After skipping last year, I decided to jump into this year's Art Fight on a whim kinda last minute. I've added more of my characters, a few newer references, but...yeah. >_>

Love Begins

Kiana Khansmith
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
will byers stan first human second
icyghini twinkie
Claire Keane
One Nice Bug Per Day
Noah Kahan
we're not kids anymore.


izzy's playlists!
I'd rather be in outer space 🛸

@theartofmadeline
The Bowery Presents
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Xuebing Du
Aqua Utopia|海の底で記憶を紡ぐ
Today's Document
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@phoenecia
After skipping last year, I decided to jump into this year's Art Fight on a whim kinda last minute. I've added more of my characters, a few newer references, but...yeah. >_>

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Lately I've been going through some of my writing drafts. While I'm a pretty good self-editor, one insidious little problem I've been keeping a sharp eye for is 'pet phrases' - descriptors or phrases you use a lot. I've been trying to figure out what mine are, and I think I've spotted at least one, and it's 'a moment or two/a second or two'. Cue me searching through entire documents to see how often it pops up, and thankfully it doesn't pop up as often as I thought.
>_>
On 'Writing for Yourself'
Phoe rant incoming because I've been seeing this discourse over the last few days, and I have certain...feelings regarding it.
The rundown: Recently on Twitter I've been seeing people lamenting about their fics not getting a lot of traction or engagement, and how it's made them feel like not wanting to continue. Original poster asked for advice on how to deal with it. A lot of people responded with, 'Write for yourself'. I've also seen a lot of pushback against this advice, calling it unhelpful, and that the whole point of writing and publishing fics is to get engagement and interact with the community, etc, etc.
I'm very firmly in the camp of 'write for yourself' (or really, 'create for yourself' since I do a lot of things, not just writing). I mainly write and publish original fiction, but I still feel the advice applies regardless.
Before I explain my position, let me start with what might be a hot take: I feel like a lot of fanfic writers in particular come off as more than a little entitled and attention whore-y, and with the complaints about their work not getting any engagement, it really comes off as them writing largely to get attention and pats on the back. Yeah, of course they love what they're writing, otherwise why write it in the first place, but the fact that their love is so heavily reliant on getting attention and praise says enough.
I've not written fanfiction in like 20 years - the bulk of what I write is original, focusing on my own worlds, my own characters. I published my first fantasy novel in 2021. To date, it's only sold maybe 100 copies and gotten a handful of reviews (good ones, though!). Not the blockbuster some people would hope for, but when I didn't even expect to sell even 10 copies, passing the 100 mark made me insanely happy. I've written and produced stuff since, but compared to fanfiction and compared to people with large followings, my work doesn't get a lot of looks. Does it sting? Oh, yeah. It does. It definitely does. Do I wish I got more interaction? Yeah, of course. Who doesn't? But I write for myself, mostly. Popularity is nice, but it's not expected; I keep expectations pretty low.
But Phoe! Why else would you write and publish something if you didn't want people to see it, engage with it, and tell you how much they loved it? Well... For someone who writes for themselves or creates for themselves, the praise and engagement is incidental - it's secondary. A person who creates for themselves will be writing, drawing, or whatever regardless of whether they get interaction or not. Why share it? Well, if you're proud of something you've done, you're gonna show it off, right? It's proof of its existence. Maybe people love it, maybe people don't. Maybe people don't notice it at all. And that's fine. It's there. It's in the open. It's proof that you've finished something; the idea is no longer just sitting in your head, or sitting hidden away in a cloud drive or a sketchbook somewhere.
You create for yourself to get ideas out of your head. You create for yourself because you really like something and its important to you. You create for yourself to make something that didn't exist real. You're still allowed to be disappointed when people don't react the way you'd like them to, or not getting any traction. But not every idea is a winner. Not everything you do will be beloved. And that's okay. What's important is that you keep going.
But what about being able to engage with the community? Dude. I've actively avoided engaging with most fandom communities for almost 20 years because a lot of fandoms end up being incredibly childish and toxic. Homestuck, RWBY, TADC, Voltron - and that's not even getting into even bigger fandoms like in anime. Fandom interaction is kind of overrated. >_> (except the BSC fandom - they're pretty chill, but it helps that it's a small fandom).
Not saying people are wrong for wanting to engage with fandom communities with fanfic, but if that's your primary reason for writing and the thought of your work flopping demoralizes you from wanting to keep writing...well. Not gonna say you're not a real writer, but I will say that you might be a bit spoiled. The creative world can be harsh, and a lot of times it's going to feel like you're just pouring your heart out into a void. But the reality is, you gotta learn how to take it in stride, move on, and keep making things.
Writing (or anything creative) is an act of love. Receiving love for what you've created is an immense privilege that - even though you have to work hard to earn it - won't be there every single time. And honestly, there's something a tiny bit romantic in making something without expecting it to be loved, only to find out that it is. Yeah, it can motivate you to keep going. But you also need to be able to keep it going for yourself.
I've completed like 4 chibi/sticker comms in the past week and still have an illustration comm left to do, and just as I've cleared most of my queue, I see another comm request pop up. Not that I'm complaining, but it always seems I get more business just as I'm clearing out my workload. XD
I might have mentioned this before, but years ago (when I was still a part of a dark fantasy text roleplaying community) when I was developing my writing skills, I used to write smut. I was very good at it. I also got to know a couple of published authors who made a killing writing smut.
When I started writing and publishing my own stuff, I made the conscious decision to not write anything explicit in anything I officially published for my Mystgarde and Errant Chronicles works. I did this for several reasons.
1) I wanted to distance myself from that kind of reputation. Not sure if you're aware, but once you're known for producing that kind of content, it often affects the rep of anything else you do. This works the same way in other creative fields too like art or acting. If I write anything smutty officially, it's likely going to be under a pseudonym.
2) The style of stories I write feel more suited to Young Adult fiction. Yeah, YA has a bit of a reputation but the themes of what I tend to do seems right up that alley. I wanted to have a broader appeal and not risk potentially alienating too many people with super mature subject matter. Not that I'm averse to writing subject matter or themes regarding sex or sexuality, but when you're a good writer, you find ways of sneaking in or hinting that characters did stuff without being super obvious about it. >_>
3) People get weird when it comes to NSFW stuff; not 'haha awkward' kind of weird. More like 'creepy sexpest' levels of weird or 'uncomfortable fixation' levels of weird. It's especially bad if you're a woman in this space writing smut because people tend to interpret it as you being a nympho freak or a slut not deserving any shred of dignity or humanity. Dealt with that kind of attitude and bullying before - not dealing with it again.
That being said, I'm not averse to writing smut. Like I said, I'm pretty good at it. Funnily enough, a friend didn't believe me and challenged me to write something. And I have been. >_>
But I'm very discerning. If I'm gonna write something like that, I want it to be a proper story with build-up and chemistry to make the pay-off even better. Not gonna judge people for just wanting the dirty stuff, but when it comes to literary porn, I want quality. :P
Will I show off said writing at some point? Maybe. It's not fanfiction, and it revolves around two of my OCs, and I know most people don't know or don't care, so it's whatever. >_>
But maybe. We'll see.

