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@piconoodle
Welcome to hell!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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People do not give us (Brasil) enough credit for:
Our fucked up dolphins
Our fucked up porcupines
Our fucked up snakes
This
What the fuck is that
can u be nice
oh wonderful i will get some mileage out of this as a new reaction image
really once you start getting bothered by how certain forms of violence are unreal to people you can’t stop. even stranger when they are not uncommon forms of violence, statistically. recently it’s been so grating how “stabbing” in fandom is used to be evocative of a kind of sexy, fun, “toxic” (but never abusive) violence by the same people who can’t deal with fannish interaction with rape as if they don’t come together frequently ie in domestic abuse and femicide. and of course it all sort of depending on this implicit impossibility that anyone reading your jokes about women erotically stabbing each other could have ever been stabbed. why is stabbing less bad? what is this hierarchy where it’s inherently less traumatizing to survive? why is it less bad when it’s a thing people often don’t survive? why is it “safe”?
Hey, did y'all see this?
I saw this when running newpipe. But wait, it gets deeper. I clicked on the details buttons and it said as of today, we have 83 days left until Google rolls out this new requirement for apps inside and outside of the google play store. If any developer disagrees with their new terms and fees, they will be blocked!
I'll share some of the info below:
Looks like they're trying to nuke the remaining privacy and freedoms we have left on the internet.
What to do?
-Get your developer friends to not comply to their new guides
- Sign the open letter on the site and take action by checking out the full resources list on their website as well!
To summarize, this is all daunting especially when you feel all alone with unfair and inhumane regulations comming out faster than improvements but we got this working together!
Share the link with your friends, family and anyone who will listen!
Your phone is about to stop being yours. In September 2026, Google will block every Android app whose developer hasn't registered with them.
If you're in the US, I created a petition to make it easier to contact senators and congressmen.
Join 1 people. Google is trying to make people hand over government id in order to make an Android app. If they don't, then that app can't b
If you're not in the US, see if your country is listed here for whom to contact.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Tigers by Antoine-Louis Barye, c. 1850-69
*turns my attention inwards* mmmmm. no *turns my attention back outwards* oh god
I see we’ve reached the “blame your failures on communist subterfuge” phase of the AI business plan
there are a NUMBER of folktale Woman-Creatures like selkies who exist to make the inherently coercive nature of heterosexual marriage explicit and to externalize male anxiety about how if your wife had actual autonomy she very well might disappear and you might never fucking hear from her again
which is a FASCINATING category of Woman-Creature imo
someone said it's also a cautionary tale about mistreating your wife and I think that's spot on especially for other related types of stories e.g. the crane wife. like I think these stories are very much Husband Anxiety Stories. the Woman-Creatures are black boxes whose interior experience it is impossible to know and who have strange and often seemingly arbitrary rules that you must follow or else they will disappear. idk. like. that's why I think that any empowering-to-women-ness qualities of these stories is incidental. I think they're externalized anxiety about coercive societal heterosexuality and the inability to truly Know one's wife in such circumstances.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Bosses and Coworkers: you've got a great work ethic, going above and beyond
Me: I am literally just doing my job. Everyone else is slacking off.
Everyone Else: (magically knows somehow the secret amounts of work the boss is actually asking of them, which the boss cannot tell anyone for Reasons)
There always seems to be a gap in instructions (from bosses, parents, teachers, friends, whoever) between 'required' and 'expected', and this gap is:
invisible
never explained
always a different size
you have to guess the size
if you guess wrong you either get Praised or In Trouble
At least on 'the price is right' you know (because someone *actually told you*) that you are playing a guessing game and that there is an over/under mechanic and that the conquence of guessing wrong isn't a punishment or damaged relationship or getting fired
On an unrelated note my psychiatrist has given me a referal for a formal ASD evaluation
This post is about the neurodivergent frustration of having to deal with neurotypical authority figures who don't say what they mean but I love the pro-union labor-rights energy I'm seeing in the notes
When Zuko apologized to uncle Iroh in the tent cause he was so ashamed of his actions and what he’d done to the only person who unconditionally believed in his ability to do good >>>>>
So okay, I’ve given this rant before but this is another good time for it.
Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people don’t notice immediately, and that even fewer people who want to emulate what was done with him get.
Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.
This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, “The Southern Air Temple,” is Aang reckoning with the genocide of his people… but the B-plot?
The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhao’s ass.
This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. That’s initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isn’t placed into direct conflict with the other protagonists, he’s always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. He’s placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.
Put aside for the moment whether any specific character, including Zuko, deserves their redemption. If you’ve decided you’re going to do that, you have to erect the proper narrative scaffolding around them, and it extends to far more things than “did this person not do things that were too horrible” and “is this person genuinely sorry and is working really hard to atone.” There’s a difference between protagonist and white hat, but if you want someone to eventually wear that white hat, you REALLY need to establish them as a plausible protagonist early on.
