Protected
Pairing: Nick Wagner x fem!detective!reader
Summary: You take care of your team, protecting them in the field and in the bullpen alike. When Nick Wagner joins you for a case and realizes that you don't protect yourself, he takes it upon himself to do so.
Warnings/Word Count: angst to fluff, r puts everyone else before herself, discussion of r's past partner dying, r gets injured (gsw w/ mention of blood and subsequent headaches), arguments, fluff and comfort, elevator kiss (Nick's trademark move), love confession. 3.5k+ words; adjusted req from established relationship to friends/coworkers to lovers
Requested by anon: Hii, I was wondering if you’d be able to do a Nick Wagner fic about reader and him being together, and reader being part of the team and always willing to go into things and doesn’t really think of the dangers cause she wants to protect everyone and the day Nick goes with them she has a close call and he gets grumpy after because he wants to protect her? Thank you x
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“No, sir,” one of the patrol officers taking cover behind the cruisers lining the street says.
You aren’t sure what Karadec asked but given the long sigh he releases after hearing no, you assume the negative is a bad thing in this scenario. Twisting to the left, you ensure that Oz and Daphne are behind solid cover, then spot Morgan hovering beside a plain-clothes Sherrif’s Deputy. Your entire team is here, and every second that you don’t know what is happening inside the target house is a second the people you care most about are in danger.
“I can make entry on the four side,” you offer. “911 caller insisted that the back would be clear.”
“And 911 callers are never wrong,” Karadec snaps. “We hold here for SWAT.”
“Any shots fired?” you ask the officer on the other side of Karadec.
He swallows, glancing nervously between you and Karadec. “Uh, n-no, ma’am.”
“Has anyone seen the suspect?”
“No.”
“Then as far as we know, he isn’t even in there,” you tell Karadec. “I’m not asking anyone else to go into an unknown scene. I’ll get in and clear it.”
“I gave you a direct order,” he reminds you as you move toward the end of the car.
Daphne gestures when she sees you move, silently asking if you want her to join you. You shake your head, then run to the fenceline, making your way toward the back door. Karadec might be mad at you, but at least he’ll get to go home. That’s your primary focus every day you step into the Major Crimes bullpen — to get everyone home safe.
The back door isn’t just unlocked, it’s standing open. So, you ready your weapon and slip in without disturbing anything. The floor doesn’t creak, surprisingly, so you move along the wall, clearing rooms silently. When you reach the bedroom closest to the front of the house, you find a well-dressed man loading a shotgun.
“LAPD,” you say, aiming your weapon at his chest, not even thinking of the dangerous position you’ve put yourself in by confronting him in a close space. “Set the weapon on the floor and show me your hands.”
“Or what?” he scoffs.
“I have a feeling you know what happens if you resist. Put the gun down.”
“You’re not SWAT,” he realizes, turning on his chair to see you better. “What are you? Some kind of hero?”
“When I need to be. Last chance. Put the gun down.”
Oz and Daphne rush to you when you push the suspect out of the front door and step onto the porch. A few uniformed officers take the cuffed man toward a transport van while you smile at your team.
“Are you okay?” Daphne worries, holding your shoulder as she scans your face.
“I’m fine,” you assure her. “What about you? Have you been drinking enough water? This weather is brutal.”
“Yeah, yeah,” she answers softly. “I’m good.”
“And, Oz,” you add. “I noticed you didn’t bring lunch again today. There’s extra food in the blue container in the fridge back at the station.”
“That’s great,” Karadec deadpans. His hands are in his pockets, his jaw set as he asks, “Why do you have the time to take care of all of us but not to listen to me before running into a house with a crazed gunman?”
Because I refuse to make the same mistake twice. Because I was selfish once and watched the people around me pay for it. “You sound like you like me, Karadec,” you joke.
“Look, we care about you,” Oz explains. “And we appreciate that you care about us and take care of us all the time, but you need to take care of yourself too.”
“Right,” you agree. “I’ll try. Karadec, have you heard from Soto?”
“Unfortunately,” he murmurs. “We’re up next on Captain Wagner’s plan to get involved with every aspect of his department.”
Daphne’s groan communicates your shared feelings about the news. It also distracts everyone from the grimace that flashes across your face when you move your left side.
“Can I ask a question?” Morgan inquires as you move toward your cars.
“Sure,” you answer, left alone when your team keeps walking.
“How bad’s the pain?”
Well, almost everyone, you muse. “It’s an old injury,” you say. “Just a flare-up. I’m good, Morgan.”
“May I?” Captain Wagner asks when he joins you in the elevator.