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Hi Dins, hope you’re doing well~
So, the bsc universe has an alternate-history setting and all the countries have different names, but we can still tell what they’re based on. How did you come up with the alternate names? (Rusalka is such a cool one!) Were there any versions you ended up not choosing? I imagine we’ll get to know even more countries in the full version of lnlc!
And just for my personal headcanons, what is Italy called there?👀
Most of the names are either based on specific regions, historical names for countries / geographical areas, or just... a word in that language that communicates the idea. For example: Tsara is the way you pronounce ţara, meaning 'homeland' in romanian. Albion is an old name for Great Britain, etc. I don't know about the thought process for all of them as my co-writers Josh and Tom were responsible for most of them, but at least for my writing process I usually had a little short list and went by what I figured most readers would intuitively understand without having to google stuff hahah.
Naturally, there will be a few more in LNLC indeed. For example: Ram's family is originally from "Bharat", a pretty obvious one as names go. The BSC-verse equivalent to Italy is actually mentioned by Lottie in one of her dialogues in the demo - it's Vitulia, which comes from Viteliú, the old root word for Italy.
Worked on some art comms today, but got super distracted by an extreme chocolate craving. Still didn't get any chocolate, but I still managed to finish some sketches. XD
All done! Wheee!
Also, I lied - it ended up being an A4-sized illustration since I wanted to be able to show off my background painting. Hard to believe a few years ago, I hated doing backgrounds. Then I forced myself to do them, and now I'm not half-bad. I also really like being able to show off more personality for my characters and tell a bit of a story as opposed to having them just in a white void. >_>
But yes. My OC, Brian da Silva doing a bit of surfing. And with a different hairstyle than I normally draw on him. AND ABS! (I actually had to mess around with 3D models in CSP to make sure I got muscle placement somewhat right. And yes, I swap between CSP and Photoshop for my artwork)
Hey so I'm gonna be very very honest here.
And this is going to make a lot of people very angry to hear.
But a lot of y'all on this website are truly deeply genuinely never going to be capable of any kind of real narrative analysis--and I don't mean 'being right all the time' I mean 'meaningfully engaging with the text in any way'--
Because you are, fundamentally, incapable of comprehending that writers usually do things on purpose.
The themes are there on...purpose.
The match cuts were meticulously designed and put there to communicate something.
The VA's delivery of a line was being directed. Inflection and tone change the meaning of dialogue. This is intentional. There are entire teams of people shaping those choices and deciding which take to use based on what works best for the story.
Information is being revealed in a specific order, on purpose, to craft an emotional arc and guide the audience's understanding.
A character's romantic preferences are only, and SHOULD only be, their primary motivation if the genre is romance. That is why there is a genre called that. Most stories are other genres.
Creators who dislike a character generally give them LESS attention, MORE boring storylines, and LESS screentime.
Sometimes curtains are just blue. But if the shot composition or written narration takes time to HIGHLIGHT, especially more than once, that the curtains are blue, then the blueness of the curtains is by definition narratively important.
"Cite your sources" is not a witch's curse that banishes People With Different Opinions to the shadowrealm of Being Wrong. Someone making points that challenge your perceptions, while including screenshots and explicit examples, cannot be dismissed with "cite your sources" because they are literally doing that. Don't @ me on this one I've seen shit in the wars, y'all.
Failing to understand these things WILL bar you from ever really engaging with or understanding any narrative more complicated than Paw Patrol for the rest of your life.
I am very sorry if that makes you angry.
Trying to get into the habit of doing smaller (A5 size) illustrations of my various characters to show off their personalities and tell stories a bit more.
Since it's summer, and I may have been, uh...'inspired' by other beach illustrations, I decided to try doing a series of Team Valiant illustrations. WIP of a surfer Brian illustration where I try giving him a different hairstyle.
Also. I love background painting. When it comes to natural environments, it's not super tedious, and I can just wing it. Ends up being kind of fast. >_>

