Dhalgren: Samuel Delany, afrofuturism, & black SF

"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy."

"These are all horror stories, though some of them are science fiction too, and more to the point, they're Black horror stories. In his afterword, Key writes about his early fascination with horror, the catharsis he felt in watching nightmares unspool on screen or off the page. And then, he writes, came the dawning recognition that the Black characters in these stories were always there as cannon-fodder, often nameless, usually picked off early." --Cory Doctorow

Born in New York City on November 27, 1942, Marilyn Hacker was the only child of a working-class Jewish couple, each the first in their families to attend college. Hacker attended the Bronx High School of Science before enrolling at New York University, where she received a BA in Romance languages in 1964. She was married to writer Samuel Delany for a time, and they have a daughter.

credit: Alex Woodward, via Arika, Edinburgh and Tramway, Glasgow

With an essay by Samuel Delany.

We Who Are About To, by Joanna Russ. intro by Samuel Delany (different printings of this book have intros written by different people).

This bold and innovative anthology of speculative short fiction reveals and uplifts the spectacular imaginings, reveries, reflections, experiments, and hopes of Black writers in Canada. A woman attends her mother’s latest resurrection, only to encounter family she’s never met. A postdoc instructor navigates an almost-life in an Elsewhere realm of safety and comfort. After social collapse, a former sex worker leaves her precarious station, and her memories, behind. A woman isolating from a new virus starts hallucinating. In lyrical fragments, a young nanny accepts a job with a peculiar employer. A medium is tasked with summoning a spirit that hits too close to home. And two teenagers test a friendship over magic carpet flying practice. These breathtaking stories explore natural and urban landscapes, living and dead relationships, economic catastrophe, love, and desire—all while celebrating the persistent and ever-changing self, and envisioning beautiful Black futures.

What is Meanwhile, Elsewhere: Science Fiction and Fantasy From Transgender Writers? It is the #1 post-reality generation device approved for home use. It will prepare you to travel from multiverse to multiverse. No experience is required! Choose from twenty-five preset post-realities! Rejoice at obstacles unquestionably bested and conflicts efficiently resolved. Bring denouement to your drama with THE FOOLPROOF AUGMENTATION DEVICE FOR OUR CONTEMPORARY UTOPIA."

The film shattered expectations and social norms at the time of its release. But how does its presentation of queerness—not to mention its portrayals of murder, manipulation, consent violation, and cannibalism—hold up today? The essays in Absolute Pleasure—by queer writers including Sarah Gailey, Grace Lavery, and Magdalene Visaggio—explore the film's complicated legacy, along with queer and trans joy, sexuality, family, generational understandings of queerness, and what we do with our problematic faves.

“Caldwell’s writing is something I’ve long appreciated. It’s evocative, vivid, sometimes humorous, and wonderfully queer and Black. He’s very, very good at worldbuilding in inventive and dramatic ways. His characters are the kind we don’t often get in fiction, and that makes the stories all the more special.” —Alex Brown, Punk-Ass Book Jockey

In this collection, editors Karen Lord, Annalee Newitz, and Malka Older champion realistic, progressive social change using the speculative stories of writers across the world. Exploring topics ranging from disability justice and environmental activism to community care and collective worldbuilding, these imaginative pieces from writers such as NK Jemisin, Charlie Jane Anders, Alejandro Heredia, Sam J. Miller, Nisi Shawl, and Sabrina Vourvoulias center solidarity, empathy, hope, joy, and creativity. Each story is grounded within a broader sociopolitical framework using essays and interviews from movement leaders, including adrienne maree brown and Walidah Imarisha, charting the future history of protest, revolutions, and resistance with the same zeal for accuracy that speculative writers normally bring to science and technology. Using the vehicle of ambitious storytelling, We Will Rise Again offers effective tools for organizing, an unflinching interrogation of the status quo, and a blueprint for prefiguring a different world.

“They were nice in a useless sort of way, which is, after all, the only way to be truly nice.” --from Dhalgren

Gendered Defenders: Marvel’s Heroines in Transmedia Spaces delivers dynamic and original analyses of how women perform in super heroic spaces. Contributors from a range of disciplinary perspectives—communications, international relations, cultural and media studies, English, history, and public policy—take on Marvel’s representations of women and gender to examine how relations of power are (re)produced, understood, and challenged. Through vivid retellings of character-based scenarios, these essays examine Carol Danvers, Jessica Jones, Ms. Marvel, Shuri, Pepper Potts, Black Widow, and Squirrel Girl across media forms to characterize and critique contemporary understandings of identity, feminism, power, and gender.