Heterophonic Tunes of How Love Bites

it was not.

"Estradiol Saved my Life"

Clothing company Patagonia is currently sueing drag queen Pattie Gonia for "irreparable” harm to their brand.

To be clear; Pattie named herself after the region in South America.

So Pattie is asking people to politely ask Patagonia to drop the lawsuit.

I'm extending the invitation to all of you, because sueing a drag queen for 'infringement' in the current political cultural landscape is vile. Especially a drag queen who has raised millions of dollars for non-profits, uses her platform to raise awareness for climate activism, and fully aligns with Patagonia's apparent climate-conscious mission statement.

They're claiming they're sueing for $1. They're actually asking her to stop using her name, and pay over $1 million in legal fees. They're straight up harassing her.

In contrast, drag queen Jan Sport has a Jansport bag line. It's that easy to just... work with a queen.

Anyway. Be respectful(ish), but feel free to be annoying on Patagnoia's socials, asking them to 'DROP THE LAWSUIT'

This is being discussed heavily on Bluesky, such as here.

I’m a law student specializing in Intellectual Property, which includes Copyright and Trademark. I’ve studied these subjects and the law is clear that everything y’all said about Patagonia “losing the trademark” if they don’t sue Ms. Pattie is absolute bullshit.

Trademarks are only lost if they are abandoned by the user or if the product made by the company becomes so ubiquitous, everyday, and common that people start calling all types of that product by the trademark name. This is called genericide, because the trademark has become so generic, it is no longer an indicator of one singular source. Think Band-Aid or Thermos; we use those terms to refer to the generic products they’re associated with. We call pretty much all sticky bandages Band-Aids and all containers used to keep things warm in Thermoses.

What Patagonia is doing is actually closer to suing for trademark infringement based on tarnishment, which means the infringer is using the trademark name in a way that makes the company look bad or associates the company with things like drugs or pornography. Queen Pattie Gonia is someone who raises awareness for climate and environmental activism. Nothing about Miss Gonia’s use of the name tarnishes Patagonia’s brand.

The only possible argument the company has is that Miss Gonia’s queer identity could be seen as not “adult-friendly” but that very quickly slides into homophobic and moralistic territory that will absolutely be shot down by the court based on First Amendment rights. People are allowed to use “not safe for work names,” based on caselaw that states that “labels that are disparaging or morally offensive” are a violation of free speech because it’s people’s choice to say and use those names. For example, an all-Asian band applied for the trademark name “The Chinks” because they were taking the racially disparaging name and reclaiming it. The Trademark Office attempted to refuse to grant the band’s trademark, and when the band sued, the Supreme Court sided with the band.

That got off on a little bit of a tangent, but the long and short of it is this: Patagonia has absolutely no basis for a trademark name. Any IP lawyer would say the same. The reason Patagonia is getting away with a frivolous suit like this is because they know their target is a member of a vulnerable minority. Miss Gonia is 100% correct that they are trying to bully her because they know she doesn’t have the money to withstand a years-long expensive lawsuit.

It’s because of idiotic bootlickers who kiss companies’ asses like this that big corporations can get away with hurting independent creators. Patagonia does not have any chance at winning, but they know that just by filing and announcing their lawsuit against Miss Gonia, they are putting pressure on her to give up. If this lawsuit goes on, even if it doesn’t make it to court and just goes to a judge for a quick summary judgment, Miss Gonia would still have to pay for a lawyer to defend her and lawyers cost more money than the average person has. Miss Gonia would win, but because Patagonia set the damages for $1, even if she did win, she’d still end up in debt because in America, the typical rule is that each party pays for the cost of their own attorney’s fees. The only time the opposing side would pay your lawyer’s fees is if you have a contract with them that says so, and that’s usually only used in contracts between businesses or high profile individuals.

That being said, reading Patagonia's actual complaint... they wanted her to not use the words "Pattie Gonia" on any products, regardless of font or logo? Seriously? & it seems the logo shown above was never a product she was selling but rather fan art they wore on social media. He is running a clothing brand, yes, but the clothing he's selling is not trying to look like Patagonia clothes or imitate its logo, & the brand seems fixated on the fact that Pattie wears fan merch of the logo or jokes about Patagonia clothes in a Ted Talk.

