⡠Pileated Woodpecker âˇ
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⡠Pileated Woodpecker âˇ

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In Defense of Mel Medarda
TLDR; Many viewers accuse Mel of hating or having disdain for Viktor. However, Mel has consistently shown she respects and cares about him as a person.
1. The Lab Scene
âMel looked at Viktor with disdain and ignored himâ
- Mel focused on Jayce because he was more likely to be persuaded. She was being pragmatic and defending her stance. She isnât making a personal dig against Viktor.
- Making sweeping assumptions about Melâs perception of Vik based on ONE scene is crazy. More on this later.
2. Hextech Weapons
âMel wanted to turn Viktorâs invention into a weaponâ
-Jayce used hextech to attack a factory and outfit a kill squad. Viktor used hextech to make super soldiers for a warlord. Yet Mel gets so much hate for suggesting weapons ONCE? And, for the rest of the show she is strictly against Hextech as a weapon.
- In S2E1 Mel tells Jayce, âI wonât let them corrupt your dream,â then the shot pointedly draws attention to her grasping Viktorâs cane. Sheâs most likely referring to both of them. In any case, Mel ultimately respected Viktorâs wishes (looking at you Jayce).
3. Melâs perception of Viktor
- Mel respects Viktorâs skills and abilities. In S2E8 Mel describes Jayce and Viktor as âtwo brilliant young inventorsâŚrallying the hope and hearts of a nation.â She sponsored hextech for years because she believed in the two of them.
- Mel has empathy for Viktor. You can see it in her expression when she learns heâs dying. She encourages Jayce to spend time with Vik so he wonât be alone. She goes to check on him after the explosion and is visibly concerned. âHeâll come back to usâ
4. Other Thoughts
- Mel doesnât hate Zaunites. Sheâs the first to vote for their independence. After the attack she and Caitlyn argue it was caused one person, not all of Zaun, and advocate against invasion. When Caitlyn reveals her plan sheâs clearly disturbed. (Might make a separate post on this)
- One conversation doesnât indicate the whole scope of a relationship. Hereâs an example, Jayce told Viktor, to his face, that Zaunites are dangerous and scolded him like a child. Does that mean Jayce hated Vik? No, was a lapse in judgement, not an indication he secretly looked down on Viktor. Why does Mel get so much more hate?
- Mel, at her core, is a good hearted person who values peace and mercy. Yes she has many flaws but characterizing her as a cold, self-serving person is incredibly unfair.
- If Jayce could see how two of the most important people to him are pitted against each other heâd be disappointed.
Thanks to @magalimoons, @starglossie, @bichletmepickaname, @mercutio-the-velaryon and nayabayybe on TikTok for inspiring some of these points.
Arcane
Artist: Geoffroy Thoorens / NaĂŻm Bonnot
Arcane
Artist: Charlotte O'Neill / Thibaud Delaperche
Arcane by SĂŠbastien Flores #1

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Arcane by SĂŠbastien Flores #2
was supposed to post this before feb ended oops lol
so true
please! Save me! đđđ
the cage is locked! .... đ with a key!đ
..... the drĂŚgun keeps it around his neck!đĽ´
... to slayyy the drĂŚgun đđ use the magic sword! đđĄď¸
I never saw all of the Dragon's Lair cutscenes until years later but I'd seen snippets as a kid and I was 100% positive she was supposed to be the dragon in disguise, just fucking with him. Like I thought that was a canon reveal somehow and it remained a false memory well into my adulthood. Would it not have made sense??? That or she's just completely on the dragon's side. This is not how you talk and act when you want to be "rescued" from the dragon. This is when you look forward to cooking knight burgers for your dragon husband.
The in-universe reason for her behavior is somehow way weirder than that, actually! This takes a bit of explaining, but I'll try my best to keep it concise.
So, originally, Princess Daphne was meant to be an homage/parody of traditional damsels in distress from classic sword and sorcery stories, in the same way the rest of the game is a parody of those elements (the lair is hyperlethal to a cartoonish degree, Dirk is a overconfident bumbling oaf that acts all stoic until he's actually in danger, most of the monster designs are meant to be evocative of classic Conan or Tarzan foes, etc.)
That's all pretty self evident, Daphne is a giggling ditz that doesn't do anything because the cultural idea of a sword and sorcery damsel in distress is that they're vapid arm candy that only exist to be trophies acquired at the end by dashing protagonists for doing something heroic.
However, when the time came to expand Dragon's Lair into a full franchise with its own TV show (done because the arcade industry was on the brink of collapse, and Don Bluth's video game division needed to scrounge up as much money from the IP as possible to keep itself going) they naturally realized that Daphne had to be an important character in it, and having her original characterization of "being the hot lady that Dirk saves at the end" from the games wouldn't really work for any form of extensive storytelling as a member of an action-comedy cartoon cast (even for a low budget tie-in one in the 80s.) So, they went for a different stock character archetype popular around that time: the put-upon clever female lead that has to wrangle in the stupid men in her life. Basically, the Dragon 's Lair cartoon is just the old Legend of Zelda cartoon, but with the serial numbers filed off and Ganon is a dragon instead of a pig.
Anyways, the show didn't do very well, only getting a single season of thirteen 30 minute episodes, but fans of the franchise DID like elements of it, and it's still treated as a canon prequel. Here's the problem, though: Daphne in the cartoon is a smart, no-nonsense adventurer who's often just as competent as Dirk. So... how does she go from that to the classic Princess Daphne characterization?
The answer is given to us by the Dragon's Lair comics that released to commemorate the series's 20th anniversary back in 2003, and it is...
The Author's Barely Disguised Fetish!
In the comic, Daphne starts out with her cartoon characterization as a spunky tomboy, even repelling an attack by Singe's minions by herself in a prologue story, but eventually does get captured. When she does, they finally explain what that weird-ass bubble prison actually is:
it fucking bimbofies you.
Literally, they describe it as it sapping your intelligence and making you more "frivolous", and make a point to state and show that Singe had used it on plenty of other princesses in the past, keeping them as his private slave harem in his treasure room.
Admittedly, it's a decently clever way to explain why a character would have two different characterizations between their major depictions, it does come off a little weird and tasteless? I'll leave that for the jury to decide, though.
I apologize for this not being as brief as I promised, but I think knowing why an initial characterization happened and then what the later justification for that characterization is was important to discussing it. But for anybody not wanting to sit through the whole blather...
Tl;Dr: Daphne is a weird ditz either because she's just another parody of sword and sorcery tropes OR she's basically a Mid-Bimbofication Princess Zelda, depending if you prefer your explanations Doyleist or Watsonian.
Use this knowledge as you wish, and thank you for reading!
The Bad Guys (2022) dir. Pierre Perifel

