otto rumbles

original url http://www.geocities.com/Hollywood/Studio/6509/

—–

UPDATE 1: I have found the initial source.

Interviewer: So you know, there’s been a lot of talk about the chemistry between Alex and Olivia.

Stephanie March: (laughing) I’ve heard, yes.

Interviewer: I’ve heard even the writers said, you know, yes we steered into that skit. We’re aware of the chatter online, we’ve encouraged it.

Stephanie March: You know, I will tell you the last time I went back to shoot SVU, which must have been three years ago? I guess it was. Mariska and I were shooting at – I can’t remember where we were– we were downtown, it was Tribeca and it was late at night and it was kinda the last scene and we actually just… She said “Do you wanna kiss just for the hell of it and see if the writers – see if they will use it?” and so we did. We said goodbye and we kissed each other and then we asked them to roll the tape back and let us see it and they said: “Okay, but just this once but we’re basically deleting the whole thing after this.” So we did manage to put one down.

Interviewer: This is gonna be your Snyder cut now.

Stephanie March: Where is it!?

Interviewer: Where is it? We know you’ve got it, you say you don’t have it, but we know you save everything.

Stephanie March: Exactly. It was so funny, we were getting such a kick out of it.

—–

UPDATE 2: Stephanie March really tried to get us to see it.

Carnegie Hall today announced its concert lineup for Afrofuturism, the Hall’s next citywide festival, scheduled for February-March 2022, with events exploring the thriving aesthetic movement and practice that looks to the future through a Black cultural lens, intersecting music, visual art, literature, politics, science fiction, and technology.

Liz Phair at HQ club, Camden / photo by Melanie Cox

Thanks W. S. Merwin    Listen with the night falling we are saying thank you we are stopping on the bridges to bow from the railings we are running out of the glass rooms with our mouths full of food to look at the sky and say thank you we are standing by the water thanking it smiling by the windows looking out in our directions back from a series of hospitals back from a mugging after funerals we are saying thank you after the news of the dead whether or not we knew them we are saying thank you over telephones we are saying thank you in doorways and in the backs of cars and in elevators remembering wars and the police at the door and the beatings on stairs we are saying thank you in the banks we are saying thank you in the faces of the officials and the rich and of all who will never change we go on saying thank you thank you with the animals dying around us our lost feelings we are saying thank you with the forests falling faster than the minutes of our lives we are saying thank you with the words going out like cells of a brain with the cities growing over us we are saying thank you faster and faster with nobody listening we are saying thank you we are saying thank you and waving dark though it is

==

More Merwin.

On this day in:

“There is this taboo of the rule of silence in cinema, which you are helping to put an end to, and there is what is at the heart of your story, the taboo of ‘paedophilia’, which we prefer to call ‘paedo-criminality’. It has an echo because what has troubled and divided the cinema industry at the beginning of the MeToo movement in France is the case of the filmmaker Roman Polanski.”

Their efforts saw them recognized as two of TIME’s 100 most influential people:

In an interview with Fareed Zakaria of CNN, the duo opened up about being in a relationship with each other. They further expressed that the 2018 win was not only a professional achievement, but also a personal win.