a long and specific The Last Jedi meta - (spoilers)
Sorry, Iām on mobile for the weekend and so I canāt put this behind a read more.
Iām awake again and I wanted to write a meta for @om-nom-berries to explain the purpose of a certain scene in TLJ, because she was saying she could feel Rian Johnson put it in the movie for a reason, but she didnāt quite get what the point of the scene was.
The scene is the one where Rey stands in front of the mirror beneath the island.
So hereās my take on it. You were right, itās in the movie for a good reason. Iām glad to see that some of my favorite Star Wars meta writers loved that scene, so I look forward to them writing about it too.
Star Wars is about adolescents embarking on Joseph Campbell-style hero journeys and becoming adults. Like Luke Skywalkerās journey in the original trilogy, Rey is going on the same kind of journey to adulthood. (As is Kylo Ren.)
The Last Jedi is the first Star Wars movie that has been ballsy enough to delve into the sexual awakening/sexual maturation aspect of adolescents becoming adults. The Last Jedi is about sex. The physicality of the island of Ahch-To and the interactions between Rey and Ben take sexual suggestion to a level not seen in this series before.
Reyās journey is based on the āHeroineās Journeyā which is a little different than Joseph Campbellās Hero Journey. The step of her Heroineās Journey that involves the mirror is āThe Descent.ā
Ahch-To is an island of yonic usymbols - that is, images of female genitalia and sexuality. The tree that contains the Jedi texts has an entrance that looks just like a vulva/vagina. (Someone tweeted this at director Rian Johnson, and he admitted it was purposeful.)
It is only when Rey stops following Luke and enters the vagina tree, when she passes this vaginal threshold, that Rey finally gets to ask about the āsomething inside herā that she doesnāt recognize but is now āawake.ā Itās not just the Force - the āsomething inside herā is also her own burgeoning sexuality.
In The Force Awakens, we know the āawakeningā of the Force happens inside Rey. Adam Driver has also explicitly said the title āThe Force Awakensā refers to Kylo Ren as well.
Thatās why, in the novelization of TFA, Kylo is the one to seem to recognize Rey (āWho are youā¦?ā) and the reason why at the end, when she calls the lightsaber to her, he says, āIt is you.ā Because Kylo recognizes that Rey is also the āawakening in the Forceā that he and Snoke felt at the beginning of the movie.
They are linked together by their interactions in TFA, their mind-joining, their recognition of each othersā deepest fears, which spark the awakening of the Force in Rey, and which also (as we see in The Last Jedi) create a Force Bond between them.
All of this I mention only to set the stage, because in The Last Jedi, their already established dual Awakening is revealed to be not only an awakening in the Force, but also a dual sexual awakening. So we have to keep in mind, in a large part of this movie, the mysteries of the Force = the mysteries of Sex to the uninitiated. And itās about both of them, equals and opposites.
It shouldnāt be necessary to say how the interactions between Rey and Ben are sexually suggestive because the movie was so clear, but I will anyway:
Ben ending an interlude with Rey with moisture on his gloved fingers (I mean⦠this made me gasp in scandalized shock in the theater)
Rey stumbling upon Ben half-clothed and exposed, and Ben refusing to put a shirt on while walking toward her and not breaking eye contact
Long, lingering, direct eye contact while talking and commiserating about their secrets, their experiences and personal struggles
Ben stripping off his glove so he could slowly, deliberately touch Reyās outstretched hand skin-to-skin
Luke interrupting their hand-holding with a climactic explosion
But the actual sexiest interaction (besides the hand-holding, which happens right afterward) might be when Rey, quiet-voiced, opens up to Ben about her experience in the Dark Cave of Female Sexual Mysteries. The same Dark Cave that Luke was horrified she was attracted by, and shamed her for (spurring her Heroineās Journey crisis and Descent into that very cave, but Iāll get to that). The words she speaks while she explores the Cave is her confiding about the experience to Ben - the experience is explicitly tied to him.
As if the Vagina Tree wasnāt enough female sexuality imagery on Ahch-To, the entrance to the Dark Cave of The Force/Female Sexual Mysteries under the island is also shaped like a vaginal cavity, complete with what looks like pubic hair around the entrance and moisture (the water Rey falls into). Sheās still literally wet from her experience in the Burgeoning Sexuality Cave when she talks to Ben about it, when she touches his hand. Itās all so goddamn suggestive.
Now I should explain about the Descent in the Heroineās Journey. Hereās an excerpt from Using the Heroineās Journey:
āSomewhere inside, she begins to realize that something is missing from her life. She feels stretched thin. She looks in the mirror, and isnāt sure she knows the person looking back.ā
Rey enters the Vagina Tree and is asked who she is by Luke - her identity, her parents, is a subject that troubles her at the very core.
āThe Descent: In stage four, tragedy strikes. [Her allies] tell her she is a coward. Or perhaps that she is selfish, impulsive, or whatever despised quality the masculine attributes to the feminine.ā
Rey reaches out in the Force/her sexuality, and is immediately drawn to the Dark Force Sex Cave under the island, which horrifies Luke.
āBut she doesnāt hear them. She is already far away, undergoing her own inner turmoil. She begins a period of voluntary isolation, descending into a metaphorical cave. There time passes slowly. Itās dark; there are no sights or sounds to distract her. There she searches for herself. She may have to sift through a maelstrom of emotions. Anger, remorse, and grief may all set upon her. She might be afraid to follow her thoughts and feelings to their conclusion, but she knows she must.ā
Alone, Rey falls into the Cave and looks into the Mirror, searching for her own identity, the identity she already knows but is suppressing. She fractures into myriad selves of who she could be. She looks at the approaching figure behind the mirror.
(1000 other people have said this outlined figure looks like Ben Solo before it solidifies into Rey, and I strongly thought the same thing on both my viewings. Rey sees Benās outline in the mirror of who she is, her soul mate/twin soul/mirror opposite, and then the figure solidifies into her, merging the two of them. She is also speaking to Ben over this imagery, further linking them together. In the Initiation Cave of Female Sexual Imagery, the two of them merge.)
āMeeting With the Goddess: The heroine begins stage five in her darkest hour. But she is rewarded for her struggle when she encounters the goddess. The goddess symbolizes the true nature of the feminine, and the best of what the heroine left behind. The goddess imparts a great truth to the heroine about herself and the feminine.ā
Rey sees herself and is awakened to her female sexuality. Still literally wet, she immediately Skype calls Ben about it, and during that call, after she confides in him, she is the one to reach her hand out to touch him. They see a vision of their future, one where they are together. Immediately after this scene and after confronting Luke, she sheds her hairstyle of triple buns (a hairstyle she had kept the same since she was abandoned as a child) and lets her hair down as that of a sexually mature woman, and changes her clothes, and leaves to go to where Ben is. The subsequent fight scene where they work perfectly in sync has been discussed as it itās a realized sex scene.
Anyway, this is where my thoughts were at wrt this scene, and it might change when I see the movie again - Iāve only seen it twice and Iām not perfectly clear on the details. Canāt wait to read other peopleās thoughts about this sceneā¦