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Had some free time, so I drew @phoenecia OC, Phoenny, because her bartender design is too cute!
(Don’t pay attention to the fact that I forgot to draw the flower choker)
I've been seeing so many bad booktok takes and trends lately that make me facepalm SUPER HARD as a writer. Normally I'd tell people that there's not really many wrong ways to consume literature, but... Sometimes I see stuff that's so blatantly awful that I really question people's literacy and abilities to separate fiction from reality.
My rage has become so great that I may actually rant about it soon. >_>
So I've been drawing a lot of bug people in recent months.
A while back, I decided to challenge myself and make more of an effort to draw more non-human-looking humanoids since I wanted to have a greater variety of NPCs for my TTRPG campaigns. In addition to this and the Hollow Knight bug-sonas, I've gotten, uh...a LOT of requests for bug people in the last while (no, seriously, the bulk of my art commissions in the last 4 months have been bug people), and I think it's because I'm a lot more willing to go on the more buggy side of insectoids.
Anyway. Meet Regina Edgerly - fuzzy bumblebee lady and former Queen of Spades in the Suits. An ex-assassin that's turned a new leaf and works for an independent detective agency called MacGuffin Investigations.
She's mellowed out over the years, though is no less dangerous, and she has a bit of an addiction to sweet drinks like tea that's probably more sugar and honey than tea.
"Show Me Your Tits" - Errant Chronicles Audio Drama
Cast Brian da Silva - ColeCzos Gavin Flaherty - Rudicorn Josh Cartwright - Dg Sara Cartwright/Lei Yao - Phoenecia (Me!)
A little scene where Team Valiant (my group of OCs) has a little...misunderstanding while on a job.
Yeah, I dabble in a little voice acting. I said I'd post these a while ago, and while I wanted to doodle some artwork to go along with these, I, uh...never quite got around to it. So while I'm still working on that, I'll share in the meantime. I've got two more just like it. :3
Yes, I do have people who voice my OCs. I have for a while lol. I keep writing stuff to have them voice, and it's super fun. The benefits of having a lot of friends that like voice acting.
hey can everyone do me a favor and put in the tags why they chose their name? even if you don't go by a chosen name irl, you can put why you chose your online name.

