once I snorted a fat line of nuance and everything started depending. watch out
Cosmic Funnies

Origami Around
2025 on Tumblr: Trends That Defined the Year
One Nice Bug Per Day
RMH

Not today Justin
Color Me Curious
Cosimo Galluzzi
Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
Aqua Utopia|海の底で記憶を紡ぐ
Game of Thrones Daily
🩵 avery cochrane 🩵
art blog(derogatory)
$LAYYYTER

@theartofmadeline

seen from Germany
seen from Türkiye
seen from United States
seen from Lithuania

seen from Germany

seen from United States

seen from Germany

seen from Germany

seen from Germany

seen from United States

seen from Peru

seen from Australia
seen from Iraq

seen from Libya
seen from United States

seen from Türkiye

seen from Singapore
seen from Singapore
seen from United States
seen from United States
@pinholebooks
once I snorted a fat line of nuance and everything started depending. watch out

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Not enough military-adjacent sci-fi takes advantage of the humble rearguard action tbh.
(Not talking about hard military sci-fi since I haven’t read enough of it to say one way or the other. I’m talking soft quasi-military sf like Trek)
Like if you think about it narratively they’re incredibly useful because it’s a type of battle where:
1. No matter how spectacularly well the people fighting one do, it’s inherently not gonna successfully take down the big bad. Because the battle that could have done that is already lost. So it’s a time when they can win (achieve their objective of a successful orderly retreat) without winning. Always useful in a story where you need your protagonists to not win until the end.
2. You have an excuse for your Very Clever Plucky Band of Protagonists to be taking on a much much bigger and better armed force without it being just plain stupid to do so. No idiot balls here, just an acknowledgment that we inherently have to be asking a small force to hold off a large one, so the rest of our large force can get clear.
3. Great potential for a heroic sacrifice that doesn’t feel contrived BUT a sacrifice is not required. As mentioned in point 1 your protagonists can also do really well without it screwing up the pacing of the story. This means that your audience will not know for sure which way it is going to go based on the rules of storytelling. So you can get genuine tension/suspense and genuine catharsis.
4. Battle tactics and objectives can be complex and difficult to get across on page or on screen at the best of times, but “cover everyone else’s retreat from a lost battle” is easy to understand, sufficiently high stakes, and emotionally impactful—much more so than any convoluted “get the macguffin” or “take this territory” could ever be.
5. The combo of high stakes, inability to retreat (the whole point is they’re already retreating) and desperation mean it’s a perfect excuse for your protagonists to pull out all the stops. That experimental weapon that has a one in three chance of blowing up? Might as well use it because if we don’t not only are we dead, all our friends retreating behind us are too.
6. A rearguard action is easy to make unambiguously heroic or at least more morally defensible many other kinds of battle. Whatever lead up to this, right now our allies are just trying to not get killed/captured and we are standing between them and a force that wants to overwhelm and kill/capture them. This works even when the antagonist force isn’t evil or dishonorable, because “chase a retreat to try to turn it into a rout or full surrender” is considered pretty acceptable in many kinds of warfare, so your Honorable Enemy is likely to engage in it to an extent—it’s not reserved for the Evil Forces of Evilness.
My favorite scenes in the LotR books are the ones where Legolas has vital information and just decides it's not important to share.
Like when Gandalf spent literal PAGES trying to figure out why the vibes were off in Moria and Legolas chimes in with just "it's a balrog :) that shit's evil :) we're so fucked :)" like what do you MEAN you knew already and just didn't tell him??
Or at the beginning of Two Towers when Aragorn thinks there's something nearby so he puts his ear to the ground to listen, and then like 10 minutes later is like "hmmm i hear horses" and Legolas is just like "mm yep. there are 105 blond bitches with spears" like you just let your friend put his face in the dirt and you can SEE them??
Legolas please gain a sense of urgency
It's because legolas hasn't spent enough time with non-elves to remember that they don't know what he knows.
gandalf is scratching his head in moria, and legolas is thinking "oh man, the wizard noticed something off *besides* the obvious balrog that we all are aware of??"
"I wonder what aragorn is listening for? must be hard to hear, what with all of the horses. How many horses are there, actually? 1... 2... 3..."
"What do your elvish eyes see?" is Aragorn saying, as politely as possible, "Because the REST OF US are at a significant disadvantage, Prince Dipshit."
when the character is obsessive and desperate and guilty and scared and ashamed and traumatized and repressed
~ Rainer Maria Rilke (translated by Stephen Mitchell)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
well then can we at least sexualize the problem
Hellraiser (1987) press still
i’m not even that much of a pervert i can just find the eroticism in anything. doesn’t get me bricked up necessarily i just like to appreciate it.
I'm touching the beast that's slouching towards Bethlehem right now and it's smooth as hell
post doriath galadriel who has picked up melian’s weird maiar mannerism most strongly to the point that she is kinda uncanny for most of the elves in eregion