“Sure,” you agree, nodding as you press the button for the ground floor. “Although, if you really want to see our team’s approach, Detective Karadec may be more helpful, Captain Wagner.”
“Nick,” he offers, a devastating smile accompanying the invitation. “I don’t care about the title, just the people I can help.”
You aren’t entirely convinced of that after hearing Daphne and Oz whispering about their conversations with the new captain. But you remind yourself Nick Wagner is not your primary concern today. The case is.
“How long have you been with Major Crimes?” he inquires, walking to your car. He approaches the driver’s side, and for a brief moment you think he’s going to get in, but he only opens the door for you.
“A few years,” you answer then.
When Nick is in the passenger seat and has his seatbelt secured, he nods. “Do you like Major Crimes or is it a steppingstone to something else?”
“I love this job,” you admit. “I can’t imagine leaving it.”
“Not even if Jim Street wanted you to join LBPD SWAT?”
“You checked up on me,” you hum, focused on the road rather than how Nick is looking at you.
“I flipped through everyone’s files,” he defends. “You’d be hard to replace.”
“Just call Morgan in more often.”
Nick doesn’t respond to that, letting his eyes wander your profile, your hair, and down your arms to where your hands hold the steering wheel. He felt drawn to you on his first day in the station, the moment he saw you in the bullpen, laughing quietly with Daphne. Though he hasn’t spoken to you nearly as much as he’d like to, Nick Wagner knows there is something in you worth seeing, worth appreciating… worth loving.
“Did you join us for this case for a specific reason?” you wonder. “Or was it just convenient timing?”
“I wanted to start with Major Crimes,” Nick answers. “I would’ve shadowed you- your team this week even if you’d been tied to the station.”
“Start with the best,” you hum, smiling. “I like it.”
Nick has grown quite comfortable at your side, you think. Three days into the kidnapping case, he’s made small talk in your passenger seat, offered theories or feedback from a chair he pulled up to your desk, and has even sent you a text message after leaving the station to inform you of the lab’s findings. Though you haven’t asked outright, you don’t think he’s been this open and engaged with the others.
“Perhaps you could accompany Detective Karadec, Captain,” Soto suggests when you get a possible location for the missing man.
“You ready?” Nick asks you rather than responding to your Lieutenant.
You look at Selena, and she shrugs. She’s leaving the decision up to you.
“Yeah,” you answer. “Let’s go.”
The foreclosed house on a busy street gets overlooked thousands of times each day, making it a perfect location to keep someone against their will. Based on your investigation, you think this kidnapping was a business venture gone wrong, a proposed deal that ended with hatred and a deviant attempt at revenge.
“SWAT is nearly an hour out,” Karadec says, meeting you, Nick, Daphne, Oz, and Morgan on the curb. “We can’t wait here that long.”
“Then we breach,” Oz suggests.
“No,” Nick interjects. “Call the sheriff’s department, see if they can spare anyone with tactical training.”
Turning, you see a loose piece of plywood tapping the stucco on the front of the house. It recoils as if it has just been released from someone’s hand. Whoever is inside knows you’re here.
Without a word, you run toward the house, skirting around the porch to disappear down the western side of the home. Karadec calls after you, grumbling under his breath as he lifts his phone to his ear.
“Why are you just standing here?” Nick demands. “You’re letting her go up there alone?!”
“She does this,” Karadec explains. “We’ve tried to talk her out of it. She just… She doesn’t think of the dangers.”
“And you…” Nick trails off, then pictures you going into this house with no sightlines and no backup. “Get someone here,” he instructs. “Now.”
Karadec nods, and Nick runs toward the house, following the same path you had taken. The back door is open, the door jamb splintered as if you kicked it in. Nick pulls his weapon, holding it at his chest as he steps into the empty residence. After two turns, Nick finds himself in a standoff with you. You drop your gun first, your brows furrowed as you look at him. Nick blinks, realizes he’s still aiming at you, and drops his hands.
“What are you doing?” you whisper harshly.
“What are you doing?” Nick counters. “You can’t just run in here while your team is discussing a plan!”
You roll your eyes and turn away from him, moving deeper into the hall. Nick’s steps thud softly behind you. For the first time in a while, you have backup, but your heart beats faster at the idea of Nick getting hurt because he followed you into this death trap of a house.
The gun fires before you even see the man crouching by the plywood-covered window. Nick grasps the back of your shirt and pulls you backward, his arm wrapping awkwardly around your chest and shoulder to keep you upright. He plants one foot between yours, reaching past the end of the wall to fire a single shot.
Your chest heaves against Nick’s forearm, your heart racing at the realization that you would have been killed if Nick hadn’t been here to pull you out of the doorway. When you drop your chin to try to catch your breath, you see blood on Nick’s arm. Your hand raises instinctively, your fingers prodding his arm gently in search of the wound.