Yeah, it was made obvious from the get go that Zuko is definitely nowhere near Zhao’s level of nasty, which in turn means he’s nowhere near Azula’s and nowhere in the scope of Ozai’s.
1.)
He made a deal with Aang to leave the Southern Water Tribe alone if Aang went with him. When Aang escaped with help from two of those tribe members, Zuko didn’t demand they go back and destroy what was left of the tribe as revenge. He didn’t even think of it as an option. There was no split second where he went, should I/shouldn’t I?
2.)
This is repeated. He corners the Avatar somewhere, causes some damage to the area in the ensuing fight, but does not stick around to raze the village/monastery to the ground and kill the people when he doesn’t get what he wants. Doesn’t consider this a necessary action even once.
3.)
The Iroh&Zuko relationship is juxtaposed with the Zhao&Zuko relationship. Both older men have more power over him. Iroh is a retired War General and Prince who is not banished. Zhao is a Commander in favor of the Firelord, who is also not banished. We could tell early on that Iroh is wise and despite being on the bad side, seems to be pretty chill. We took a liking to him immediately. Zhao is the opposite. He is very much like early!Zuko. Impulsive, rude, loud, cocky, etc… But why is he more annoying? Why do we root for Zuko as opposed to him?
Because we see what Zuko is like with his Uncle Iroh. Iroh does not rub in the fact that he’s banished. He doesn’t use that when reprimanding him for his attitude or his failings. That is a hot iron and he knows it. It’s to the point where Iroh can bend fire in Zuko’s face and Zuko is perfectly relaxed over it and doesn’t once believe his uncle will hurt him. There is a lot of faith in Iroh, from this angsty teenager, and it’s very obvious with their interactions.
Zhao is not trustworthy from the start. We’re shown this by how both Zuko and Iroh are hesitant to interact with him and don’t want to linger in areas he has control over, for too long. They even lie to him despite him obviously having more favor in the Firelord’s eyes than either of them do. Zhao’s personality opposes both Zuko and Iroh. And as we like Iroh, we want him to win and have nice things, as stated above. But Zuko&Iroh is a package deal. And as Zhao reveals himself more and more to be nasty even if it’s subtle, we want Zuko to win even harder.
And even when Zuko wins and he’s in the prime position to do to Zhao what Ozai did to Zuko for also ‘speaking out of turn’… he doesn’t do it. He walks away. He is the bigger man in that scenario. And Iroh further puts shame onto Zhao when he goes against the sacred rules of the Agni Kai because he can’t handle a loss to a banished teen. We are shown that Zuko follows rules and has honor, which is reinforced by Iroh’s, ‘even in exile, my nephew is more honorable than you’. Iroh’s Word is basically Law at this point. Sf he says it is so, then he must be right and the audience accepts that. He knows Zuko better than us and hopefully we’ll get to understand more as the story progresses.
Already by the 3rd episode, we’re shown that Zuko is in no way the worst person from the Fire Nation. In fact, we’re given a sort of scale now from the four major Fire Nation people we know of. Iroh–Zuko——-Zhao–Firelord.
We’re also hoping that Iroh rubs off on Zuko enough for him to also become wise and learn to chill out.
4.)
When “The Storm” finally rolls around, we’re pretty invested by then in the Iroh&Zuko relationship and that episode gives us so much more info into Zuko’s character and we are shown that Iroh is right. He has honor and he cares for others. And yet it’s obvious the Firelord doesn’t because we see Zuko do the right thing(protesting the plan to treat new recruits as cannon fodder) in the wrong place, and then his face gets burned off by his father because of it. And further, he’s banished for refusing to fight his own father. What sane parent wants to do battle with their own child? What sane parent banishes their child for speaking out of turn at the defense of their own peoples’ lives? What the fuck is wrong with the Firelord?
Zuko was punished severely for showing compassion and having a kind heart. And Iroh(and the ship crew even) is properly mortified by the punishments his nephew received for it, which in turn affects the audience’s perception of this situation. Iroh doesn’t like it, it’s especially bad then.
Now we start wondering why does Zuko wants to go back to the guy who burned his face off?! Iroh, talk some sense into him! PLEASE!
Halfway through S1, they got us to the point of wanting Zuko to have a redemption arc.
Making the audience want a character to be redeemed is also very important in this. We were shown he has redeemable qualities. We want that pay off! Do it justice!
I love him!!!
by Christian Spencer
English added by me :)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
absolutely love this shot where rose is watching her home planet die off after five billion years and the doctor is just slaying off in the corner
Same image
Is this anything