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"Write character relationships that are normal" WRONG ☝ CODEPENDENCY BEAM 💥💥💥💥💥💥💥💥💥💥💥
I had noticed these strange little occurrences all my life. A bird would fly past my window and it'd sorta look like it was half there, half not. I'd glance up at a clock and for a moment, the second hand would be in two places at once. Never really thought much about it. I thought it was just normal. Someone told me once about the clock hand illusion where you flick your eyes and it looks like time stops for a half second or so, I figured it was something weird like that.
But one day, I think it was August 2021, I flipped a coin. Thinking back, I think it might have been the first time in my life I'd ever flipped a coin. But we were deciding where to eat, me and my friends.
And then it happened. The coin landed on the table, heads... and also on the floor, tails. I tracked the coin with my eyes, but suddenly realized I was looking at two things at the same time. It was like crossing your eyes, and seeing things kinda overlaid on top of eachother, kinda mixing and fading in and out, but with four eyes instead of two.
It was such a weird experience. At first I just stood there kinda motionless, trying to figure out what was going on. Then my friend bent down and picked up the coin off the floor, and said "Hah! Tails! Pizza!" and also she just stood there and said "Damnit. Heads. Guess we're gonna get burgers after all."
And I looked down at her and up at her at the same time.
That's really when the desynch started. I reached for the coin on the table and held a fuzzy, half-there, transparent coin in my hand.
I began to feel kinda sick. We got in the car and things got more and more confusing. Thank goodness I wasn't driving that day. My friends were having two increasingly different conversations and I just sat there kinda dissociating. By the time we got to the two different restaurants I was nauseated and I had a bad headache. I stayed in the car in the parking lot at the pizza place for a few minutes until the other car going to the burger place parked. One of my friends was worried and stayed with me, so that was nice. But when I tried getting out of the car, everything went wrong.
One of my bodies walked right into another car and fell down on the ground, while the other stopped and froze in place. The completely different sense of proprioception completely broke me.
I was basically bedridden for a week. Slowly I relearned how to move, and walk, and talk. I had two bodies, in two timelines, connected by a single consciousness. My brain(s?) had to learn how to control two bodies at the same time.
It's like, pretty weird, but I'm used to it these days. My two sets of eyes no longer overlay on top of one another, they're kinda separate. It's hard to describe. I think my brain got better at multitasking too, I can walk in one timeline and draw in the other, for example.
Things kept getting more and more different, as much as I tried to enforce keeping things the same. Finally I started seeing my therapist again.
I had to convince her that what I was experiencing was real. So I asked her to think of her favorite food and her favorite color. Then in the "Burger" timeline I asked her to tell me her favorite food, and in the "Pizza" timelines I asked her to tell me her favorite color. And I told her her favorite color in the burger timeline and her favorite food in the pizza timeline (Spaghetti and Red, btw.)
She quizzed me on a few other things and sometimes her answers differed between the two timelines which was pretty frustrating, and I don't think she really believed me at first, but she was nice enough to play along at least. And like, not have me committed.
I ended up scheduling my therapy so that I have meetings on pizza tuesday and burger friday, so they're kinda spaced out more evenly. It also just makes the meetings a little less confusing. Ironically doing the same thing in both timelines is actually more distracting than doing different things.
In late 2022 I transitioned. I decided to come out in the burger timeline and stay in the closet in the pizza timeline, so if everything fell apart I'd still have one normal timeline. And like, my parents did not support me. Most of my friends did, but some of them drifted away. And I found that just made me resentful of my parents and those friends in the pizza timeline. And the dysphoria of being a guy in the pizza timeline while living as a woman in the burger timeline was killing me. So when I got on HRT in early 2023 I decided I couldn't take it anymore, I had to transition in both timelines. So I did. Ironically things went a little smoother in the pizza timeline, probably because I was already more confident about presenting female.
I ended up making some transfem friends in the burger timeline, and I sought them out in the pizza timeline too.
It's kind of a mixed bag, this phenomenon. You know like, pain is a lot worse. One week I had a bad tummy ache in the pizza timeline and a bad toothache in the burger timeline. Or like, if I have back pain in one timeline, not having back pain in the other timeline doesn't relieve the feeling at all.
It's such a cool thing, like. When I first started out I had all these conflicting signals in my limbs and body and stuff. But now it's just like. Yeah I have a pizza arm and a burger arm, just like I have a left arm and a right arm. They're the same, but different.
When I make a drawing in one timeline, I don't have access to it in the other timeline, which is really annoying because I keep wanting to show people art I made in the other timeline. One day I'll figure out some kind of interdimensional data transfer protocol. I mean I guess I could like, convert the file into hexadecimal text, and then manually type it out and hope I don't make any mistakes. I'd have to compress the hell out of the file though. Maybe I'll try that one of these days when I don't have anything to do in either timeline.
