Happy Anniversary to Transistor! (May 20, 2014)
DEAR READER

#extradirty

@theartofmadeline

Origami Around
Alisa U Zemlji Chuda
ojovivo

if i look back, i am lost
$LAYYYTER
"I'm Dorothy Gale from Kansas"

JVL
Sade Olutola
🪼
Stranger Things
let's talk about Bridgerton tea, my ask is open
Acquired Stardust


oozey mess

seen from United States
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@photonically-unstoppable
Happy Anniversary to Transistor! (May 20, 2014)

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medieval pride parade!
(prints)
You are perma tf'd into the first pokemon you generate on this website, how happy are you wit your new form
are you okay i noticed you reblogging "a raven with a damaged wing. it can still fly with ease" again
firefighter cass yaaay :} (twt prompt!!)

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i watched this cutscene again and felt like something was missing (sound on)
The delivery of these lines is better than anything else I’ve ever seen
the bar for what people will call "entitled" behaviour really can just be wherever the fuck depending on age and class can't it
i went at not writing island and saw all of you there
Me on not writing island, looking at you on not writing island knowing we’ll both be here tomorrow.

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A lot of companies that make things have two separate lines: consumer and enterprise. Consumer is for us poors that the company doesn't need to respect. You can buy more expensive, higher tier consumer items but it's just as fragile. You're paying for more bells and whistles. Enterprise grade is stuff that will actually last because it is often sold in a lot as part of a contract and the contract won't be renewed if the items suck. These things are often just not sold to consumers because why would you ever buy consumer-grade garbage if you could buy this?
For something like computers, this looks like how pricey "gAmiNG" laptops look all fancy but fall apart in about the same timeframe as the lower end laptops for students. But if you've ever handled the sort of laptops for banks or businesses, you'd wonder why laptops can't all be like this. People swear by Lenovo Thinkpads for a reason. Dell's Latitude (general productivity) and Precision (has the power of a gaming laptop but far less bs) lines, HP's probooks, all feel really nice and last for-fucking-ever. But you can't buy them in a store even if you wanted one.
So the trick is to buy what big organizations are buying, but you likely gotta get 'em secondhand when the orgs are done with them. For basic clothes, mil surplus might be a good port of call, for technology see an e-waste recycler or sometimes government auction (you just gotta know what to ask for; ThinkPads, Dell Latitude/Precision, HP Probook/Zbook). Otherwise try to thrift old, pre-enshitification items. The blanket I had as a kid is still going strong and has lived to bury multiple sets of newer bedding (which have worn thin and torn). Kitchen items, see if you can shop at a restaurant supplier.
TL;DR: if you need an item, think "which business needs these to function" and see where they 1) buy theirs (suppliers) or 2) sell their old ones (surplus) and buy that. If you can't do that, look at older, pre-enshitification things.
Mediocre for a lifetime, or perfect for a year.
Oh so when Jonathan Harker rides in a black carriage through the wild Eastern European forests to reach an old man's ancient family castle (which contains a beautiful blonde) it's all "best of luck on your endeavors!" and "have a great visit!!" but when I, Carmilla-
I choked on my tea.
The thing about being trans is that once you come to terms with it it’s really just whatever but The Cis People insist upon being weird about it
Once you’ve been out of the closet for a while and are surrounded by people who are at the very least neutral and respectful about the trans thing it just becomes a whatever part of your life and all these people claiming that you’re ruining society and passing laws against you kinda feels like a swat team storming into your house while you’re just eating spaghetti.
Bro why are you banning me from using the bathroom I’m literally just eating spaghetti
So my beta reader for the Big Fics is an astrophysicist, right. Who is currently also writing a hard sci-fi novel about the exploration of Phobos (more power to them, I cannot with the physics required for that, best I can do is soft sci-fi/fantasy and that reminds me I should finish that story).
Anyway I was bitching about how hard it is to come up with feasible planets in Star Wars because sometimes you need a new planet from scratch and sometimes you need to know more about a planet than the 'has jungles, is probably a moon technically' than Wookieepedia will give you, and they're like 'oh yeah I can do something about that'.
So they've written (in Matlab but they swear it will run as a .exe as well and I may be conscripted to embed it as a web tool at some point) a star system generator.
You input what you know about the planet (ecosystem, population, sun colour, does it have liquid water, does it have a moon or moons, is it a moon or moons, temperature averages, atmosphere, you get me) and it will give you the... everything else about the star system, in obedience to real-universe physics. And if you input nothing you get a randomly generated star system.
And I’m like oh I know people who will be into this with a vengeance, and they're not on Tumblr, so this is me seeing who exactly would be keen on, and I cannot stress this enough, a real-physics comprehensive star system generator.
It's still in the debugging phase (last error fixed: every planet wants to have a population of exactly 5000 regardless of other factors, turned out to be a missing equals sign somewhere), but I'm psyched for this and trying to gauge interest for how high a priority 'make this an accessible web tool' needs to be.