Which, sure, I get the claim that people might think they are formally related (their evidence for that is a few Tiktok comments). But, as I (a laywoman) understand it, their claim is based around Pattie selling clothes that infringes on their trademark since they are a clothing brand specifically, yet his merch doesn't imitate Patagonia's to my eyes, and their most compelling evidence is Pattie saying or wearing things that relates to their brand, not the things they are actually selling. Again, the logo shown above was seemingly never being sold by Pattie, it was just something someone made him that they wore in public. If she did sell that logo, why didn't they put that in the complaint? & again the ask of her not using the name Pattie Gonia on merch at all, no matter how it is presented, just seems ridiculous to me? Its a pun based off a fucking geographic range, man.

Regardless, whether Patagonia is legally in the right in the lawsuit, and whether we should give a fuck about the legal rights of a multinational corporation, are two different questions. We will see how this plays out in the legal field, but personally I think even if it comes out in Patagonia's favor, its fucking stupid.

I am also annoyed seeing people in the notes defending Patagonia as this poor innocent company, "owned by its employees," which does so much good work and is being unfairly maligned! & the claim that it is employee-owned surprised me, so I wanted to look it up, and oh boy did I find some interesting information on Patagonia Inc.'s business practices re: human trafficking and taxes!

oh wow the glass-tower office buildings we constructed when we thought air conditioning and central heating would never have downsides...have downsides?

and we're still building them?

while the Victorian house museum where I work, with thick walls and small windows and big wooden shutters stays ~10 degrees above (winter) or below (summer) the outside temperature for days on end with no help at all?

uh. okay then

pretty incredible that google went from this bountiful source of information to just trotting out blatant factual inaccuracies every time you try to use it. i do not use she/her pronouns. GREAT JOB AI

its funny because when i first posted about my non-dysphoric trans way i was VERY hesitant because its complex and nuanced and i was worried people would take it out of context and flatten it into something incorrect. turns out the people were fine. MACHINES on the other hand cant figure it out

to explain again and help the broken AI machine and then i wont have to talk about it anymore: my preferred pronouns are he/him. my real pronouns are she/her. i prefer to use the wrong pronouns

the reason i do this is because i am not dysphoric and dont need every conversation i have to revolve around gender and my spiritual beliefs about gender. i love my male body even if it does not match my soul. it is a VERY COOL SECOND PLACE and i am pumped as heck on it

getting up from bed cheats

getting up from bed codes

Say no more, here they all are! (I post about them more on my sewing & art blog @vincentbriggs, though I'm afraid I haven't got proper tags for each individual machine.)

c. 1885 White VS2, made in the U.S. Basic straight stitch treadle in good working order. It came to me very dirty and needed a lot of cleaning and a new drive belt & bobbin winder tire.

Singer 15-91, made in Canada sometime between 1936-48. This was my first one, which I bought refurbished when I moved out of my parents house, since it's pretty similar to the one I grew up using. It came with a knee lever but after a few years the speed control box failed and I replaced it with a foot pedal.

1945 Bernina KL 105, made in Switzerland. This is my most recent acquisition and I haven't started on the cleaning & refurbishing yet, but I'm excited to use it! It's a treadle that has backstitch and drop feed.

Gimbels department store branded Singer 15 clone, made in Japan. No idea what the date is, but the style of the logo makes me think maybe 50's? All cleaned and stitching again, though I still need to put the motor back on. The case was too rotten to save, so I've got to learn how to make a new one. Being a 15 clone, it's extremely similar to my Singer 15, but there are quite a lot of differences in the smaller external parts and it has a much better drop feed system.

1958 Singer 99k, made in Scotland. All cleaned and adjusted, and my father helped rewire it, but I still need to finish fixing up the wooden case. It wasn't so bad as the previous one, but it's in no condition to stain so I'm going to paint it. This one's something of a foster kitten, as I've promised it to a friend.

1964 Singer 185J, made in Canada. I've cleaned it up and replaced the missing bobbin plate, but I need to make a new wooden case for this one too because the plastic case it came in was all cracked and warped. It's the same basic machine as the 99k, just in a more space age style shape. The bobbin winder is more stripped down, but other than that the workings are identical.

1970 Pfaff 360, made in Germany. This was the second machine I got, and it was meant to be a backup because this was when my 15-91 speed control was acting up. The pebbled greige paint job is horrendously fugly, but it's a splendid piece of engineering. I still need to get around to taking apart and unsticking one particular area, but if I'm successful in that it'll be able to do zig zag, plus a variety of other fancy stitches controlled by that nice stack of cams on the left.

The 2 treadles were given to me, the 15-91 was bought refurbished as mentioned, and the other 4 electric machines were thrifted.