But I get to spend more time with my friends, because I can schedule hanging out on different days of the same week. Does get kinda confusing when I confuse things that happened in one timeline for another.
Because like, ever since that coin flip, the timelines have been steadily moving further apart. You'd be surprised how little the weather has changed. Like, sometimes there's a little rain shower in one timeline a few minutes earlier than in the other, but all the big storms and hurricanes and stuff are basically the same. I guess it's harder to influence these continent-scale systems than the butterfly effect predicts.
I get to see almost twice as much meteors during meteor showers because I can look in two directions at once. Meteors hit the atmosphere in exactly the same way at exactly the same time.
But it does affect a lot of other little things. Even when you don't realize it, you affect the lives of everyone you come into contact with in little ways, and that spreads. I know people with different jobs in each timeline, people who have different relationships. Even people I don't know that well.
I wasn't quick enough in the pizza timeline to keep my friend from. Well. To save my friend's life. But I rushed over to her house in the burger timeline and talked her down. It's so weird, grieving a person you still talk to every week. Because it ended up being this kind of abstract pain. Everyone else is missing her and you're standing there like. Yeah. I have plans to see a movie with her on burger tuesday. I went to her funeral just to make sure that I saw the dead body so I could really internalize that she was gone. And I still didn't cry. It made me feel like a terrible person.
My friends never really take me all that seriously when I talk about being split like this. They kinda play along but I can tell they think it's a joke. It's whatever. But my friend's girlfriend came into my DMs one night sobbing and cry-typing and begging me to let her talk to her gf one last time. I wasn't sure it was a good idea. But I relented, and made plans to have a sort of interdimensional seance.
I could tell my friend--we'll call her Elsie, and we'll call her girlfriend Robin. I could tell Elsie was pretty awkward about it. I think she felt guilty on behalf of her other, dead self. Robin kept saying stuff like "how could you kill yourself, how could you do this to me," and I would have to say that, and Elsie was just like "I'm sorry." And it was really hard to get Robin to understand that we weren't talking to Elsie's dead spirit, we were talking to her in another timeline. I told her she didn't have to apologize, and I told Robin that guilt tripping the dead was kind of rude.
After that things went a little more smoothly, Robin asked about how Elsie's life had gone, how their relationship had progressed you know like if they were still together, things like that. Elsie said some stuff that I wouldn't have known, and Robin was like. Wow you really are talking to Elsie aren't you?
And I was just like :| yep.
Ever since then my friends keep trying to get my help with stuff. Like they'll ask me what their other self is doing, like, ok, for instance, my friend, we'll call her Jane, she wanted to ask out her crush, and she was like ok. Can you ask the burger version of my crush if she likes me back. Which kinda throws the burger version of her under the bus doesn't it!
And another of my friends wanted to know if she'd regret quitting her job, so she told me to ask the other her to quit her job, and then if it went well she'd do the same. I did ask, and she said no, obviously.
The kinda scary thing is, every once in a while I'll see some of those artifacts that I used to see, like, little tiny desynchs within each timeline. I only recently got used to being in two timelines at the same time, I don't think I can handle being in three or four. My brain's already better at handling the desynch, like, one time I managed to move my finger in two directions at once all in the pizza timeline. But I'm really scared of the desynch multiplying over time. Maybe it's inevitable, but my main strategy is just to not flip any coins for the rest of my life.
Alright ladies and gems, I am done!
Started this the night “The Parting Glass” came out. I think we all had a lot of feelings about that ending (I cried, then bawled, then listened to the whole thing again cuz im a masochist).
I put this piece aside for a while because there were things I just couldn’t resolve (like the background). I’m glad I finally finished it. I think it might be one of my favorites.
Anyway, thoughts?
our longing for inconvenience by hanif abdurraqib (id in alt)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
our longing for inconvenience by hanif abdurraqib (id in alt)
free idea: pseudo-sappho volume of all the poems and fragments that get attributed to her but that no translator would actually include in even the most complete volume of sappho
i’m talking “may i write words more naked than flesh.” i’m talking “what cannot be said will be wept.” i’m talking “although only breath, the words which i command are immortal.” i’m talking “o soft and dainty maiden from afar.” i’m talking “beauty endures only for as long as it can be seen.” i’m talking (of course) “in the crooks of your body i find my religion.” i’m talking every time some poor contemporary poet has written something inspired by or responding to sappho or included sappho’s name in the title of their work only to have it cited as if it were sappho’s poem and not theirs.
all the sentences scratched onto vases next to a female figure holding a lyre. all the times a highly interpretive translator intentionally plays fast and loose with the greek and fills in massive lacunae only to be mistaken for a literal translation. there are so many of these kinds of ‘sappho’ fragments.
this.