“What are you doing?” Nick asks.
So, he’s fine, you muse internally. Your hand moves to your face, and you find the source of the blood.
“Suspect down,” you radio, moving your shoulders forward until Nick releases you.
“Whoa,” he breathes out when he sees your bloody face. “Are you—”
“I’m fine,” you insist, looking at the downed suspect. “We need to find our victim.”
“We need to get you checked out,” Nick argues. “The others can finish the search.”
You shake your head adamantly, attempting to walk past him to reach the other side of the hall. Nick holds your shoulders, his touch firm but kind.
“I’m calling EMS,” he decides. His voice drops to plead, “Don’t make me pull rank on you.”
“I am fine,” you repeat slowly. “Get off of me.”
“You just got shot; you are not fine!”
“Shot?” Daphne repeats from the back doorway. She sees the blood smeared across your cheek and down your neck and gasps before rushing to your side.
“Clear the rest of the house,” Nick tells Karadec and Oz. “And call EMS for your suspect and your detective.”
“Come on,” Daphne urges softly, holding your arm as she leads you toward the door.
“What happened?!” Morgan exclaims when you step into the doorway.
“I’m fine,” you promise. “Go find the vic, Daph,” you urge. “Please.”
She nods and releases you, then returns to the house. You lean against the side of the house, your chest tightening as you remember the last time you came this close to being killed. The day that someone else died for you; the last time you put your own needs before someone else’s.
“Hey, hey,” Morgan calls, her voice distant even as she gets closer to you. “Deep breath in. Breathe, detective.”
“I’m fine,” you whisper.
“Ambulance is here,” Nick barks from the back door. “Go.”
You blink, unsure why he sounds so mad. Shaking your head, you can only hope Morgan understands what you’re saying. You can’t take an ambulance that someone else might need. Not for something as straightforward as a graze.
“I think Daphne has a med-kit in her car,” Morgan murmurs. “I’m no expert, but I can use a butterfly bandage, so you stop bleeding on your cute pants.”
Nodding, you say, “Thank you,” and then heed her advice to take a few deep breaths before moving.
Daphne and Oz fret over you when you return to the bullpen. While Karadec interviews both the suspect and the victim — both of whom will recover completely from their injuries — in the hospital, Nick paces in Soto’s office, his hands moving animatedly as his voice rises.
“Here,” Oz offers, setting a plate of warm food and a glass of water at your desk.
“I’ll fix your hair,” Daphne adds. She moves slowly, each movement gentle.
Nick doesn’t even look at you when he storms out of Soto’s office. Only when he’s out of the bullpen does Oz make a comment about him being very mad for someone who didn’t get shot.
“Am I in trouble?” you ask Selena.
“No,” she says, smiling. “But we need to make some changes.”
When Daphne finishes your hair, you excuse yourself to use the restroom. Outside the bullpen, you walk past the restroom and get on the elevator.
Nick doesn’t seem overly surprised to see you in his doorway, but he gestures for you to close it and the impending sense of doom you had before returns. Just because he didn’t get you in trouble with Soto doesn’t mean you aren’t in trouble with him.
“What do you want?” he asks.
“I, uh… I just wanted to say thank you,” you answer. “For saving me today.”
Nick nods once. “I won’t be joining your team again.”
“Oh. Did you finish what you wanted to do?”
“No. But I can assure you that the Major Crimes team will never have my company on another case.”
You remain quiet, watching as Nick looks away immediately after noticing the bandage on your face. His explanation of not joining the team feels personal, like a punishment on the group for your actions. Your actions that recovered a kidnapped individual and closed a case. Your actions that Nick interrupted without warning.
“Why are you so mad at me?” you blurt out, suddenly unaware of why you want to know, of why you care.
“I’m not mad at you,” he grumbles.
“Well, there’s clearly something wrong. I’m sorry that encountering a very common job hazard of injury created some kind of rift between you and my team.”
“Your team?” Nick repeats with a flat, humorless laugh.
“Is that what this is?” you scoff. “You think my team isn’t a team because I went in alone?”
“You know what, fine,” Nick snaps. He pushes against his desk to stand, his eyes dark as he looks at you. “I can’t watch you rush into danger as if no one will care if you get hurt. You have a team that needs you.”
“I know!” you reply hotly. “I need to protect them! Are you seriously trying to tell me that I’m wrong for not wanting anything to happen to my teammates?”
“Who’s protecting you?” Nick yells.
Immediately, the room falls quiet. You’re both breathing heavily, staring at one another with tensed muscles and feelings that are hard to express anywhere, but harder to deal with in a police station.