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I think I peeked at BSC section on Ao3 waaaay back, but haven't read too many fics (I'm so sorry - I've been occupied with a lot of my own writing projects >_>). But it's amusing discovering that the Hugo x Bartender x Peter poly situationship is apparently really popular.
Phoe answers more OC asks because they're fun and interesting
7. (Errant Chronicles crew) What is your OC's occupation? Team Valiant, which is their team name, are all errants - which is the modern term for adventurers in my setting. It's pretty much what you'd expect from the profession of an adventurer in most fantasy settings, so it involves taking jobs (called contracts) from a public listing, and they can range from things like collecting materials for alchemical rituals, to hunting monsters, to fulfilling weird requests for the local fae. It pays really well, but can be pretty dangerous, and injuries occur pretty often.
Each character also has a part-time job or attending school.
Sara - Works as a bike courier making small deliveries between shops or other clients. Josh - Attends classes and studies psychology at the local university. Lei - Receives cleric training at the local Abbey. Brian - Also attending university for Fae Wild botany (but he skips class a lot because he's already pretty knowledgeable), and is a research assistant for a professor. Gavin - Apprentice forger at one of the local errant equipment shops.
10. (Brian) Does your OC have any physical scars? What is the story behind them? Brian has a few, but the most notable and visible one is a vertical scar bisecting his left eyebrow. Nothing terribly traumatic, but he got it while learning to use a bow as a child. Bowstring snapped and got him in the eyebrow. As terrifying as that experience was, it didn't deter him from learning how to be an archer.
10. (Gavin) Does your OC have any physical scars? What is the story behind them? [Spoilers for Errant Chronicles: The Thousand Year Curse] Oh boy, this is a fun one. As much as I adore him and love writing him, I subject him to so much stuff. So. Gavin's Gift is Regeneration - his body heals rapidly in a fraction of the time it would for normal people, and he heals perfectly, so there's usually no scarring. There ARE some serious side-effects and drawbacks, but that's not what this answer is about. He does have one scar in the middle of his chest over his heart.
How did he get it?
While accompanying Brian on his quest that is the plot of the book, they run into a monster at a lake. In a moment of carelessness, Gavin gets stabbed in the chest and subsequently drowns. He does get better, but it comes at a price, and he's forced to make a deal with a mysterious entity in order to come back to life and save Brian.
The scar is a permanent physical reminder of that deal, among other things that have some serious lasting consequences. >_>
5. What is your OC's gender identity and sexual orientation? Is this also what they identify as in canon, or are they not (fully) aware? Sara: Straight, CIS female. She's not super thirsty, but she does love hot dudes. XD The only caveat is that I don't think she'd be too attracted to men that lean too feminine in appearance as she's suffered a lot of grief at the hands of other women. Lei: CIS female, straight. She loves everybody, but I do think her preferences strongly swing towards men to the point where I think you could only describe it as straight. While she's usually sure of a lot of things about herself, I don't think even she'd be able to put it into words aside from liking guys. Josh: CIS male, asexual, but not aromantic or sex-averse. Josh isn't very obvious when it comes to emotion or affection, but he respects and values people for who they are. He enjoys companionship, but I don't think he'd be averse to sexual intimacy if it ever popped up - it's just not something he pays a ton of thought to. He can appreciate it from an objective standpoint, but he's not really driven or affected strongly by those kinds of things. He wouldn't bat so much as an eyelash if someone flashed him, except maybe comment on how it goes against societal norms or make objective observations. Gavin: CIS male, straight, maybe a tiny bit bi-curious. If there's anything Gavin's sure about, it's his preferences and orientation lol. I do frequently joke that if Gavin were gay or bisexual, I'd have paired him with Brian instead of Lei because those two dudes have pretty good chemistry, they've been through a lot, and there's a level of devotion there that's kind of intense; it's definitely a subject that's been touched on before in a, 'Dude, I'm flattered, and I'd totally date you if I swung that way' kind of manner. They definitely do have a bit of a bromance going on, though, and it's intentional. I've always felt that emotional closeness and vulnerability between male friends ought to be more normalized without it needing to be romantic, and I write them with that in mind. Brian: CIS male, bisexual, maybe pansexual. I kind of joke about Brian being a bit of a horndog, which is a huge disservice to his character, but if you can bone it, he's probably into it. I will say that when it comes to his preferences, he probably leans more towards female 60/40 or 70/30. He's definitely attracted to guys - and he makes no secret about it - but it takes someone particularly notable to catch his eye. Like I mentioned about Gavin above, if Gavin were anything other than straight, these two might've been a couple simply because they gel together so well.