UPDATE because apparently not everyone has seen this yet the new and improved version of this is a MEGA folder

You do not have to like these terms. I myself don’t care for most of them. And, yes, you can criticize them. But that’s not what you are doing. 

This, “just call me a slur, lol,” is just mocking the idea of having more gender neutral words. That’s what a lot of the comments are doing, “half of there already have gender neutral terms.” 

Sure, but your missing that point. That point is to give non binary, genderqueer and gnc people language. Yes, parent is in fact gender neutral and you may very will be ok using that for yourself in place of father/mum/pappa/mammi, ect. But words have connotation and for many people just being a parent is not good enough. Many of us want words that are similar to mother, mom and mommy respectively. Because at then end of the day these words are closely related but ultimately different. 

This 7th of May, 2026, we use our own language again!

If your language, native or not, is something other than English, on May 7th you're encouraged to speak that language all day!

You’ll blog in your chosen language(s) all day: text posts, replies, tags (except triggers and organisational tags).

Regardless of what language people choose to speak to you, you can answer in your own.

Non-verbal, non-written languages (like sign language and dialects) are more than welcome!

English native speakers can participate in any other language they're studying/have studied/know.

The tag is gonna be #Speak Your Language Day or #spyld for short.

Please submit me some language facts for me to share on this day <3

So for example. I speak Spanish, and i was taught to address everyone formally unless specifically invited otherwise. People explained to me that "usted" was formal, for use with strangers, bosses, and other people you respect or are distant from, while "tú" is used most often between family and good friends.

That's pretty straightforward, but it gets interesting when you see people using "tú" as a form of address for flirting with strangers, or for picking a fight or intimidating someone. In other languages I've sometimes heard people switch to formal address with partners, friends or family to show when they are upset. That's just so interesting! You're indicating social and emotional space and hierarchy just in the words you choose to address the other person as "you"!!

Not to mention the "what form of address should I use for you...?" conversation which, idk how other people feel about it, but to me it always felt awkward as heck, like a DTR but with someone you're only just becoming comfortable with. "You can use tú with me" always felt... Weirdly intimate? Like, i am comfortable around you, i consider you a friend. Like what a vulnerable thing to say to a person. (That's probably also just a function of how i was strictly told to use formal address when i was learning. Maybe others don't feel so weird about it?)

And if you aren't going to have a conversation about it and you're just going to switch, how do you know when? If you switch too soon it might feel overly familiar and pushy but if you don't switch soon enough you might seem cold??? It's so interesting.

I speak Icelandic. Icelandic doesn't have titles or last names or everyday use of a formal plural or any other obvious markers of formality and intimacy. Formality is still marked, just in non-grammatical lexical terms...but because it's not marked in ways I as a L1 English speaker recognize, it's harder for me to reproduce.

1. For folks who don't know, Japanese words/grammar change depending on formality, the genders of the speaker and listener, the age of the speaker and listener, etc.

2. But English words/grammar ALSO change depending on the above contexts described. It's just not formalized in grammar books. Consider the differences:

A. "The honor of your presence is requested for dinner this evening."

B. "I would like to invite you to dinner."

C. "Do you want to get dinner together?"

D. "Wanna grab a bite to eat?"

E. "Yo, bro, you want a burger?"

Etc. People will be like "it's wild that Japanese has different words for 'meal' depending on formality!! Gohan? Omeshi? Crazy!!!" But ENGLISH IS THE SAME WAY.

And this actually makes it harder for speakers of languages like Japanese to learn natural English, because they've been taught that there's no difference in tone between telling a waiter "I'd like a coffee" and "I want coffee." Since one of those feels easier to learn, they'll choose the option that makes them sound weirdly dickish to the waitstaff.

All that to say that it translates as “make a movie about black people, they said” but directly translated it says “make a movie about blue people, they said”.

However the word for fireplace, thinteán (tin-tawn), is very similar in pronunciation to the words tinn tón (teen tone) and they sometimes get swapped out for comedic value or to low key make fun of someone complaining.

See, tinn tón means sore butt.

That being said: bread technically is a dish that in many cases requires fungi to be made.

And cheese also.

I'm not aware of any specific common linguistic distinction in german between fungi and mushrooms.

Like... yeast in german is "Hefe" and sometimes specifically a "Hefepilz" @derinthescarletpescatarian

So... yeah sorry for my linguistic confusion.

There was this woman poet in 4th century China called Su Hui (蘇蕙), a child genius who had reportedly mastered Chinese characters by age 3.

At 21 years old, heartbroken by her husband who left her for another woman, she decided to encode her feelings in a structure so intricate, so beautiful, so intellectually staggering that it still baffles scholars to this day.

Came to be known as the Xuanji Tu (璇璣圖) - the "Star Gauge" or "Map of the Armillary Sphere" - it's a 29 by 29 grid of 841 characters that can produce over 4,000 different poems.

Read it forward. Read it backward. Read it horizontally, vertically, diagonally. Read it spiraling outward from the center. Read it in circles around the outer edge. Each path through the grid produces a different poem - all of them coherent, all of them beautiful, all of them rhyming, all of them expressing variations on the same themes of longing, betrayal, regret, and undying love.