“What does that mean?” you ask, your voice much softer than before.
“You protect everyone around you, no matter the cost,” Nick says. “But you won’t let anyone protect you from all the things you put yourself in front of.”
“No one has to.”
“Doesn’t mean no one wants to.”
You swallow, then nod. “Okay,” you agree. “What am I supposed to do?”
“Start by thinking things through,” Nick encourages, rounding his desk. “Don’t run into an unknown scene just so your team doesn’t have to. Don’t put yourself between me and an armed suspect. Don’t just think about all the things everyone else needs.”
“I can try,” you promise.
Nick nods, then raises a hand to hold your jaw. His thumb brushes beneath your bandage, his eyes softening as he looks at your lips, then the line of your nose, and to your eyes. “Let people take care of you sometimes,” he whispers.
“While I’m getting better?” you check, gesturing weakly to your head.
“Forever,” Nick corrects.
A week later, when you’re back from a short medical leave after seeing your doctor for a headache, you keep Nick’s advice in mind. Losing your partner a few years before you joined Major Crimes was a pain like nothing else you’ve ever experienced. And you blamed yourself. Nights were spent lying awake wondering what you could’ve done differently — you could’ve gone into the house first or volunteered to clear it alone, you could have set your self-preservation aside and insisted on taking the lead. Instead, you let fear and comfort dictate your decisions and could do nothing but watch as a fellow officer was gunned down. Now, you’re realizing that rushing into danger just puts someone else in your past position. If Daphne had to watch you bleed out because you ignored the danger and went into a dark building with unknown suspects, she might face the same fears and doubts you had. It’s a cycle that has to end.
Oz and Daphne seem to realize that you need the care you’ve always shown them, too. Daphne brings you your favorite drink when she gets coffee, Oz buys you lunch while you canvass, and Karadec gives you a look that says take a break. It’s not an easy adjustment, but it’s one you don’t have to make alone.
Plus, there’s Nick.
Nick came over the night after your doctor’s appointment and made you dinner. He brought Ingrid with him and the three of you sat on the couch together through the night, talking, laughing, and getting to know each other. By the time the sun rose, Nick was far more than your captain, and you found that idea wasn’t as terrifying as you thought it would be.
The day you return to work, you get a text inviting you to his office. He closes the door behind you, ushers you to sit in his chair and drink a cup of calming tea he made you while he checks in with you. The last time you were in his office, you asked him why he was mad at you. Today, you ask, “Could we have dinner again?”
“My place,” Nick agrees immediately. “I’ll order from the bistro you like.”
“You sound like a stalker,” you hum, leaning into his touch. “We just met.”
“And you got shot for me, so I think it’s fair.”
“Grazed, not shot.”
“Getting shot makes for a much cooler story.”
You consider his argument, then lean forward and hug him.
Three Months Later
For the first time since you joined Major Crimes, your team is at the scene before you even leave the station. You ran a check on the owner of the property and had a few other things to look into before you step onto the elevator to meet them. Captain Wagner is in the elevator, and he smiles at you as the door closes.
“Case?” he checks.
“Mmhmm,” you reply. “Landed about an hour ago. I did some research, but I’m heading to the scene now.”
Nick hums, then turns quickly. His hand finds your waist as he moves you backward. Pinned between him and the wall of the elevator, you have no choice but to meet his eyes as his thumb moves in an arc below your ribcage.
“You have to come back safe,” he reminds you lowly. “It’s not enough for you to keep everyone else alive. Look out for each other and let them look out for you.”
“I will,” you promise. “I’ve gotta get home to someone now.”
“Right,” Nick agrees.
He tips his head, but before he can kiss you, you mutter, “Ingrid needs me.”
Nick sighs as you giggle, and you’re still smiling when his lips press to yours. The elevator chimes when you reach the ground floor and Nick pulls himself away from you like it’s the hardest thing he’s ever done.
“Movie night?” you check.
“Ask Ingrid.”
You fall asleep on Nick’s shoulder with Ingrid in your lap halfway into the movie. He smiles, shifting carefully so you’re in a more comfortable position.
While brushing his hand over your hair, Nick murmurs, “I love you.”
Ingrid stirs, but you don’t move. Nick knows it’s time to tell you, so he retrieves his phone from the table to make a reservation at your favorite restaurant. The only thing left to do is keep Morgan from finding out and spoiling his confession. Nick traces a scar on your side from years past and realizes that both of you became protectors because you lost someone you cared for. Now, together, you’re protectors and protected, simultaneously. All because you let Nick get attached to you before you got shot. Yeah, he muses, it sounds way better that way.
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