a beautiful golden color, but field retting is easier to keep an eye on.
ALSO, I've come to the conclusion that Tolkein's Teleri elves did field retting for the sails of the swan ships, because field retting leaves the flax a beautiful silvery gray, and while all flax will eventually bleach to white with washing in lye and sun the sails are supposed to be pale and the silver would suit the aesthetic better than the golden color you get from water retting. Thank you for coming to my TED talk.
Oh you’re SO right about that. Now I’m thinking about elven textile manufacturing….
Welcome to our super niche nerd Tolkien Elves Textile Work Fan Club. Me and @batsintheshadows are founding members. We both have Opinions about linen and nettle fiber.
The amount of time they have to master stuff no arthritis or aging eyes their lace craft is probably sickenly good.
THAT'S WHAT WE'RE SAYING LIKE
These MF folks can casually spend 300 years mastering bobbin lace and then can casually spend 100 years making one full length entire ass bobbin lace DRESS out of linen spun as fine as a sigh. Can you fucking IMAGINE the absolute Bullshit they get up to with fancy weaving.
And you'd be far less likely to lose techniques to time. Like, there's a bunch of stuff we don't know about even just flax processing, because most of the people who were insanely good at it lived before the world wars. The world wars messed up linen production at scale in a lot of Europe, and people didn't have the resources to get back to it until after a lot of the experts had already died of old age.
Old age is not an issue for the elves. Quite aside from having the individual ability to spend time on their work, you just wouldn't lose the experts.
My guilt has been part of an effort to reprint the Davison green book, in cooperation with Marguerite Davison's descendants. Imagine if we just, like, still had Marguerite Davison.
I mean, we can't know how many techniques were lost to Fëanor's BS, but I bet there were some Teleri sail weavers with special techniques. But at least time itself wouldn't be the problem.
@systlin if I could make a formal introduction: @dreamingdormouse is one of my best friends from college who is a veritable encyclopedia of knowledge on many topics but esp. fiber craft, using spreadsheets in novel ways, and fantasy literature.
@dreamingdormouse, @systlin is a distant cousin of mine who does swords, native flora restoration and takes the piss on bad fantasy and sci-fi authors.
I think you two would be excellent friends.
OMG HIIIIII @dreamingdormouse!!!! Lovely to meet!
AND yOU ARE SO RIGHT. Can you IMAGINE if we could just. Go and ASK about things like historical techniques becaue there was an Egyptian weaver who provided cloth to Ramses II STILL ALIVE.
Cirdan is like 7,000 years old. There's got to be some Unbegotten around yet who INVENTED elvish weaving.

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Uh-oh, you’ve been murdered! What fictional detective duo do you want to solve your case
* Bruce Wayne/Batman and Robin (any) (Batman)
* Dulcie Collins and Eddie Redcliff (Deadloch)
* Fox Mulder and Dana Scully (X Files)
* Jake Peralta and Charles Boyle (Brooklyn Nine Nine)
* Maomao and Jinshi (Apothecary Diaries)
* Richard Castle and Kate Beckett (Castle)
* Shawn Spencer and Burton “Gus” Guster (Psych)
* Sherlock Holmes and John Watson (Sherlock novels and adaptations)
* Spenser and Hawk (Spenser novels)
* Temperance Brennan and Seeley Booth (Bones)
* someone else
* see results
Uh-oh, you’ve been murdered! What fictional detective duo do you want to solve your case?
Bruce Wayne/Batman and Robin (any) (Batman)
Dulcie Collins and Eddie Redcliff (Deadloch)
Fox Mulder and Dana Scully (X Files)
Jake Peralta and Charles Boyle (Brooklyn Nine Nine)
Maomao and Jinshi (Apothecary Diaries)
Richard Castle and Kate Beckett (Castle)
Shawn Spencer and Burton “Gus” Guster (Psych)
herlock Holmes and John Watson (Sherlock novels and adaptations)
* Spenser and Hawk (Spenser novels)
Temperance Brennan and Seeley Booth (Bones)
someone else
see results
heat wave