The outer ring of 112 characters forms a single circular poem - believed to be both the first and longest of its kind ever written. The interior grid produces 2,848 different four-line poems of seven characters each. In addition, there are hundreds of other smaller and longer poems, depending on the reading method.

At the center a single character she left implied but unwritten: 心 (xin) - "heart." Later copyists would add it explicitly, but in Su Hui's original the meaning was even more beautiful: 4,000 poems, all orbiting the space where her heart used to be.

Take for instance the outer red grid of the Star Gauge. Starting from the top right corner and reading down, you get this seven-character quatrain:

仁智懷德聖虞唐，

貞志篤終誓穹蒼，

欽所感想妄淫荒，

心憂增慕懷慘傷。

In pinyin, it is:

Rén zhì huái dé shèng yú táng,

zhēnzhì dǔ zhōng shì qióng cāng,

qīn suǒ gǎnxiǎng wàng yín huāng,

xīn yōu zēng mù huái cǎn shāng.

Notice how it rhymes? táng / cāng / huāng / shāng

The rough translation in English is: "The benevolent and wise cherish virtue, like the sage-kings Yao and Shun, With steadfast will I swear to the heavens above, What I revere and feel - how could it be wanton or dissolute? My heart's sorrow grows, longing brings only grief."

Now read it from the bottom to the top and you get this entirely different seven-character quatrain:

傷慘懷慕增憂心，

荒淫妄想感所欽，

蒼穹誓終篤志貞，

唐虞聖德懷智仁。

The pinyin:

Shāng cǎn huái mù zēng yōu xīn,

huāngyín wàngxiǎng gǎn suǒ qīn,

cāngqióng shì zhōng dǔzhì zhēn,

táng yúshèngdé huái zhì rén.

It rhymes too: xīn and qīn, zhēn and rén

And the meaning is just as beautiful and coherent: "Grief and sorrow, longing fills my worried heart, Wanton and dissolute fantasies - is that what you revere? I swear to the heavens my constancy is true, May we embody the sage-kings' virtue, wisdom, and benevolence."

That's just 2 poems out of the over 4,000 you can construct from the Xuanji Tu!

At the very center of the grid, the 8 red characters wrapped around the central heart, she "signed" her poem with a hidden message:

詩圖璇玑，始平蘇氏。 "The poem-picture of the Armillary Sphere, by Su of Shiping."

Or reversed:

蘇氏詩圖，璇玑始平。 "Su's poem-picture - the Armillary Sphere begins in peace."

Many scholars, and even emperors, throughout Chinese history have been completely obsessed by Su Hui's puzzle.

For instance, in the Ming dynasty, a scholar named Kang Wanmin (康萬民) devoted his entire life to the poems (kangshiw.com/contents/461/2…), ending up documenting twelve different reading methods - forward, backward, diagonal, radiating, corner-to-corner, spiraling - and extracting 4,206 poems. His book on the subject ("Reading Methods for the Xuanji Tu Poems", 璇璣圖詩讀法) runs to hundreds of pages.

Empress Wu Zetian herself, the legendary woman emperor of the Tang dynasty, wrote a preface to the Xuanji Tu around 692 CE (baike.baidu.com/item/%E7%BB%87…).

Incredibly, there's even far more complexity to the Xuanji Tu than just the poems:

- The name 璇玑 (Xuanji) - Armillary Sphere - is astronomical in meaning and the way the poems can be read mirrors the way celestial bodies orbit around a fixed center. It's a model of the heavens.

- Her original work, with the characters woven on silk brocade, was in five colors (red, black, blue/green, purple, and yellow) which correspond to the Five Elements (五行) - the foundational Chinese philosophical system that explains how the universe operates. So it's also a model of the entire cosmic order according to ancient Chinese philosophy.

- It's also of course deeply mathematical with this 29 x 29 perfect square grid, with sub-squares, lines and rectangles, and a structure which allows for symmetrical reading patterns in all directions

- Last but not least, the content of the poems themselves contain multiple registers. On top of expressing her personal grief and longing for her husband, it's also filled with accusations against the concubine (Zhao Yangtai) he left her for, reflections on politics (with many references to sage-kings) and philosophical reflections.

So the Star Gauge is simultaneously:

- A love letter (expressing personal longing)

- A legal brief (arguing her case against her rival)

- A cosmological model (structured like the heavens)

- A Five Element diagram (encoding the fundamental structure of the world according to ancient Chinese philosophy)

- A mathematical construction with perfect symmetry and precision

And yet, for all this complexity, we should not forget this was all ultimately in service of the simplest human message imaginable: a 21-year-old woman asking the love of her life "come back to me".

Her husband did, eventually. According to what empress Wu Zetian herself wrote in her preface to the Xuanji Tu, when he received Su's brocade he was so "moved by its supreme beauty" that he sent away his concubine and returned to his wife. As the story goes, they lived together until old age.

The heart at the center was filled after all.

"Me: What does ya tu sabes mean

Reanne: You already know

Me: No I don't"