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game designers talking about what a game is/should be are really just the ancient greeks inventing philosophy again
"what is a game?" whatever i'm playing right now, and most of the things I'm not
Oh, I know this one! A game is a featherless biped!
Diogenes comes in the room holding an IKEA instruction manual: "behold: a game!"
A one page RPG of philosophy and semantics.
wowweee tumblr does not like that blue much, huh? anyway, enjoy!
Posts that just fundamentally misunderstand horror movies like The Thing, that have thousands of notes, are turning me into the joker.
"The thing is only acting in self defense because it gets attacked first"
The very first experience it has with the base crew is that they save it from people shooting at it, give it warm hugs, and kill the people trying to deatroy it. After that it attacks and impersonates an unknown (at the time) member of the crew. After that it gets surrounded by dogs who are angry but too scared to approach, then it changes, then it attacks the huskies, and only then does anyone in the base camp treat it with hostility.
You can imagine anything you want for the unknowns (before the movie starts, whether it can tell animals apart, etc), but you are fully wrong if you characterize its reception as being preemptively attacked. You can interpret things lots of ways, but saying the humans at the camp attack it first is factually wrong.
"None of the men know each other enough to recognize an impersonation."
The entire first act of the movie is devoted to establishing that they know each other with an Intimacy so deep they can anticipate one another's actions and attitudes. They have been in an isolated arctic base for months and months where they can barely leave the same building. They are in one another's personal space throughout the movie. It's a vital plot point that the Thing can immitate people down to memories and personality traits. It's a vital metaphorical point as well. It's so deeply and fundamentally superficial and factually incorrect to call them unfamiliar with each other that it implies total inattention to what is happening on screen.
There are so, so many completely reasonable ways to read ideas of social disaffectation, queerness, and more into the text of the movie without misrepresenting the factual text. I'm screaming and crying and throwing up blood, what else would everyone like to propose about horror movies that sounds great aside from being entirely spurious? Someone told me psychological thrillers are the only good horror movies an hour and a half ago, we could start there. I want people to think in these ways about horror but also talking about it in a way that depends on the the text of the film does require a certain amount of knowing the actual text of the film.
Actually I think this is important tags that speak to a larger idea about horror conversation:
The Thing is, at heart, not a movie about any singular decision or behavior creating a bad outcome. Baked into the 1982 movie is failure, death, entropy, inevitable loss. It's not a movie that's meant to have a right solution, or a right decision - but when someone comes at this very bleak story without a good grounding in horror, there's a kind of urge to treat it like a puzzle. If only they were closer. If only they communicated.
That's not meeting it where it's at, because it rests on a situation where none of those elements really exist. People acted the best they could in the circumstances with the tools and information they had - and it simply was not enough. Nearly everyone dies. Even with the ambiguous ending, whoever is human is going to die, because it's winter in Antarctica and he is hundreds of miles from anywhere with no shelter and no food and no transportation. That's the sort of horror it is, the idea that when faced with extinction humanity's best efforts won't succeed. Creating an interpretation where if we had "just" this or that is shying away from the bleakness. But at the same time, not facing up to the idea that some things really might not be solvable, that the worst can happen in spite of it all, is a necessary skill. Not one we need to indulge in constantly, but we should have that knowledge.
And in a greater capacity, this is where I see things go very wrong when someone unfamiliar with or disdainful of horror tries to expound on the genre. It comes from a place of not wanting bad things to happen - not rose colored glasses or naivete - but not wanting the animal to die, not wanting the house to burn, not wanting the parents to lose a child. Not wanting to feel sick or hurt, a normal and human response to a genre which constantly steps over those lines, and quite often does so artlessly and with nothing but puerile shock at heart. That makes it difficult to examine in good faith, and wanting to see horror as something good for oneself leads most people to look for the places where horror doesn't stray close to the boundaries. Solving the problem of "bad horror" by presenting horror comedy or psychological thrillers as better side of horror, for example. But that's just another case of wanting to solve something that doesn't exist to have a solution. Part of getting the genre is recognizing not only that bad things happen in horror, but the ugly and awful and transgressive side is not a mistaken choice, not an error. It's part of what horror is, like a person, you can't understand it without understanding what you dislike along with what you like. Horror can't be corrected out of a set of flaws, those have to be accepted as part of seeing the genre as a whole.
Also, this isn't meant to suggest all horror is hopeless, mean, and cruel. Plent of horror is actually about having made one bad decision, having acted out of hubris, could have been solved by just talking reasonably and so forth. Those are all their own kind of horror plus loads of others. It's more that you can't fix the genre by decoding a right or wrong horror anymore than you can support an interpretation of The Thing where the base crew would have survived or mediated or so on. It's not a genre where a good version exists, because there's too much in it already which is either awful as a matter of fact like pain and death, or which is morally repugnant like racism and homophobia. It's useless to look for a way all of those things can somehow be retroactively solved. It's necessary to face all those things as a part of life. In horror, we have to acknowledge how much of it sucks (artistically) and was made by awful people and had deeply flawed examples of systemic oppression to actually like see the genre in a clear light. And similarly we also have to recognize how much of it is also necessarily transgressive in a way that cannot be anything except unpleasant, because that's part of things people find horrific. You can't have a respectable horror genre, is kinda the thing. There's too much going on, and trying to solve a flaw in like "too much gore" or "animal death" just ends up cutting off a necessary thing to the whole genre. The absolutely most bloodless zero death zero problematic element in the present day zero conflict good ending horror is still going to be uncomfortable because that's the point. Or it might suck. But lots of horror sucks, also, and sometimes that's also interesting.