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a misogynistic society is so threatened by the concept of trans women - women that "had the opportunity" to be privileged men and chose not to - that they start making up privileges women have in order to explain why trans women exist. going into womens restrooms isnt a privilege, playing womens sports isnt a privilege, lesbianism isnt a privilege, yet they present them as such to try and explain why trans women are women for nefarious reasons. a misogynistic society will never understand that trans women have no ulterior motive for being women
Otra vĂctima el Chupacabra
canât stop laughing
Arcane by Florian Jouet
ARCANE | Ambessa Modeling | Ladislas Gueros
protect the vulnerable

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long-winded ramble about melvik and the arcane fandom
I really do believe the boom in the melvik ship has nothing to do with the show (obviously since they barely interacted) and more with black fans and fans of mel ( a black female character that they, by proxy, would have to be exposed to misogynoir when trying to engage with her content) separating themselves from the anti-black fandom into more niche places where outsiders are less likely to scrutinize. especially when you consider that the ship really started gaining more traction months after the showâs end (as opposed to right after or during, which is usually the case) and I think that correlates to the online harassment of mel (and meljay) fans ramping up. if someone is looking for non-art fan content of a character, most of it is revolved around shipping since solo, non-romantic fan fiction is unpopular and un-incentivized.
anybody whoâs been a fan of mel since s1 (or has scrolled more than 3 times in her tags on social media) knows that meljay, despite being one of the few actually canon ships on the show, was disparaged, minimized and scrutinized basically since its inception, with most of the onus being on Mel. as her most popular ship arguably until now, that meant if you were somebody that enjoyed mel (or meljay) you were basically getting flashbanged by vitriol to the point a lot of her content was a) people trashing her character or ship b) people fighting back against that undue backlash and coming in dead last c) actual content for the ship in question. This got significantly worse after the arcane writers took 3 percs each during the s2 writing period and validated fanon malice against her character within the show, further emboldening them. if you were a fan of mel or her most popular ship (and once again, canon relationship), you were signing up to be bombarded by bad takes (im being generous) every time you wanted to engage.
sometimes what happens in huge fandoms amongst marginalized fans, Iâve seen people exhausted of dealing with the vitriol branch off into an unlikely, unpopular ship and make that the new âsafe spaceâ and I definitely think thatâs what happened here.
with that being said, thereâs something very funny (/positive) about melvik now compared to its earliest iterations. a lot of early fan-content had a mean-spirited slant to their interactions that you can tell was adopted from the larger, jayvik fanon that they despised each other. there were also a fair amount of consolation prize polycule fan fiction that felt like the writers werenât confident in mel and viktorâs relationship on its own and the only thing that glued the love triangle together was wanting to appease jayce which isâŚlol. now it has its own fanon (e.i. pre-canon bitter exes) and better recognizes the merit of these characters outside of a polyamorous relationship. Iâve also noticed that there seems to be an uptick in fan content (art and fan fiction) that centers mel, or just outright de-centers jayce even if there is polyamorous relationship which wasnât as common before. i wonder how much that has to do with mel fans using the ship as an escape from the hatred in her other tags.
i think now, despite the parallels the writers either unintentionally created or failed to capitalize on, one of the biggest appeals to the ship (and fandom) is that it just embraces absurdism as a crack-ship that couldâve actually had some merit in the show if arcane wasnât written like thatâ˘ď¸. meljay is always diminished and those two characterâs love for each other gets debated every day ending in y, but with melvik thereâs no real need to prove itself. itâs a âwhy the hell notâ ship and now that the arcane fandom at large is starting to catch onto the fact it exists, itâs very funny seeing people argue about how a relationship like that could never happen in canon, as if fandom has ever upheld the original content as something non-transformative and above individual interpretation LMAOâŚ.
anyway. all of this to say that im a #nooticer and i #nootice things